In tribute to Robert F. Kennedy's raw empathy, his determination to make our lives better, and his insistence that the government is answerable to all - black and white, rich and poor - hundreds of thousands of people stood patiently in the searing heat on June 8th, 1968 to watch his funeral train travel slowly from New York to Washington, D.C., just as Abraham Lincoln's had, 103 years before. Paul Fusco photographed the silent, mourning crowds from the passing train. The result, brought to light over thirty-years later, is a moving snapshot of America at a crucial moment of trauma and transition.

Organized into five sections - New York City, 1960 to 1965; Chicago, 1962; The South, 1961 to 1965; Freedom Ride, 1961 - Mississippi Freedom March - Birmingham Demonstrations - March on Washington, 1963 - Voter Registration; and Mother Brown, 1962 - "Time of Change" tells a compelling story of community pride and survival, work, love and self-determination. By linking seemingly unrelated stories, Davidson shows us that there was more to the civil rights movement than the violent and racially-charged images we have so often seen.

Capitolio is a cinematic journey through the shadows of Caracas, Venezuela during "revolution". In the tradition of William Kelin's New York and Robert Frank's The Americans, Magnum photographer Christopher Anderson creates an emotional portrait of a time and a place that is ripping apart at the seams. Rather than a didactic or journalistic approach, Anderson presents a poetic vision of a place where the violent and sensual coexist.

Selected from twenty years' worth of photographs by award-winning Magnum member Larry Towell, The World From My Front Porch is a collection of photographs of family life in southern Ontario-a romantic and beautiful rural idyll. This photo-essay is at the heart of a book that also, in separate sections of albums and found objects, explores both the history of Towell's front porch and his outside journeys into the war zones of the world. Themes of land and belonging are woven together in an extensive autobiographical essay.

Fuji began as a response to the work of the master printmaker of the nineteenth-century, Katsushika Hokusai, whose famous book, Thirty-Six Views of Mount Fuji, documents the life of the people around the mountain, rather than the mountain itself. Here, the photographer depicts Fuji as a cultural nexus: a dynamic social phenomenon where tourism, farming, industry, religion, urbanization, locomotion, housing, recreation and traditional ceremony are all framed by the potent national symbol of the mountain.

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