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Panic! I didn't want to go in there. That busy human hubbub was the sound of a crowd of crime writers who were old pals from festivals and conferences. And there I was, a writer whose habitat is mainly online, better at blogging than real-life chatting, better at emails than phone calls. Somehow I had to slip in there and strike up a conversation. My heart was quailing.
The occasion was the launch of Louise Voss's latest psychological thriller, The Old You. The week before, I was with Louise on a panel at City University and she said 'Come to my launch'. So I did, because it was lovely of her to invite me. But oh lord, that hubbub of easy conversation. Those crime writers are as thick as thieves.
But reader, I was prepared. I wore a good hat. And that is my tip for bookish occasions of social paralysis.
If you wear a good hat, strangers will remark on it. Instant ice-breaker.  Either that or you'll be the shy one slinking round the walls who looks too dingbat to talk to.
And of course, my fears were unfounded - as most silly social anxieties are. It turns out I wasn't even an outsider. Several of the authors I chatted to knew Nail Your Novel and said it had helped them in their formative years.
I released Nail Your Novel in 2009 and I'm now starting to meet people with solid writing careers who tell me it's been part of their journey. My little books on writing now have distinguished alumnae.
Speaking of little books, aren't these cupcakes adorable? Anyway, a big thank-you to Louise Voss for prising me out of my comfort zone.


Psst ... If you don't know Nail Your Novel already, more about it here
I haven't managed as much progress on Ever Rest this month. I was getting a mite frustrated, especially when fiction writer and editor John Madera asked this question on Facebook:
'Tell me about the art you've been making, literary or otherwise.'
This month I've been helping another writer make her art - a close developmental edit of her third novel. I've given a talk to creative writing students at City University (with Ms Voss), so maybe I've helped their artworks too. I've published several blogposts, including one about how to take the first steps to a creative profession if you have no real-life role models to give insider tips or open doors. I also wrote a piece for my school alumnae magazine on the same subject.
I'm raring to get back to my own creation, but it seems that this month I've been quite arty after all.
(What's the significance of the ring? More here)
Out and about
Dorking, Surrey Later this week, the Novel Harvest Book Club at Denbies Vineyard, Surrey, is dedicating an evening to My Memories of a Future Life. I'm listening to the audio book in preparation, because readers always jump on the details I've completely forgotten.
Indeed, I've forgotten most of the book. How can that be? I invented it. It all came out of my brain. But now, it's like a text I once crammed for an exam.
And just this week, a friend pointed out a mistake on a poster for the event. The date is wrong. So I'll be there with the interviewer on July 5th; the audience will arrive a day later on July 6th.
Will give you the full agonising story next time.

Psst ... If you don't know My Memories of a Future Life, more about it here
Online 18 July I'm doing my first Facebook Live event! Brenda Littau of the Facebook group Inkslingers Den has invited me to give a chat about plotting. We kick off at 8pm BST. You can ask me questions. And if I can work the controls, I might even answer them. 
Another date in London Further ahead, I'll be at the New Generation Selfpublishing Exchange on 3 November.
On the blog
This month on my blog I've had a post about making a creative life, and another with tips for writing good prose. Also, my blog made the final three in Feedspot's top UK selfpublishing sites alongside two blogs of giant reputation - the Alliance of Independent Authors and The Creative Penn.
Of girls and giant horses
Whenever I post about Byron (monster-sized equine muse of Lifeform Three), you guys send me lovely emails, so I like to tell you how he's doing. This month, I have much to tell you - about trying not to make bad decisions.
He's done astonishingly well to reach 30 years old and, although he can no longer be ridden, he's enjoying a pampered retirement. But then last month, I noticed a deterioration. He looked sad and uncomfortable.
We'd recently developed a new favourite game - I'd groom him with a cold hose, then he'd march me to the indoor school for a good, groaning roll in the dust. Now, he didn't want to get down - a sure sign of sore joints. The vet was pessimistic. She made horrifying hints about his age and his quality of life, which of course she was right to do. Before we decided to write him off, I suggested we increase his anti-inflammatories.
More dramas followed. At first: a miraculous recovery. He was rolling again with easy joy (and much groaning). He was curious and mischievous when we played in the school, noticing himself in the mirrors and demonstrating, to my alarm, that he was tall enough to lick the fuse box.
Here's another moment from our early years. And another fine hat.
Then: disaster. Hopping lame on a hind leg. Calamities screamed in my mind. A snapped tendon, for instance, would finish him. Thankfully it was only a bruised foot. Bruise healed, all was well for precisely one day, then he started looking exhausted and creaky again. The heatwave didn't help.
The vet, with her pep-talk, had made me frantic about my responsibility. Had I missed other signs of distress? I began to see them everywhere. He'd chase me round the school for mints, then rest his rump on a wall. I'd heard that arthritic horses did this if they couldn't stand up. One day, he refused to walk the long hill to his usual field, but parked himself stubbornly, looked at a nearby paddock and said, clear as day, 'put me in there'. So he now couldn't walk up a hill? What should I do about this?
For much of this month, I had no idea what kind of newsletter I'd be writing to you.
I got the vet again. How bad is this? I said.
'He's okay for now,' she said. 'The drugs have worked.'
Much, much discussion. Those signs of discomfort are real, and for me they are drastic because I have never seen them before. But they are not as bad as I fear. He's allowed a few low days if he's generally interested in life, which he is. She thinks he'll struggle in winter, but that's not yet.
So he is glued together by a phenomenal amount of pharmaceutical, which we have to trick him into eating, but we're doing our darndest for him.
He loves visitors, so Dave and I are rounding up all the friends who've made airy remarks about coming for picnics or general horse adoration. Here he is with Dave's cousin's daughter, Vicky. She was at school when she first met him. Now she has a family of her own. I've owned him for more than half the time she's been alive. We don't know what winter will bring, but for now we'll have a Summer of Byron.  
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Til next time
R xxx
Copyright © 2018 Roz Morris, All rights reserved.


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