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Sherri Cornett
Call for Art, Exhibitions, How do we know what we do not know ?
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ANOSOGNOSIA and the ASYMPTOTE
(Curatorial essay by Sherri Cornett for "Beyond Borders: Stories of im/Migration" exhibition catalog, Published by Gutfreund Cornett Art, Copyright 2017. Reprinted with permission.)

"The  decree  [the  summary Executive Order of
a Member State prohibiting migration from seven 
elected countries with Muslim majorities], which
was arbitrarily and summarily enforced, is clearly
in violation of several of the UN Conventions
prohibiting discrimination on the basis of religion,
nationality or race . . . It is an arbitrary, xenophobic,
profoundly harmful act which in its disregard for 
promises, its violation of fundamental and dearly
cherished human rights and humane values diminishes
us all. It creates division, demonizes and stigmatizes
as potential terrorist a particular group of people on
the sole basis of their religion, ethnicity,and national
origin. It sows fear, suspicion and instability everywhere."

- Maria Pia Belloni-­Mignatti, Chair,
UN NGO Committee on Migration
[1]


How did we get here, where science, facts and truths are undermined? Where divisiveness and hate are escalating? How are our opinions and views of our world, and those with whom we disagree, created?  Where do we go for reliable answers to our questions? How do we know what we know? What we don’t know?



The United States was built on the foundation of intellectual freedom. The Fairness Doctrine of 1949, which was abolished in 1986,  created an “honest, equitable and balanced” presentation of  issues in broadcast news.  As a result, accurate media content could help with the development of our personal  viewpoints. With the advent of an Internet model that creates a proliferation of unsubstantiated facts, the devaluation of investigative journalism became a reality. With the negation of science, the standard of truth became destabilized, leading Stephen Colbert to coin the word “truthiness” If one feels it is true in one’s gut, it must be true, despite what “elitist” reference books might prove otherwise. [2]
 
“Forbidden is any kind of search for truth that is not in conformance with accepted practices . . .” Andre Breton, The Surrealist Manifesto  [3]
 
Every man has a right to his own opinion, but no man has a right to be wrong in his facts. Bernard Baruch January 6, 1950 issue of the Deming (New Mexico) Headlight
 
In his five part series  The Anosognosic’s  Dilemma, author Errol Morris  talked with author and professor of social psychology David Dunning about imperfection of insight. 

“What we see and what we hear” is shaped by our preferences, our wishes, our fears, our desires and so forth. We literally see the world the way we want to see it. But the Dunning-­‐-­‐-­‐Kruger Effect [as coined by Dunning and his research partner Justin Kruger] suggests that there is a problem beyond that. Even if you are the most honest, impartial person that you could be, you would still have a problem – namely, when your knowledge or expertise is imperfect, you really don’t know it. Left to your own devices, you just don’t know it. We’re not very good at knowing what we don’t know.” [4]

Morris and Dunning go on to equate this phenomenon with anosognosia, which is a neurological term used to describe someone who has a disability, but does not know he or she is disabled. Applied to the broader world, there are things we know we do not know. For these, we can research and find answers, or we can deny that we do not know. We can choose to stop being curious and stop learning. We can create barriers around our beliefs while simultaneously ignoring those that do not agree with us.

Robert Wright, in his article Why Can't We All Just Get Along? The Uncertain Biological Basis of Morality, calls this confirmation bias. “Some of our deepest moral intuitions are gut feelings that are with us for no more lofty a reason than that they helped our ancestors protect themselves and spread their genes.” [5] What happens when we do not know that we do not know; when we don’t know our inabilities, our disabilities, and/or our ignorance? Wright says, “self-doubt can be the first step to  moral improvement.” [6]

When it comes to understanding something as emotionally, socially, morally, politically and legally complex as the issues surrounding migration, immigration, assimilation and deportation, self-doubt and curiosity are our first steps. No matter how much we aim to understand, we can never truly empathize or truly share the depth and breadth of someone’s experience.  Each is unique and different. And these differences are fortified by beliefs stemming from influential and dominant social constructs which reinforce combativeness and superiority. 

