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The 2014 Ellie Awards - Saturday Dec 6th - Save the Date!
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Greetings Editing Colleagues,
 The Executive Committee are busy preparing for the ASE 'Ellie' awards. Thank you all for your entries. It's a huge year and a great response and we are looking forward to a fantastic party, so please save the date of: Saturday December 6th at the Paddington RSL.
Thank you as well to our judges who have agreed to be part of the awards this year. It's brilliant to have so many experienced and well known editors step forward to help make this event possible.
Our next event will be a screening of the comedy, The Little Death followed by a discussion with editor Christian Gazal. Watch this space for the venue and time. The Little Death was a huge hit at The Sydney Film Festival so if you missed it there, or want to hear Christian talk about his experiences in the flesh or even meet him... we'd love to see you.
Big Congratulations to editors Jane Moran ( DEEPSEA CHALLENGE 3D) and Karen Johnson, ( The Last Impresario). Both films received AACTA nominations for Best Feature Documentary. Congratulations also to all editors of the AACTA films nominated for Best Short Film.
We are gearing up for another AGM later this year so to anyone who is keen to have a say or get involved, please come along, no matter what your level of experience. The committee is hungry for input, discussion and collaboration. It's a great way to meet other editors, share experiences and form networks.
Remember, it really is a matter of “What can you do for your Guild?”
Please let us know what you’d like to contribute or make available to share.
Regards,
Dany Cooper ASE
ASE President
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WESTERN AUSTRALIA
Here in the West, Looking For Grace is halfway through shooting. This feature film is directed by Sue Brooks and edited by Peter Carrodus ASE. It stars Richard Roxburgh, Radha Mitchell and Myles Pollard. And another locally produced feature is in the cinemas now. Go and see The Reckoning directed by John V. Soto and edited by Regg Skwarko: http://www.filmink.com.au/reviews/the-reckoning-film/
Regg is currently editing his next feature film The Pineville Heist - shot in Canada and Perth.
And the big news from the recent CinefestOZ was that Robert Connolly's Paper Planes took out the richest film prize in Australia. Voted best film at the festival it was awarded a $100,000 cash prize. The film was edited by the unstoppable Nick Meyers ASE. Read about it here.
And finally, the ScreenWest Infrastructure review "Focus On The Future" has recently been released. You can check it out here.
Lawrie Silvestrin ASE
Chairperson
Western Australian Committee |
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Meet The Member: Andy Marsh
 Andy Marsh works in both the documentary filmmaking and education space. When he is not in production mode he can found standing in front of students encouraging them to refine their scripts, re-shoot their significant scenes and to search for the narrative on their timeline. His most recent work is a four part Documentary series about Electric Superbike Racing in Australia. Presently he is working on a new series about Australia's quest for zero emissions.
I knew I wanted to work in post when…
I witnessed the Kuleshov effect for the first time. After studying TV and Media under the Faculty of Journalism at GCD, Ireland, I realised the power of the moving image. I became entranced by the notion that a story can be told 'simply' by the juxtaposition of images. Primarily, my work has been in the documentary space and there is no greater challenge than editing documentary. There is something special about taking what seems like an insurmountable amount of footage and weaving a story through it. I'm always humbled by how simple it looks when complete. Only the editor knows how much work goes into such a tapestry.
My first break in the industry was…
When I initiated a relatively large independent project with my business partner and a very small crew. After numerous trips to AFTRS for training, advice and some failed funding initiatives we decided to take the plunge and go fully independent. With zero budget and a tenacity that would not let go we pushed on for 10 months until finally we had completed four 24 minute episodes. It was not an easy task but our efforts were justified when we were nominated for a TV award. Priceless.
The thing I love most about editing is…
The complexity and the simplicity. Complexity in the raw footage and simplicity in the finished work. It's true to say that editing is an invisible art form. We work so hard to make ourselves disappear into the narrative. Finding and maintaining that suspension of disbelief is a life long challenge. Editing is a strange form of meditation. You need to see the future and the past but you can only work in the present. That frame just beneath the playhead. It's about aligning the narrative in your mind with what's on the timeline and using your intuition to drive the story forward.
