Copy
shop talk!
View this email in your browser

April 2018

The Painting Process... and an Apology



I am often asked how I paint-- from pictures, from actual scenes, out of my head? The answer is Yes. All of those things. Mostly, though, I paint ideas: compositions or colors or atmospheres that have been percolating in my brain, sometimes for months.

By the time I put the blank canvas on the wall and start to apply pigment, I have "painted" it in my head. It doesn't always go to plan, but that is part of the fun. I just follow along as it develops. The anchoring concepts like the horizon line, time of day, or mountains vs no mountains don't change (usually!), but the roll of the land, how much distance, colors, these things all flow organically.

There's a lot of mental preparation, which allows for lots of freedom in the execution. Because I'm painting viscerally at that point, not intellectually, my mind is free to focus on other things. I like to listen to music, podcasts and audio books while I paint. It's a beautiful system unlessit goes sideways. If I hit a point in a piece where I have to problem-solve, my brain shifts back over and I might find I've missed the last chapter or two without noticing!

There's further discussion of painting organically, below. Enjoy!

Warmest regards,


Rachel
Intellectual? Visceral? Systematically Shooting From the Hip? :D

PS. My last newsletter was composed primarily of what I thought of as entertaining snark. Some of you thought I was as hilarious as I did; some of you weren't amused. While I refuse to be shifted from my anti-WN stance (one must have a platform after all, even if it's nonsense), I am most definitely NOT anti-WN-fans. If I offended you, I'm sorry. Please believe that my intention was to be sassy, not mean. 
(For new readers who want to read my controversial remarks, they can be found here.)

Truth and Beauty, 60x50 inches, triptych, SOLD. You know I love reflections. I somehow missed sharing this one last newsletter, and in the meantime, it's found it's forever home-- I'll include it in the Collector Corner next month.
Watch Over Me, 20x60 inches, oil on canvas, $2750. 
Here's a good example of the results of painting organically. I've visited this "scene" more than once-- square format, rectangular, vertical-- but it still inspires me, so I decided to do a couple of wide pieces. The 20x80 is naturally more panoramic than the 24x72 (a 1:4 vs a 1:3), but for me, the differences that I delight in are the roll of the land, the shallows and hillocks, the nuances in color, how far/close the trees are to the viewer. I love them both, equally.
The Fruited Plain, 24x72 inches, oil on canvas, SOLD.
Always and Forever, 20x80 inches, oil on canvas, $3250. 
Collector Corner
Valley's Edge, 20x60 inches, adorning the wall of a Southern California home office.
Summer Past, 18x36 inches, over the fireplace in this New Hampshire collector's home. It looks fantastic against the colors of the rock!

Many thanks to the collectors who sent me these images. I love seeing where my paintings live. 
SHOW SCHEDULE

Deep Ellum Arts Festival, April 6-8, Dallas, TX. All the info here.

Gorge Artists Open Studio Tour, April 20-22. Will my studio be fit to be seen? It's possible... nevertheless, I'll be here; so come see me! The digital tour guide, and locations for physical ones can be found here. I will also have some at my studio. Directions to me are: I-84 to exit 64, south on Hwy35 about 11 miles, right on KLM Drive, immediate left into driveway, drive all the way around the (rental) house to the studio parking -OR- park on KLM and walk down and around. I'm so happy to back in my own studio; I can't wait to show it to you!

Cottonwood Arts Festival, May 5-6, back to Dallas, TX! All the info here.


On-going: I have work at Art on Oak, Hood River, and PAM's Rental Sales Gallery & ECOpdx in Portland. Check them out! 
     

ABOUT MY NEWSLETTER

New pieces, works in progress, notifications of art shows and other happenings, insights into my artistic process and always, some philosophical ramblings thrown in.  You've been warned. :D

     

The earth was green, the sky was blue:
I saw and heard one sunny morn
A skylark hang betweent he two,
A singing speck above the corn;

A stage below, in gay accord,
White butterflies danced on the wing,
And still the singing skylark soared,
And silent sank and soared to sing.

The cornfield stretched a tender green
To right and left beside my walks;
I knew he had a nest unseen
Somewhere among the million stalks.

And as I paused to hear his song
While swift the sunny moments slid,
Perhaps his mate sat listening long,
And listened longer than I did. 


Green Cornfield, Christina Rossetti

Follow on Instagram
Copyright © 2018 Rachel Harvey Art, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Email Marketing Powered by Mailchimp