“We are better than them.”
“Our religious beliefs are more true.”
“Our right to live in this country is more valid.”
“Our race is more pure.”
“Our history is more important.”
“Our contributions are more meaningful.”


In our professional sports, athletic spirit reinforces this superiority, emasculates and dehumanizes the rivals as less than and increases aggression and protection of ‘us’ or ‘ours’.  The creation of symbolic and real borders (sidelines, state lines, immigration filters) limits interaction and opportunities for finding commonalities.
 
Asymptote, /ˈasɪm(p)təʊt/ A straight line
that continually approaches a given curve but
does not meet it at any finite distance.
Mid 17th century: from modern Latin asymptota (linea) ‘
(line) not meeting’, from Greek asumptōtos ‘
not together’, from a- ‘not’ + sun ‘together’
+ ptōtos ‘apt to fall’ (from piptein ‘to fall’)
[7]
 
There is no Occam’s razor, no simplest theory or observation that explains the personal, multidimensional realities of migration, immigration, assimilation and deportation.  We can start by asking the following questions:

“What made you leave?”
“How did you leave?”
“What did you take with you?”
“What it is like to be isolated from that which you had previously known?”
“What do you fear?”
“What happened when you arrived?”
“What do you need to know to move forward?”
“How do you protect yourself?”
“What do you know? What do you not know?”
“Do you know what you do not know?


As with an asymptote, our aim and goal to fully understand will never quite reach nor comprehend the curve that makes up the full spectrum of individual experiences. In the absence of clarity, we act irrationally, unevenly, and sometimes inhumanely. We often fail to see the real world consequences or the effects on individuals, children, adolescents, adults and families.
 
Breaking through Anosognosia
 
Errol Morris also interviewed neuroscientist V. S. Ramachandran, who, among many things, is known for his use of mirror-boxes in the treatment of phantom limb syndrome. The mirror image helps the patient’s brain reconcile the phantom pain with the visual of the missing limb, thus alleviating some of the discomfort.  Ramachandran talked about layered belief, “that some part the brain can believe something and some other part of the brain can believe the opposite (or deny that belief) . . . We are overshadowed by a nimbus of ideas. There is our physical reality and then there is our conception of ourselves, our self.” [8]

The concept of a luminous cloud or nimbus that surrounds us and creates magical thinking or fantastical beliefs is one example of the many ways we deceive ourselves.  The mirror-box analogy is also applicable. As Dunning believes, “The road to self-insight really runs through other people,”[9] people holding mirrors up to our misperceptions.  We need our media, academia, family and friends to give us that balanced, measured constructive criticism.
 
Of course, one has to be open to such feedback and be willing to take a broader view. The consideration of the interests and concerns of others and knowing that the steps one takes or the decisions one makes may affect someone else’s welfare, comfort, happiness, health are important aspects to weigh as we reformulate our beliefs.

Myths and Realities
The stream of untruths and images are repeated, though, until they are real for those who do not question or analyze their information sources. The importance of checking references or looking for the peer-reviewed academic and scientific studies cannot be overstated. Héctor Tobar calls this perpetuation, “immigration porn” and elaborates further with, “The humiliated and hunted people you see in coverage of the deported are not the whole person. Tenacity and stubbornness are the defining qualities of undocumented America. This is precisely what is absent in the media’s depiction of the more than 11 million people who live there.” [10]
 
Top myths: Immigrants don’t want to learn
English, will take jobs from U.S. citizens, are
here illegally, don’t pay taxes, are terrorists.
Refugees are not screened.
Stronger borders and walls are
needed to stop the increasing flow
of immigrants into our country . . .
[11]
 
Newscasters and reporters must do a better job of fleshing out the realities and bringing light to these myths using correct, accurate and precise language and terminology. They need to be aware of how terms can be easily politicized. Labels such as “illegal immigrant” only accentuate the myth of the relationship between immigrants and increasing crime rates.[12]  #WordsMatter.  Media correspondents need to keep their focus on laws that erode American ideals of democracy, social justice, empathy and responsibility. Our "unalienable rights to life, liberty, and the pursuit of happiness" have their roots in concepts of empathy and responsibility.
 