The best tip I’ve got for aspiring editors is…
To read Walter Murch and follow his six rules of editing. Emotion is King above all else. Recognise that the difference between an assembly edit and a final cut is years of experience and an inner understanding of the human psyche. Editing takes place on a mechanical device but editing is far from a mechanical process. Immerse yourself in your footage. Spend time with each shot looking for Bresson's decisive moment and don't forget to blink!
If I wasn’t in postproduction I’d be…
On location, filming or reading Moving Pictures, by Terry Pratchett.
Luke Dickinson, NSW
I’ve been editing for around six years, starting off as a corporate editor working on web videos and VNRs, and now as a freelancer doing TVCs, television and short film. Feature film editing is definitely my focus, so at the moment I’m trying to take projects that will push me in that direction. Just today I signed up to be the editor for a crew working on a film for the 48 Hour Film Project this weekend. Should be interesting!
I knew I wanted to work in post when…
I had my first editing assignment while studying film and television. Not only was it a lot of fun, but finding the right timing for shots and cuts felt very natural to me. Editing’s mix of technical and creative aspects was something I found very enjoyable.
My first break in the industry was…
Working for a small PR company doing corporate editing. Their previous editor had completed the same course as I was doing at the time, so the company called the college to interview potential replacements. By the time I started he had already left, so I was thrown in the deep end on day one. While it was a challenge to learn everything as I went, it also meant I had free reign to create new workflows. It was a great experience to have before going freelance.
The thing I love most about editing is…
Even when you have a script to work to, every edit is an unsolved puzzle. Solving the puzzle of how best to tell the story is what I love most about editing. Whether it’s by nailing a difficult cut, getting your shot selection and timing right, or creating smooth audio transitions that “sell” an edit, solving the problem is a really satisfying process. Even better is when you get to watch your work invoke a response in your audience.
The best tip I’ve got for aspiring editors is...
Immerse yourself in the industry. Network. Find like-minded people to collaborate with. Read articles on editing and learn new techniques through tutorials or watching other people’s work. Above all, find something to edit and then show it to someone. It’s amazing how quickly you realise exactly what works and what doesn’t when someone else is watching your edit.
If I wasn’t in postproduction I’d be…
In cinematography. I love shot composition!
Meet The Committee: Lucy Paplinska, VIC
I knew I wanted to work in post when…
I attended my first Open Channel course years ago, back when it was tape to tape editing... even in my first extremely clunky days I could see that there was something magical and enthralling in the editing process.
I specialise in…
I've worked a lot in documentary but have taken my first small steps into drama as an assistant in the past couple of years and have really enjoyed the different mindset it involves - I love the idea of comedic timing for instance, something you don't get to experiment with that much in documentary!
My first break in the industry was…
I've been interested in both directing and editing for a long time and I come from a doco directing background. I directed my first TV documentary fresh out of VCA film school in 2004, that was an amazing opportunity. I made a conscious decision to concentrate on post production about 3 years ago and got my first assisting job on Anatomy at Matchbox Pictures, and have done a large variety of editing and assistant work since then - doco, drama and corporate.
The highlight of my career so far…
It's hard to pinpoint one thing but I would say that getting to assist on the 1st series of Nowhere Boys was really fascinating as that was my first experience in drama, and I learned a lot. I've also really enjoyed meeting others in the editing community and learning from experienced editors and assistants like Mark Atkin ASE and Annabelle Johnson. In saying that I am currently in the extremely lucky position of directing a one-hour broadcast documentary for ABCTV so that's certainly exciting!
I was inspired to join the ASE committee…
I always feel it's important to give back and become involved in any community that I become a part of.
The ASE is important…
It's very important to have an organisation such as the ASE to promote a sense of community and share knowledge and experience. The events organised are very interesting and worthwhile to attend, and they always extend my understanding of the craft. Finding out about work is also useful!
