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CINEMUSE INDEPENDENT CINEMA | Encounter Humanity
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CINENEWS


LAST SCREENINGS AT 5RYNEVELD
Cinemuse is evolving into a new model and expanding to new venues. We can't say much yet, but what we can say, is that this month is your last opportunity to experience an iconic Cinemuse experience at the venue, 5Ryneveld. More info soon...

 

MONDAY - May 9th
7:30PM for 8PM

- hosted by JOS KOETSIER


SAVE AND PROTECT (1990)




Soviet Union | 1989 | English subtitles | 96 minutes | NA

DIRECTED BY ALEXANDR SOKUROV

Inspired by but not slavishly adapted from Gustave Flaubert's novel "Madame Bovary.” 

Though Save and Protect evokes the novel with sometimes startling fidelity, director Aleksandr Sokurov has no intention of trying to recreate it paragraph by paragraph. The embalmer's art, the object of which is to create something prettier than life though dead, is of no interest to this gifted, most original new Russian director.

Instead, he has made a movie about "Madame Bovary," about everything from the ravenous nature of the driven, foolish Emma and the events that overwhelm her, to the novel's enduring hold on the imaginations of succeeding generations. Among other things, "Save and Protect" recalls some sense of the urgency, excitement and wonder that attends the first reading of the book.


BOOK TICKETS

MONDAY - May 16th
(next week)
7:30PM for 8PM

- hosted by BRYCE ANDERSON

 

MOTHER AND SON (1997)




Russia | 1997 | English subtitles | 79 minutes | NA

DIRECTED BY ALEKSANDR SOKUROV

In his spare, intense, lyrical ''Mother and Son,'' Sokurov immerses the viewer in an isolated landscape that resonates with pain and loneliness as a young man tends his dying mother. On the surface, little happens. In a small house in the countryside of Russia, a son cares for his sick, elderly mother as they prepare for her death. If ''Mother and Son'' vexes at length despite the mesmerizing cinematic canvases that Mr. Sokurov lays before the onlooker in an unbroken parade of visual riches, it is because in time, he creates an understandable yearning to know more of these people. For all the universality of the relationship he depicts, for all the universality of death and loss, this mother and this son are singular.


BOOK TICKETS
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