The curricula in our schools must emphasize our history and our legal background; particularly the rights granted in Amendment IV (the right to be secure in their persons, against unreasonable searches and seizures) and Amendment V (no person shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law) It should also emphasize our country’s roots, the refugees and immigrants who built our country, and the “deficit of empathy” as indicated by President Obama.
 
             In 1882, Congress excluded Chinese immigrants from
entering the U.S. Later it prohibited almost all
Japanese immigrants. And still later it gave preference
to immigrants from Northern and Western Europe 
making it  difficult for people from other parts of the
world to immigrate to the U.S. But the Immigration
and Nationality Act of 1965 changed all of that.
It did away with the national origins quota
and banned discrimination based on where
a person was from
.[13]

Our complex system of immigration laws and practices, the inconsistencies between these across state lines, uneven asylum regulations depending on country of origin, and outright racial profiling, and unlawful detention, as epitomized by the action of former Arizona sheriff Joe Arpaio, increase an immigrant’s fear of registering, fear of raids, and fear of reporting crimes. They encourage immigrants to make themselves invisible and to hide, moving from place to place. They disrupt their lives and those of their children again and again to the point that some return to their countries. In fact, more Mexicans are currently leaving the United States than coming into it. [14]
 
Arizona SB 1070, made it a crime to be present in
Arizona without documentation; gave police the
authority to conduct warrantless searches for
immigration purposes;  allowed police to transport
non-citizens outside the  jurisdiction of the local agency;
required state and local  law enforcement to investigate,
detain, and arrest someone suspected of being
undocumented; subjected law enforcement officers to
lawsuits for failure to act; and  made it a crime to
transport an undocumented immigrant and a crime to
attempt to hire a day laborer.

 
ICE (Immigration and Customs Enforcement) evades laws and court decisions, including the 4th Amendment, by requesting local law enforcement to “hold people who are suspected of being in the country illegally, even after they have posted bail, finished their jail sentence or otherwise resolved their criminal cases.”[15]
 
Mark Fleming, national litigation coordinator for the National Immigrant Justice Center, told [Frontline] that “the federal government pays private detention centers between $80 and $120 per detainee per day, though ‘costs are in the $30 range.” [16]
 
“Since Mr. Trump was inaugurated, ICE has issued roughly 11,000 detainers a month, a 78 percent increase over the previous year.” [17]
 
ICE is required by Congress to detain and deport 400,000 illegal immigrants per year. The agency’s funding depends on this level of action. [18]
                                                                                         
“On any given day, about 40,000 people are in immigration detention.”  [19]
 
                                                                                                         “Despite the explosive growth in immigration detention
in recent years, there are no regulations or enforceable
standards regarding detention conditions, including 
medical treatment, mental health care, religious services,
transfers, and access to telephones, free legal services,
and library materials. In fact, the vast majority of detainees n
ever receive legal representation, which makes it more 
difficult not only to succeed in adversarial
immigration 
proceedings, but also to complain about
substandard treatment.”
 
-American Civil Liberties Union [20]

 
DACA (Deferred Action for Childhood Arrivals) allowed approximately 800,000 immigrants to stay in the U.S., to work, to go to college with financial aid, to create lives here and be contributing members of our communities. [21] Many immigrant children, who have grown up in this country, learned English, may not even speak the language of their country of origin. They have assimilated to our culture and no longer have connections to their home countries. The “home” that people are being deported to is not a “home” at all.