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Meet The Sponsor: Labspace
Labspace has it’s roots in Africa, started by Mike Brennan and Chris Summers in 2007 and quickly became South Africa’s leading training centre for the film and media industry with Apple, Adobe and Avid certified instructors. In 2010 Chris’ heart lead him back into the feature film industry. Having worked on 15 features, Mike also teaches the craft of editing at film school and continues to Direct, Edit and Composite on short projects.
Cedric Robertson decided to move to Melbourne to join family. Cedric was trained to work behind the lens and in his early days was mentored by industry greats and vowed to continue the tradition of transferring skills. This inspired the opening of the doors of Labspace Australia, together with Mike, late 2013.
In January 2014 Labspace was approved as an Apple Authorised Training Centre and in August, after seeing the demand, expanded and took space in Sydney. This is the view that greets you at reception!
August was a busy month and Adobe approved Labspace as an Authorised Training Centre and already running Premiere Pro courses and will be rolling out After Effects, SpeedGrade and Photoshop courses over the next few days.
Labspace prides itself in the fact that our courses are run in simulated workspaces with the latest Apple gear, up to date OS and Application software, Full HD and 4K monitors, and will run a course even if there is only one client booked!
Working with a team of industry gurus, all certified by the relevant software developers, we offer essential, advanced and certification courses to suit either the complete novice, experienced or advanced clients. Ideal courses for editors wanting to up-skill in this competitive industry, or get a certification - giving their clients peace of mind knowing that they proficient editors.
Courses we run: Premiere Pro, FCPX, Cinema 4D, After Effects, Motion 5, Logic Pro X, Photoshop, SpeedGrade, Audio 101 Location and Post Production, Grading 101 for Editors.
Our vision is to be the most professional, dynamic and resourceful independent skills bucket for the screen, media and broadcast industries in Australia with ever expanding range of up to date courses on offer.
At Labspace, we teach the tools of the trade so creatives can do what they enjoy doing best - BEING CREATIVE.
Master the tool you are using. |
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The LATEST Production Book iPad app now out and available as a free download!
The Production Book continues to be the most widely used and recognised directory for all things film and television. This year the app has undergone significant improvement to best address the needs of an ever-growing and evolving industry in Australasia.
New features include:
- Personal notes against listings can now be saved to the iCloud so they are not lost when the app is updated
- The app will be updated every three months so the listings are the most current in the industry
- Actors and their agents have been added as a category.
- Digital Media and Grip Cranes charts have been added to the charts for pre-existing sunrise/sunset times, phases and apsides of the moon, tides and international clothing measurements, amongst others
- A dedicated New Zealand section
The Production Book is the only directory of its kind in this space. Now in its 25th year, it is a trusted resource that is known to be current and relevant whose subscribers include key decision-makers from every facet of the industry from production to executive roles, as well as significant international subscribers shooting foreign productions locally. Wherever they are or whatever they need The Production Book is with them in one format or another.
Download the app today www.productionbook.com.au/mobile.aspx
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Speed Networking for Screen Practitioners
It’s on again! Speed Networking is a fast-paced, fun and enterprising event and is always a highlight of the Metro Screen event calendar. You’ll meet directors, writers, producers, editors, actors, animators and more..
Wed 24 Sep at Metro Screen. $10 includes drinks and event.
http://metroscreen.org.au/event/speed-networking-event-for-screen-practitioners/
Cinema 4D R16 + Training Bundle from Digistor
Release 16 of Cinema 4D, the leading 3D animation software for motion graphics, is now shipping. Digistor is providing a great offer for those who are looking for their first or additional licenses of Cinema 4D.
Purchase Cinema 4D R16 with MSA from Digistor by 31 October 2014 and we’ll include 2 days’ training for the price of 1, saving you $495 inc GST.
See the webpage for details or call Digistor on 02 9431 6000. |
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Digistor Training
Avid Media Composer for Final Cut Pro Users Bridging Course
9am Wednesday September 24th
A single day course for FCP editors that facilitates the transition to AVID Media Composer. Discover the differences between the two programs, project migration from FCP to AVID, media management, project setup, user settings, timeline operations, titling, VFX and grading.
CINEMA 4D Essentials
With the release of Cinema 4D R16 we have announced monthly training dates through to January 2015.
