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Kai Matsumiya is proud to announce the participation of Natascha Süder Happelmann for the German pavilion at the 2019 Venice Biennial. 



NATASCHA SÜDER HAPPELMANN
GERMAN PAVILION 2019
58TH INTERNATIONAL ART EXHIBITION
BIENNALE DI VENEZIA
11 MAY – 24 NOVEMBER 2019


Berlin, 25.10.2018 – Franciska Zólyom, the curator of the German Pavilion 2019, is working with the artist Natascha Süder Happelmann on the design of the German contribution for the 58th International Art Exhibition, Biennale di Venezia.

Natascha Süder Happelmann is an important voice of contemporary art. In her work she unfolds the poetic, imaginary and critical potential of art. She stands for an artistic
position that not only analyses or comments on aesthetic and scientific concepts and
social or political conditions, but actively changes them. Within each working process the artist develops a new understanding of her role and a new approach.

For the contribution to the German Pavilion 2019, Natascha Süder Happelmann works with a personal spokeswoman, Helene Duldung, and adapts her name especially for the task. The artist has evaluated a collection of various different names that have been used by official authorities to address her over the last thirty years. After careful analysis of the variations, which have arisen due to autocorrect programmes and misspelling, she has used algorithmic parameters and social protocols to select the most suitable version: an optimal form of integration.

Disconnecting the artist from representative roles or political instrumentalisation has always been an integral part of Natascha Süder Happelmann’s artistic practice. As early as 2004, the artist initiated the CV exchange platform bioswop.net, where concepts such as identity, representation, facts and self are renegotiated and the fetish of the “artist’s biography” is undermined.

Natascha Süder Happelmann primarily creates works in the fields of installation and
performance, text and sound. As an individual or collective artistic position, she frequently allows her practice to flow into political, social processes. She addresses the activist aspect of artistic work and reassesses the conditions and spaces for aesthetic research and artistic action.

The German contribution to the 58th International Art Exhibition – La Biennale di Venezia is realised on behalf of the Federal Foreign Office in cooperation with

ifa (Institut für Auslandsbeziehungen).
The German Pavilion 2019 is supported by:
ifa Freunde des Deutschen Pavillons / Biennale Venedig e.V.
Arend and Brigitte Oetker
Rudolf Augstein Stiftung
Schwarz Foundation
“So geht sächsisch.”
Die Kampagne des Freistaates Sachsen
Cooperation partners:
Deutschlandfunk Kultur
Goethe-Institut
Institutional partner:
GfZK – Galerie für Zeitgenössische Kunst Leipzig

You may follow the artist here:

Instagram: @natascha.sueder.happelmann
Facebook: Natascha Sueder Happelmann


"Empire of the Senseless II" at Kai Matsumiya
 
 
Kai Matsumiya
153 1/2 Stanton St
New York, NY 10002
www.kaimatsumiya.com
info@kaimatsumiya.com
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