On a more humane front, a few cities, and California, Connecticut, Rhode Island and the District of Columbia have declared themselves as sanctuaries. “Many restrict compliance with detainers, others prohibit local law enforcement from inquiring about subjects’ immigration status, and some restrict the use of local funding for immigration enforcement.” [22]  And, ICE is restricted, by its own policies, from detaining people in schools, hospitals, places of worship, funerals, weddings/other religions ceremonies, public demonstrations such as marches and rallies.[23]

Beyond Borders: Stories of im/Migration

With this exhibition, we believe that sharing, viewing and hearing personal stories and connecting to the experiences of individuals can transform misperceptions. Our artists and their works portray how migration, immigration, assimilated and deportation has affected their lives and the lives of those they know. They answered the questions of how, why, what happened:
 
Those left behind (Rolando Chicas, El Salvador), longing (Tessie Barrera-Scharaga, San Jose), memory and absence (Teraneh Hemami, San Francisco), escape (Carlos Cartagena), desperate measures (Julio Cesar Morales, Arizona), lives lost while migrating (Diane Kahlo, Kentucky), the remains of those who didn’t make it (Judith Quax, Netherlands), the human cost of immigration policies (Erin McKeown, Stephen Brackett, Shawn King), crossing lands both perilous and protective (Sana Krusoe, Oregon), strangers becoming companions for survival (Priscilla Otani), Syrian mass migrations (Kathryn Clark), honoring the courage to migrate (Delilah Montoya, Houston), the worries and hopes of children (Judy Gelles, Philadelphia), borders (Doerte Weber, San Antonio) and fences (Shannon Wright, San Jose) forcible drugging to deport (Daniela Ortiz, Peru),  stories from detention centers (Delilah Montoya), our less than honorable history (Yu-Wen Wu, Boston), historic connections through out migrant histories (Zahava Sherez, Oakland), and challenging the media perpetuated preconceptions (Gala Narezo, Shamina de Conzaga and Chantal Fischzang).

Comedian Ronny Chieng: “when you tell authentic
stories  you show people that no matter how
alien someone's background might seem to you
we all have shared common
human experiences. 
[24]
 
It is a collection of emotionally raw and, sometimes, uplifting stories. These works hold up mirrors and shed light on what viewers do not know that they do not know.  They will move viewers to reconsider, to delve further, to acknowledge and affirm individuals instead of stereotypes, to ask more questions. They will humanize the issues.
 
As Carlos Cartagena wrote in his statement about his piece in this exhibition, “You must look only forward and tear off your umbilical cord.”
 
What else? Action

It is important to remember “transformative justice is and must be led by those most affected by injustice.” [25] As allies, we can listen. We can stay open to the message behind different languages, different experiences, differing abilities to express, different levels of knowledge about what is happening and be willing to learn and to be told what we don’t know. We can respect. We can denounce the stereotypes used to denigrate peoples. We can use our social capital for change and donate to immigrant led organizations or legal assistance funds. We can channel our concern into action and contact our elected officials. We can intervene nonviolently. We can speak up and not let fear lead to passivity (silence can be interpreted as approval). We can teach our children “to distinguish between true and untrue as fiercely as [we] do between right and wrong and between wise and foolish.[26]  We can, as Define American and immigration rights activist Jose Antonio Vargas suggest, “elevate the conversation about American identity, . . . disrupt the dominant paradigm, thereby opening avenues for the voices often left unheard in the mainstream . . . ask the right questions, through provocative and uncomfortable conversations that create teachable moments, . . . keep the United States a welcoming nation”.[27]

We can become more informed:
  • 10 Ways to Support Students Facing Immigration Crises[28]       
  • Teaching Tolerance’s guide for educators, school support staff and   communities working with school boards   to pass a resolution affirming          schools as welcoming places of learning for all students and distancing    the schools from enforcement actions that separate families. [29] 
  • Ms. Magazine’s “Five Step Toolkit for Dealing with White Supremacists[30]
  • Define American College Chapters Official Toolkit [31]
  • Download the United We Dream Deportation Defense Guide (available in multiple languages)[32]