Thursday 9 October, Wednesday 12 November, Wednesday 10 December, Thursday 22 January
Cinema 4D is one of the most impressive 3D modelling applications and one of its greatest features is its simplicity of use. Hit the ground running with this introduction to how you can create 3D images quickly using CINEMA 4D’s intuitive design and logical workflow
CINEMA 4D Extension
Friday 10 October, Thursday 13 November, Thursday 11 December, Friday 23 January
This Extension day is designed for those who have experience in 3D or have completed the Cinema 4D Essentials course at Digistor and would like to learn more on how to become skilled in this area of production.
For further information please visit: digistor.com.au/training
Digistor offers a 10% discount to ASE members for all classroom training
For further information, to take advantage of the ASE discount or to discuss alternative custom training options, please contact:
Sarah Palmer, Training Manager
sarahp@digistor.com.au
02 9431 6032
With the opening of Labspace Sydney, Antony Brown is the latest Certified Instructor to join the Labspace crew. He has extensive experience with Adobe products - Photoshop, After Effects, Premiere Pro and Indesign and is Apple Certified Trainer FCPX.
HIGHLIGHTS.….
Apple Logic Pro X
LPX 3 Day (exam included)
Sydney 26•27•28 Sept 09h30 - 17h30
Apple Final Cut Pro X
FCPX Professional Post Production 3 Day (exam included)
Melbourne 16•17•18 Sept 09h30 - 17h30
10•11•12 Oct 09h30 - 17h30
Sydney 26•27•28 Sept 09h30 - 17h30
Adobe Premiere Pro, After Effects, Photoshop, Cinema 4D Courses
Sydney and Melbourne - see website
Bookings, course descriptions and dates, go to www.labspace.com.au
Do ASE members get a discount? What a question - 10%!
The skills you gain on a course will takes you months online!
cedric@labspace.tv
Cedric Robertson
Apple Certified Trainer
Introduction to Adobe Premiere Editing
Good Editors are in demand and if you want a job in a professional production house you’ll need to be able to use Adobe Premiere, the preferred software of many professional editors. Update your skills now at Metro Screen. Course starts 20 Sept.
http://metroscreen.nsw.edu.au/
From Final Cut Pro to Adobe Premiere in 2 days
This weekend intensive course will help you migrate from Final Cut Pro 7 (FCP7) to Adobe Premiere in just 2 days.
Early bird discount book by 13 Oct. Course dates 1 Nov - 2 Nov.
Sound Design and Editing Course
Design a complete soundscape for an existing film excerpt and complete practical exercises recording in a variety of locations.
Early bird discount 27 Oct. Course starts 15 Nov.
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The Choppers do Coastrek!
4 desk-bound female Editors take on the challenge of Coastrek (http://www.coastrek.com.au) It's a 55 km walk in ONE DAY, 6 March 2015, from Palm Beach to Balmoral in aid of the Fred Hollows Foundation. We use the gift of sight every day, but huge numbers of people have lost this priceless possession. We're aiming to help by raising sponsorships for our Team on this Charity Trek! Join in for updates about THE CHOPPERS - Karin Steininger, Sally Fryer, Karen Johnson and Lile Judickas - by 'Like-ing' our Facebook page: https://www.facebook.com/thechoppersdocoastrek
Any donations welcome! http://lnkd.in/b3eckEe
The procedure for anyone wanting to donate is to:
- Go to the Coastrek web-site - http://www.coastrek.com.au
- Type in the name of the team (THE CHOPPERS), OR an individual team member's name (Karin Steininger, Karen Johnson, Sally Fryer, Lile Judickas) in the section of the page titled 'DONATE NOW AND SUPPORT A TREKKER OR A TEAM'
- Then click 'SEARCH'. That will bring up the 'Make a Donation' dialogue and after completion of this, any donation will be registered to the correct Team total - also visible on the web-site under the heading FUNDRAISER LEADERBOARD / VIEW ALL TEAMS
The donation procedure then generates a receipt from Coastrek which will be e-mailed to the donor, for tax deduction purposes.
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