Copy
View this email in your browser
Share
Tweet
Forward

Since embarking on my social media fast, I've had time to read more books. One of my favorite writers and creative coaches put out a book this year and I didn't even know until I looked at his blog this week for inspiration. I've been a fan of Steven Pressfield since reading his book The War of Art. This book beautifully explains the resistance we meet when we're about to do something that matters. I also recommend Do The Work by Pressfield, which is a great guide for, well, getting creative work done and out into the world. This weekend, I plan to get into No One Wants To Read Your Sh*t, Pressfield's latest book. 

Full disclosure: I have not read this book yet, but the title resonates with me, as does this excerpt from Chapter Four in the book: 

"When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with every phrase and every sentence: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is he bored? Is he following where I want to lead him?"

For the creative, it may seem inauthentic to make work for a potential or real audience, but that's not was Pressfield is saying. He suggests that creatives look at their work from the perspective of the audience. Our work is like our homes. We may tolerant some messes when we are home alone, but if we're inviting company over, we want to make sure that it is tidy and comfortable for them. It's still our home, it's just a better version of our home. 

In other words, thinking about how our audience will experience our work will make our work better. 

Be A Good Host, 
Chakka

Web-based readers: Welcome! Click here to subscribe!
Highwater Podcast Updates
Email
Email
Facebook
Facebook
Medium
Medium
Podcast
Podcast
Twitter
Twitter
Website
Website

Highwater Weekly Picks  
Note: Award details and deadlines are subject to change. Consult each individual program's website for the most accurate and up-to-date information. 

Toolbox
  • EARLY CAREER ARTISTS: Princeton Arts Fellowships are awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career poets, novelists, choreographers, playwrights, designers, performers, directors, filmmakers, composers, and performance artists–this list is not meant to be exhaustive–who would find it beneficial to spend two years teaching and working in an artistically vibrant university community. An $80,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. Deadline is September 19. Apply Here.
If you have any suggestions, questions or submissions for The Highwater Weekly, please send them to gethighwater@gmail.com.

If you would no longer like to receive THW, I'll miss you, but we're still cool. Just hit "Unsubscribe".
 
Share on Facebook
Tweet it Out
Forward via Email
Share
Copyright © 2016 Highwater MAG, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Email Marketing Powered by Mailchimp






This email was sent to <<Email Address>>
why did I get this?    unsubscribe from this list    update subscription preferences
Highwater MAG · 1600 S. Dream Way · Chicago, Il 60620 · USA

Email Marketing Powered by Mailchimp