[1] “Committee On Migration’s Advocacy Letter Opposing The Us Muslim Ban,” Women’s International League for Peace and Freedom, accessed September 2, 2017, http://wilpf.org/wilpf_statements/committee-on-migration-advocacy-letter-opposing-the-us-muslim-ban/
[2] Kurt Anderson, “How America Lost Its Mind,” The Atlantic, September 2017, pp. 78, 86.
[3] Errol Morris, “The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is (Part 2),” The New York Times,June 21, 2010, https://opinionator.blogs.nytimes.com/2010/06/21/the-anosognosics-dilemma-somethings-wrong-but-youll-never-know-what-it-is-part-2/.
[4] Errol Morris, “The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is (Part 1),” The New York Times, June 20, 2010, https://opinionator.blogs.nytimes.com/2010/06/20/the-anosognosics-dilemma-1/?mcubz=0&_r=0.
[5] Robert Wright, “Why Can't We All Just Get Along? The Uncertain Biological Basis of Morality,” The Atlantic, November 2013, https://www.theatlantic.com/magazine/archive/2013/11/why-we-fightand-can-we-stop/309525/
[6] Ibid.
[7] https://en.oxforddictionaries.com/definition/asymptote
[8] Errol Morris, “The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is (Part 4),” The New York Times,June 23, 2010, https://opinionator.blogs.nytimes.com/2010/06/23/the-anosognosics-dilemma-somethings-wrong-but-youll-never-know-what-it-is-part-4/.
[9] Errol Morris, “The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is (Part 1)”
[10] Héctor Tobar, “Avoiding the Trap of Immigration Porn,” The New York Times, August 7, 2017. https://www.nytimes.com/2017/08/07/opinion/immigration-porn-photography-deportation.html?rref=collection%2Ftimestopic%2FIllegal%20Immigration&action=click&contentCollection=timestopics&region=stream&module=stream_unit&version=latest&contentPlacement=10&pgty]
[11] Teaching Tolerance Staff, “Ten Myths About Immigration – Updated!,” Teaching Tolerance, accessed September 2, 2017, https://www.tolerance.org/magazine/ten-myths-about-immigrationupdated.
[12] Isaac Cui, “The Case for (and Against) Sanctuary Jurisdictions,” Claremont Journal of Law and Public Policy, April 11, 2017, https://5clpp.com/2017/04/11/the-case-for-and-against-sanctuary-jurisdictions/.
[13] Michael Gonchar and Katherine Schulten, “Analyziing Trump’s Immigration Ban: A Lesson Plan,” The New York Times, January 29, 2017, https://static01.nyt.com/images/blogs/learning/pdf/2017/TrumpExecutiveOrderLN.pdf
[14] Gustavo López and Kristen Bialik, “Key findings about U.S. immigrants,” Frontline, May 3, 2017, http://www.pewresearch.org/fact-tank/2017/05/03/key-findings-about-u-s-immigrants/.
[15] Caitlin Dickerson, “Trump Administration Moves to Expand Deportation Dragnet to Jails,” The New York Times, August 21, 2017, https://www.nytimes.com/2017/08/21/us/sheriffs-immigration-jails.html?rref=collection%2Ftimestopic%2FIllegal%20Immigration&action=click&contentCollection=timestopics&region=stream&module=stream_unit&version=latest&contentPlacement=10&pgtype=collection.
[16] Gretchen Gavett, “Map: The U.S. Immigration Detention Boom,” Frontline, October 18, 2011, http://www.pbs.org/wgbh/frontline/article/map-the-u-s-immigration-detention-boom/
[17] Caitlin Dickerson, “Trump Administration Moves to Expand Deportation Dragnet to Jails”
[18] Gretchen Gavett, “Map: The U.S. Immigration Detention Boom”
[19] Angilee Shah and Anna Pratt, eds., “Their lives are changing because of Trump’s immigration policies. Here’s how,” Public Radio International, August 4, 2017, https://www.pri.org/interactive/2017/in-trumps-america/.
