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The Case for Extreme Positions

If there is a single underlying theme underpinning media engagement today, it's the presence of extremes. We see this play out in hyperbolic headlines, cable news grounded in argument, algorithms programmed to elicit outrage, and so much more. As deep divides become more prevalent around the world, these extreme positions are often painted as universally bad and damaging to the norms we’re accustomed to.
 
But differing opinions and strong-willed arguments are also foundational elements of new ideas. When directed appropriately, taking extreme positions beyond the norm is not only good, but vital for success in times of change.
 
Steven Johnson recently talked about “optimal extremism” on an A16z podcast while promoting his book Farsighted: How We Make Decisions That Matter Most. In it, he cites lots of examples that illustrate how impactful different perspectives can be in addressing problems, often through previously unimagined alternatives.
 
A case in point is the High Line in New York City. The park is built on what was once an elevated train line that sits along Manhattan’s West Side. After closing in 1980, the platform and surrounding area became an eyesore and public safety concern. For 10 years, a legal process and debate ensued over who would pay for the demolition.
 
Then something surprising happened. A painter and a writer joined forces and they envisioned a completely new solution. They envisioned revitalizing the tracks not as a transportation platform, but as a park. While the idea was initially dismissed as nonsensical, the first stretch of the High Line Park eventually opened to the public as one of the most inventive and widely admired urban parks anywhere in the world. (You can learn more about the radical-idea-turned-groundbreaking-success in this week’s Deep Take.)
 
For a decade, the argument was framed entirely in terms of an inevitable demolition. But as Johnson suggests, making complex decisions is not just about debating a binary choice. It’s also a matter of discovering alternative options by looking at things from an extremely different vantage point.

Chris Perry
Chief Digital Officer, Weber Shandwick
@cperry248
What We're Reading
CONTENT EXPERIENCE
Google Isn't just a search engine  it's a literal extension of our mind 
By Benjamin Curtis, Nieman Lab
Well-known futurist and Google engineer Ray Kurzweil suggested long ago that the fusion of mind and machine will happen by 2030, a phenomenon known in tech circles as Singularity. Given the time and depth we spend with services like Google, maybe this fusion is happening sooner than we think.
LEADERSHIP INSTINCTS
Pop's Biggest Stars Can Control Their Own Narrative Like Never Before. Is That a Good Thing?
By Stephen Kearse, Pitchfork
The constant shaping of image and narrative has always been integral to celebrity culture. But as the means and power to connect directly with an audience grows, celebrities are becoming media platforms in their own right.
MEDIA FORENSICS
The Media Resurrection: Blockchain, Journalism and Value on the Web
By Jarrod Dicker, Medium
Reconciling the means to produce quality content with the ability to get paid for it continues to plague media companies. Stress on the industry requires radically new means for monetization, and blockchain may just be the answer. 
CONTENT EXPERIENCES
Emoji: The World's First Global Language
By Marcus Swan, Medium
The rise of visual influence in media has largely focused on exponential growth of video, images and all-new formats that blend the two. Yet to truly grasp the depth of change in visual expression, consider the ubiquity of emoji and how quickly it’s become the first truly global language.
PLATFORM DOMINANCE
Now Twitter Edits The New Yorker
By Bret Stephens, The New York Times
David Remnick, editor of the New Yorker, extended an invitation to Steve Bannon to be interviewed on a public stage. He quickly rescinded the invitation after an uproar on Twitter. This reaction is symbolic of a larger trend in play. The anticipation of public reaction is a critical element of creative direction for all companies in the media industry. 
CONTENT EXPERIENCE
CinemaScore, Rotten Tomatoes, and Movie Audience Scores Explained
By Alissa Wilkinson, Vox
Determining the quality of a film and whether or not any given audience member will like it is more difficult than it may seem. A critic's rating can have a significant impact on the success of a film, but there is often a disconnect between critic and audience opinion. 
ARTIFICIAL INTELLIGENCE
What Can AI (and AlphaGo) Teach Us About Being Human?
By Eric Kim, Eric Kim Photography
Many fear the potential implications that smarter and more powerful artificial intelligence will have on the workforce. But AI could also potentially help us question ourselves, change our way of thinking, and even make us more intelligent. 
Emerging Technology
This AI Makes It Look Like You Can Pop and Lock
By Mark Wilson, Fast Company

For most people, there comes a point in life where they realize they will never be a millionaire, they will never dunk, they will never write that novel, and they will never dance like Channing Tatum. But at least in the last case, times are changing.

Deep Take
Building A Park In the Sky
By Robert Hammond, TED
The old rail line was doomed to be torn down by the city, but one man decided he wanted to join the team pushing to preserve it. Until he realized there wasn't one. Robert Hammond found the one other person interested in saving the line at a community meeting, and they started the organization "Friends of the High Line." The elevated wildscape that ran through Manhattan eventually inspired NYC planning director Amanda Burden to model the High Line after la Promenade Plantée, a similarly elevated park in Paris. Today, the tale of local cultural activism inspires diverse new architecture across the West Side of Manhattan, including Stephen Ross's new Vessel. This all happened because of one person's extreme viewpoint. 
Copyright © 2018 Weber Shandwick



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