FOR IMMEDIATE RELEASE
January 14, 2016
Tickets & Information: 212/854-7799
PRESS CONTACTS
Aleba Gartner, 212/206-1450
aleba@alebaco.com
Charlotte Levitt, 212/854-2380
cl2867@columbia.edu
“Their sound is warm and resonant, and they sing this 300-year-old music
with the freshness and ardor of true believers.”
—The Independent

 

Miller Theatre at Columbia University School of the Arts


continues its Early Music series with

The Bach Dynasty

featuring the Belgian vocal group

Vox Luminis

 

Saturday, February 13, 2016, 8:00 p.m.

Church of St. Mary the Virgin (145 W. 46th Street)

Tickets: $30-$45 • Students with valid ID: $7-$27
www.millertheatre.com/events/the-bach-dynasty
From Miller Theatre Executive Director Melissa Smey:
“I look forward to welcoming Vox Luminis to our Early Music series for the first time. They are fantastic singers, and this program will be an especially interesting one for audiences—an opportunity to hear music from generations of the Bach family, side by side.” 

EARLY MUSIC

Miller Theatre's "essential" (The New Yorker) Early Music series has been lauded as a leader in the scene. This year Miller welcomes back four established masters of period performance—The Tallis Scholars, Orlando Consort, Le Poème Harmonique, New York Polyphony—and is thrilled to present Vox Luminis from Belgium in their Miller debut. The result is an eclectic and fascinating tour of the musical riches of the pre-Classical era. 
Saturday, February 13, 2016, 8:00 p.m.

Vox Luminis: The Bach Dynasty

Church of St. Mary the Virgin (145 W. 46th Street)

The Belgian vocal ensemble Vox Luminis—acclaimed for their “profound, rewarding, and intoxicating” (Gramophone) performances—makes their series debut with motets from one of music’s most illustrious families. Over the generations, the Bach family set the standard for German Lutheran church music: rich, warm, and powerful, the work fits its transcendent subject matter. Culminating in J.S. Bach’s dramatic Jesu meine Freude, this program lets the splendid works of Johann’s predecessors (and cousins) ring out.

REPERTOIRE:
Johann Bach (1604-1673):  Unser Leben ist ein Schatten 
Johann Bach:  Sei nun wieder zufrieden 
Johann Michael Bach (1648-1694):   Ich weiss dass mein Erlöser lebt 
Johann Michael Bach:    Sei, Lieber Tag, willkommen
Johann Michael Bach:  Halt, was du hast 
Johann Christoph Bach (1642-1703):  Der Mensch, vom Weibe geboren
Johann Christoph Bach:  Lieber Herr Gott, wecke uns auf
Johann Christoph Bach:  Fürchte dich nicht 
Johann Ludwig Bach (1677-1731): Das Blut Jesu Christe 
Johann Ludwig Bach:  Das ist meine Freude
Johann Sebastian Bach (1685-1750):  Jesu meine Freude

PERFORMERS:
Zsuzsanna Toth, soprano
Maria Valdmaa, soprano
Stefanie True, soprano
Caroline Weynants, soprano
Jan Kullmann, countertenor
Barnabas Hegyi, countertenor
Robert Buckland, tenor
Olivier Berten, tenor
Philippe Froeliger, tenor
Lionel Meunier, bass and artistic direction
Sebastian Myrus, bass
 
Continuo:
Jorge Lopez Escribano, keyboard      
Ricardo Rodriguez Miranda, viola da gamba

Vox Luminis

Vox Luminis, founded in 2004 in Namur, Belgium, is an ensemble specializing in the performance of 16th–18th century vocal music.
 
The ensemble has been praised for its seamless blend of high quality individual voices, exquisite tuning, and clarity of sound. Critics have also commented on the ensemble’s enthusiasm in sharing its passion for early music with an audience. The majority of the group met at one of the most significant centers for early music in Europe: the Royal Conservatory in The Hague. Vox Luminis has performed in festivals and venues across Europe. The ensemble records exclusively for the Belgian label, Ricercar. Their first CD, released at the end of 2007, features four vocal works by Domenico Scarlatti, including his famous 10-part Stabat Mater. In May 2010, the ensemble released its second album, Samuel Scheidt: Sacrae Cantiones, which features several world premieres. Their interpretation of Heinrich Schütz’s Musicalische Exequien (2011) has received several prestigious awards such as the Gramophone Recording of the Year, the Baroque Vocal Gramophone Award, and the International Classical Music Award. Their most recent recording, Johann, Johann Christoph, Johann Michael Bach: Complete Motets (2015) is the first complete recording of the motets by Johann Sebastian Bach's ancestors.
 
Other recordings have also received many awards throughout the world, including Gramophone’s Editor’s Choice, Diapason d’Or, Choc de Classica, Muse d’Or Baroque, Preis der Deutschen Schallplatten Kritik, Joker de Crescendo, and Prix Caecilia.

Upcoming concerts
in Miller Theatre’s Early Music series

Single tickets: $30-$55

Sunday, April 3, 2016, 3 p.m.

Airs de Cour

Le Poème Harmonique
Columbia University’s Miller Theatre is located north of the Main Campus Gate
at 116th St. & Broadway on the ground floor of Dodge Hall.
 
Directions and information is available online at www.millertheatre.com
or via the Miller Theatre Box Office, at 212.854.7799.

For photos, please contact Charlotte Levitt at 212/854-2380 or CL2867@columbia.edu.
For further information, press tickets, photos, and to arrange interviews,
please contact Aleba & Co. at 212/206-1450 or aleba@alebaco.com.
 

Copyright © 2016 Aleba & Co., All rights reserved.

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