[20] “Immigration Detention Conditions,” American Civil Liberties Union, accessed September 2, 2017, https://www.aclu.org/issues/immigrants-rights/immigrants-rights-and-detention/immigration-detention-conditions.
[21] Miriam Jordan, “Dreamer Plan That Aided 800,000 Immigrants is Threatened,” The New York Times, August 27, 2017, https://www.nytimes.com/2017/08/27/us/politics/dreamers-trump-lawsuit.html?rref=collection%2Ftimestopic%2FIllegal%20Immigration&action=click&contentCollection=timestopics&region=stream&module=stream_unit&version=latest&contentPlacement=2&pgtype=collection&_].
[22] Isaac Cui, “The Case for (and Against) Sanctuary Jurisdictions”
[23] Teaching Tolerance Staff, “Immigrant and Refugee Children: A Guide for Educators and School Support Staff,” Issue 55, Spring 2017, https://www.tolerance.org/magazine/spring-2017/immigrant-and-refugee-children-a-guide-for-educators-and-school-support-staff.
[24] Kimberly Yam, “Ronny Chieng Nails Why Media Diversity Matters Not Just For Diversity’s Sake,” The Huffington Post,June 28, 2017, http://www.huffingtonpost.com/entry/ronny-chieng-daily-show_us_5953b701e4b0da2c732018ca.
[25] Alexis Clements, “The Artists and Activists Who’ve Aimed at the Roots of Injustice,” Hyperallergic, June 14, 2016, https://hyperallergic.com/289110/the-artists-and-activists-whove-aimed-at-the-roots-of-injustice/.
[26] Kurt Anderson, “How America Lost Its Mind,” p. 91.
[27] Define American staff, “Define American College Chapters Official Toolkit,” accessed September 2, 2017, http://i-src.defineamerican.com/2016/06/160321-Toolkit.pdf.
[28] Anita Casavantes Bradford, Laura E. Enriquez and Susan Bibler Coutin, “10 Ways to Support Students Facing Immigration Crises,” Inside Higher Ed, January 31, 2017, https://www.insidehighered.com/views/2017/01/31/how-faculty-members-and-administrators-can-help-immigrant-students-essay.
[29] Ibid.
[30] Marty Langelen, “A Five-Step Toolkit for Dealing with White Supremecists in the Era of Trump,” Ms. Magazine, August 14, 2017, http://msmagazine.com/blog/2017/08/14/five-step-toolkit-dealing-white-supremacists-era-trump/.
[31] Define American staff, “Define American College Chapters Official Toolkit,” accessed September 2, 2017, http://i-src.defineamerican.com/2016/06/160321-Toolkit.pdf.
[32] “Know Your Rights! Protect Yourself Against Immigration Raids”, United We Dream, accessed September 2, 2017, https://unitedwedream.org/thank-deportation-defense-card-handy-phone/.
CALL FOR ART:
DEADLINE FOR ENTRIES:  April 21st 
VENUEWhitney Modern, Los Gatos, CA 95030
DATES OF EXHIBITION: July 18 – August 31, 2018 
RECEPTION:  Saturday, July 21, 2018
NOTIFICATION: May 18, 2018 
FEES:    $35/entry up to 3 works per entry [students email GutfreundCornettArt@gmail.com for reduced $15/entry instructions]
ENTER HERE
RISE: Empower, Change and Action! seeks to bring artists into dialogue and to bring forth what is important to self, community, our nation and the world at large through art that reflects and addresses complex socio-cultural issues and focuses on a vision for a more positive, empowering future, particularly for self-identified women and girls as well as their families. It is underpinned by the feminist principle that believes in political, economic and social equality for all. RISE aims to emphasize the commonalities of our human experience.
 
