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Summer 2017 Quarterly Newsletter
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OFN Book Release: Oregon Traditional Arts Apprenticeships Master Artists: 2012-2016
Alina Mansfield
We are pleased to announce the release of Oregon Folklife Network’s latest publication: Oregon Traditional Arts Apprenticeship Master Artists: 2012-2016, featuring highly skilled traditional artists in Oregon. This publication and the Traditional Arts Apprenticeship Program in Oregon was made possible through grant funds, and so is not for sale. Instead, we share it for free with cultural organizations, libraries, funding partners, and elected officials. Doing so achieves key parts of our mission: investing in traditional artists, creating new outlets to show Oregon’s traditional arts, and providing public access to information about traditional ways being practiced in Oregon today. Read more…
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Update from Eastern Oregon
Josh Chrysler
As the contract staff folklorist for the Four Rivers Cultural Center in Ontario, Oregon, I’ve been busy this summer developing public programs celebrating the traditional culture and folklife of eastern Oregon. Although very rural, expansive country, there is an incredible diversity of folklife in the region. Native American, Basque, European, Hispanic, and Japanese represent a few of the constant flow of people of varied ancestries who have relied on the four rivers that converge in the western Treasure Valley—the Snake, Malheur, Owyhee and Payette – for which the Four Rivers Cultural Center is named. Each of these cultural groups have contributed their own folklife to the culture of the region. Read on…
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Portland-based Hip-Hop artist Mic Crenshaw and his apprentice Baqi Coles, recipients of a 2015-2016 Traditional Arts Apprenticeship Program award.
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OFN Roadtrip,Eastern Oregon
Riki Saltzman
From August 4-7, 2017, I had the privilege of traveling about a thousand miles through eastern Oregon—to Burns, Frenchglen, Baker City, Pendleton, and back through the Gorge. I’m always struck by the vastness of our state, its overwhelming beauty, and the diversity of its terrain and eco-systems. In a few hundred miles, I passed through many national forests, mountains (Cascades, Blue, and Steen), high desert, sage prairie, great basin, hot springs, some surprising wetlands, and lava beds. A smoky haze hung over all, due to the fires raging throughout the state.
What brought me out of Eugene was the opportunity to attend two of a series of folklife programs that Four Rivers Cultural Center (Ontario) put together with cultural partners in Harney and Baker Counties. Read more…
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Staff Spotlight: 2017 Graduate Folklore Fellow, Alina Mansfield
Each year, with funding from the University of Oregon’s academic Folklore Program, OFN employs a recent graduate of their masters degree program for one term, providing paid employment, job experience and resume enhancement while the emerging professional seeks permanent employment. OFN was pleased to retain former Graduate Employee, Alina Mansfield, as this Summer’s Graduate Folklore Fellow. Mansfield recently helped write, produce and distribute our latest publication, Oregon Traditional Arts Apprenticeships Master Artists: 2012-2016 and has been actively updating OFN’s growing Oregon Culture Keeper’s Roster with traditional artists selected from our Gorge, Eastern Oregon and Portland/Metro folklife surveys.
Mansfield has a bachelor’s degree from UC Berkeley, where she designed her own Folklore and Mythology major. A contributor to the Encyclopedia of Women’s Folklore and Folklife, Mansfield is currently researching Mardi Gras traditions in Mobile, Alabama and Biloxi, Mississippi. For her Master’s Terminal’s Project, she completed a documentary folklore film entitled, “To Catch a Crown: Mardi Gras in Biloxi.”
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