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New Work Newsletter, July 2013
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Issue #1, July 2013

welcome to the first issue of my "New Work" newsletter. This year I have been producing a lot of work, mainly paintings, drawings and collages around the theme of Plant Life. It's been very absorbing, needing lots of thought and research which has resulted in less actual painting lately but in a good cause. 

One thing that stands out is that whichever medium I'm using at the time has a strong effect on the outcome, more than I would have expected. I suppose it's because each medium elicits its own physical and intuitive response and lends itself to different thought processes. But still, a remarkable phenomenon.

The idea behind the Plant Life series is that the world of plants is closed to us, just as the world of animals is closed to us because we can't communicate with them (cf John Berger,  Why Look at Animals).
It's a world steeped in mystery, dimly seen, partly out of sight underground, and I'm exploring it through drawing, painting, printmaking and collage, each medium with its particular abilities to reveal or conceal. 

One of the things I found was Goethe's The Metamorphosis of Plants, which was re-published not long ago in a beautiful new edition, a small hardcover illustrated with photographs and line drawings including some of Goethe's own drawings. He was forever curious and striving to make sense of the natural world, an artist-scientist in the style of Leonardo. This is one of several lines of inquiry.

All of which has resulted in a varied and eclectic body of work which is just in its beginning stages. 
 

Some of the work 

Milton Avery and Alex Katz may have influenced the paintings below (I leave it to the reader to decide in what way), while the collages are based on wildflower drawings from a series I did back in the 80s.

(The image in the header is a detail of a monoprint. If you don't see this image or those below, click "Display images" at the top of the email.)

 

1. Anthuriums, acrylic on canvas, 12 x 9". View at Saatchi Online
2. Blue Flowers, acrylic on canvas, 8 x 8". View at Saatchi Online 
3. Croton, acrylic on canvas, 8 x 8". View at Saatchi Online 
4. Red Impatiens, acrylic on canvas, 10 x 8". View at Saatchi Online 

Assemblage/Collage


Left: Shado beni, collage and coloured pencil on acid-free paper, 12 x 9". View at Saatchi Online.

Right: Necessities of flying, collage and coloured pencil on acid-free paper, 12 x 9" (Cassia occidentalis). View at Saatchi Online.

ACEOs

I've been making miniature paintings called Art Cards, or ACEOs (for Art Cards, Editions and Originals). They can be in any medium, of any subject, the only requirement being that they must measure 2.5 x 3.5 inches to qualify as an ACEO. I'm doing originals only, in acrylic or oil. Some are miniature versions of earlier work and in other cases the art card comes first and I make a larger version of it later. They make great gifts and can look good in a large frame

The one on the left is White Flowers, oil on card 2.5 x 3.5 (this has been sold), and the one on the right is Cascade, Afternoon, oil on card, 2.5 x 3.5. Some of my  ACEOs can be seen on eBay at  http://myworld.ebay.com/folio3/

Finally, some links . . .


A major find this past week has been Quora.com -- it's a question and answer site unlike any other I've seen before. I found some interesting and accessible replies to philosophy/art questions. 

The Public Library of Science (PLOS) is a non-profit organisation that believes in free access to scientific information. It publishes a number of peer-reviewed open-access journals. All the content is not only free to read but is also free to use (Creative Commons licenses). I've found things on it that have helped my plant life project along.

 

Well, that's it for this issue of the newsletter. Thanks for reading and I hope you have found it useful. If you would rather not receive further issues, please click the Unsubscribe link in the footer of the email.

Until next time. 
Copyright © 2013 Mary Adam, All rights reserved.


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