Manifestations of empowerment can include gender equality; economic independence, education, access to health care, reproductive rights, human rights, freedom of expression, changing gender roles, and breaking gender and race stereotypes. Art submissions can range from literal to poetic, abstract to representational, and include social and political commentary. The show looks to include the more abstract ideals and universal themes of peace, exploration of belief systems, universal responsibility, and the search for beauty, and transcendence. Artists may submit works that are a source of healing, hope and compassion or instruments of growth, self-discovery, and social or political transformation. We welcome art that reflects personal as well as observed stories, whether myth, fact or fiction.


Go to https://www.gutfreundcornettart.com/call-for-art-rise.html to enter

FROM THE ACCEPTED ARTISTS IN THIS EXHIBITION, ONE ARTIST WILL BE CHOSEN by Suzanne Whitney-Smedt, owner of Whitney Modern, TO HAVE A TWO-WEEK SHOW at Whitney Modern in the summer of 2019. All selections for RISE will be made by the exhibition curators. 

In addition, three SPECIAL AWARD JURORS will view the works and choose one piece each to receive acknowledgement, and prominent display in the catalog, website and social media sites of Whitney Modern and Gutfreund Cornett Art. 



This project will include a fundraiser for a nonprofit focused on women and girls empowerment focused on bringing awareness to issues of self-identified women and a variety of programming. Details will be provided as these are developed. 

EXHIBITION CURATORS:
Works will be selected by the four curators for the exhibition. From this selection, the Special Award Jurors will each choose a piece they feel exemplifies the theme of this exhibition. All decisions are final. One artist will be chosen by the Whitney Modern Gallery for a two-week exhibition in the summer of 2019. 

Suzanne Whitney-Smedt  is Owner and Director of Whitney Modern Contemporary Fine Art Gallery (see Venue information). She is past  Vice President of the Whitney Foundation, which helps fund and supplement those educational, health and housing projects that bring about positive changes in peoples’ lives.

Marianne McGrath is Curator of Art at New Museum Los Gatos (NUMU). Her passion for art and art education motivates her work as a curator, consultant and art advisor. Prior to her position at NUMU, she served as Education Curator and Associate Art Curator at The Museums of Los Gatos. Her professional experience includes work as an independent curator, art historian, teacher and designer.  Ms. McGrath has a Bachelor’s Degree in Art and holds a Master of Arts in Art History. 

Gutfreund Cornett Art is an independent curatorial partnership between Karen Gutfreund and Sherri Cornett which specializes in creating exhibitions on themes of “art as activism” to stimulate dialog, raise consciousness, encourage social change. Past exhibitions have focused on democracy, social justice, feminism and immigration issues. GutfreundCornettArt.com. 

SPECIAL AWARD JURORS: 
Joan McLoughlin
Owner, McLoughlin Gallery, San Francisco.
The McLoughlin Gallery is contemporary art gallery serving as a site for exhibitions and public programs working with established international and local mid-career and emerging contemporary artists. We represent and promote artists working in a wide array of media, including painting, sculpture, photography, video and installation. The mission for the gallery is to promote works and exhibitions with a social conscience and with plans to give back to the community. The gallery features established, European artists and emerging artists in the United States.

Jessica Porter
Executive Director of NY Artists Equity Association and Owner, Porter Advisory, New York City
Jessica L. Porter is the Executive Director of New York Artists Equity Association, Inc (NYAEA) a 501(c)(3) non-profit organization founded in 1947 by artists and art patrons with the mission to promote opportunities for artists. It operates Equity Gallery, an art space located on the Lower East Side of New York City.  Porter maintains her own consulting company since 2001, Porter Advisory, working with organizations and other galleries as an independent curator, creating exhibitions in alternative spaces and exposing emerging artists to unique opportunities. She advises emerging artists on career development, marketing and strategic growth and guides collectors and institutions through art selection processes and investment. From 2006 to 2017, Porter founded and directed Porter Contemporary, a Chelsea art gallery, where she was responsible for the overall strategy, business development and market growth, marketing and communications as well as talent acquisition and development of the gallery.

David Weinberg
Executive Director, Weinberg/Newton Gallery, Chicago.
David Weinberg is the Executive Director of a contemporary art gallery originally debuted in 2006 as David Weinberg Collection in Chicago’s River North neighborhood.  In 2016, the space became Weinberg/Newton Gallery, having taken on a new mission focused on social justice issues. The change reflected and acknowledged the influence of attorney and philanthropist Jerry Newton on the gallery’s work, particularly in building relationships with partner non-profit organizations. Newton actively has been involved with organizations including the ACLU of Illinois, Human Rights Watch, and Personal PAC for more than four decades. Together, David Weinberg and Jerry Newton have guided the Weinberg/Newton Family Foundation since 2009. David’s commitment to educational reform and passion for social justice is at the core of the gallery's mission. Weinberg/Newton Gallery aims to create space for dialogue about the many social justice issues that concern our local Chicago community and beyond. In collaboration with artists and non-profit organizations, we work to cultivate a culture of consciousness and inspire change by way of exhibitions, panel discussions, film screenings, artist talks, and more.

Go to https://www.gutfreundcornettart.com/call-for-art-rise.html to enter
EXHIBITIONS:
Yellowstone Art Auction 50
March 3, 2018
Billings, Montana

"Ruthless Self Honesty"
2015
Steel, copper,ribbon and yarn
81 x 41 x 51
$2000
Silent Auction
What [(Is It) About My] Memory at
“A Series of Fragments of Moments” 

Arc Gallery San Francisco
Opening Reception November 11, 2017
Three of my Somas from this project and many of the Memory  Cards were included in this exhibition curated by my partner at Gutfreund Cornett Art with works by Shannon Amidon, Sally Edelstein, Karen Gutfreund, Penny McElroy, Michelle Nye, Priscilla Otani, Sibylle Peretti  and  David Weinberg. Visitors wrote their own memory cards, adding them to the installation. Rachel Ungerer said, "My first impression of the work was that it would be a place people would share their deepest secrets. Instead, I was surprised to read story after story of joyful moments in people's lives." This project brings people together is thoughtful ways in a time when so much of the larger world is divisive and frightening. Cards include memories about childhood, family, friends, music, aromas, art, adventures, favorite places, jokes, food, and love through text, drawings, and photographs. This project will continue to grow. To learn how to participate, please go here.
Beyond Borders: Stories of im/Migration
Curated by Gutfreund Cornett Art
Santa Clara University
January 8, 2018 to April 7, 2018
Online Gallery
Info Page

Standing room only at our Community Conversation with the Artists! Facilitating our artistsTessie Barrera-Scharaga, Carlos Cartagena, Priscilla Otani, Doerte Weber, and Shannon Wright talking about why they do activist themed art and sharing responses to their works, followed by community members adding their perspectives and stories of other immigrant groups. This is what feeds my soul. 

During the reception afterwards, so many more questions and comments about the works, the need for such exhibitions and new ways of thinking about immigration, migration, assimilation and the threat of deportation. 

Karen and I are so grateful to our international community of participating artists: Tessie Barrera-Scharaga, Carlos Cartagena, Rolando Chicas, Kathryn Clark,  Judy Gelles, Aram Han -Sifuentes, Taraneh Hemami, Diane Kahlo, Sana Krusoe, Erin McKeown/Stephen Brackett/Shawn King, Delilah Montoya Julio Cesar Morales, Gala Narezo/Shamina de Gonzaga/Chantal Fischzang, Priscilla Otani, Judith Quax, Zahava Sherez,  Yu-Wen Wu, Doerte Weber, and  Shannon Wright
My video "Corporal Cognizance" is in Ka-POW! Heroic Women at Pacific Pinball Museum in Alameda, California through April 28, 2018
 
Copyright © 2017 SHERRI CORNETT ART INC,  All rights reserved. 
Mailing address:
3222 LeeAnn Boulevard, Billings, MT 59102

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Sherri Cornett Art · 3222 LeeAnn Blvd · Billings, Mt 59102 · USA

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