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Date 29/03 Edition 6/18
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LEAD STORY

Misa Watanabe to receive the 2018 ICMP Ralph Peer II Award for Outstanding Contribution to Global Music Publishing

ICMP has today revealed that Misa Watanabe (pictured above) will be the honouree of the 2018 ICMP Ralph Peer II Award for Outstanding Contribution to Global Music Publishing.

Misa was selected from nominees submitted by ICMP member organisations in over 70 countries. She is being honoured for her enormous impact on music publishing in Japan, France and indeed, across the world.

The award, initiated by ICMP in 2013, recognises visionaries in the field of music publishing, whose roles have helped develop, protect and value the music of composers and authors around the world.

See more in our press release here.
INTERNATIONAL

WIPO releases data on mediation and arbitration 

According to the World Intellectual Property’s (WIPO) recently released 2017 arbitration and mediation data, 9% of all arbitration cases were copyright related - usually in the context of collective management.

The data also shows that since 2009, there has been a steady rise in using arbitration and mediation as an alternative dispute resolution mechanism for Intellectual Property Rights issues.

35th Session on Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore 

From 19 - 23 March, WIPO held its 35th Session on Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore.  

At the meeting, the Committee agreed to “continue to expedite its work, with the objective of reaching an agreement on an international legal instrument(s), without prejudging the nature of outcome(s), relating to intellectual property which will ensure the balanced and effective protection of genetic resources (GRs), traditional knowledge (TK) and traditional cultural expressions (TCEs)”.

New acting director role for Müller 

Benoît Müller is to be the new acting director of the Copyright Infrastructure Division, Copyright and Creative Industries Sector, reporting to WIPO Deputy Director Sylvie Forbin.

This WIPO division is responsible for supporting and providing technical assistance to collective management organisations (CMOs) and national copyright offices around the world. 


NAFTA negotiations spark debate on fair use and safe harbours

The 7th round of the North American Free Trade Agreement (NAFTA) negotiations were recently held in Mexico. At the meeting, fair use and safe harbour provisions under the IP chapter were discussed.

The US ultimately wants to have safe harbours included in the agreement, which would protect Internet platforms from liabilities of copyright infringement. However, Mexico and Canada are against these proposals. Canada wants a system like the one it already has, which does not require the platform to take the content down but to have a system in place, which notifies the infringer that a complaint has been lodged. 

Pressure is mounting to close the deal as Mexico’s election is impending, and the US has been consistently threatening to withdraw from the deal.
ASIA PACIFIC

Australia: Government seeks feedback on fair use

As part of its ongoing copyright modernisation process, the Australian government is seeking feedback on the principal of ‘fair use’ as a result of technological advancements. In particular, the consultation paper, launched by the Department of Communications and the Arts, includes questions on flexible exceptions, the contracting out of exceptions, and access to orphan works. Submissions can be made until 4 June.


Malaysia: New licensing body established

Music Rights Malaysia (MRM) has recently launched and is now the sole licensing body for music royalty collection in the country. MRM will collect on behalf of the Music Authors’ Copyright Protection (MACP), Public Performance Malaysia (PPM), Recording Performers Malaysia (RPM) and Performers’ Rights and Interest Society of Malaysia (Prism). 


South Korea: Music subscriptions on the rise

According to reports, approximately 7.5 million people are now paying for subscription music in South Korea. The rise is due to a number of new streaming services driving growth in the market coupled with the popularity of K-Pop across the globe.
AMERICAS

Brazil: Streaming pay-outs increase in Latin America

Indie licensing agency Merlin, has reported that its earnings from Latin America have increased five-fold over the past three years and that Brazil is now the sixth biggest territory for its members. 

The company also says it expects to generate more than $60 million in audio-streaming revenues from Latin America for its member labels in 2018.


United States:  Powerful lobby groups want net neutrality rules back

Internet companies and State General Attorney offices have filed lawsuits against the Federal Communications Commission’s (FCC) recent decision to end net neutrality. The decision, made in December 2017, means ISPs will soon be free to throttle, block or accelerate any site — based on who’s paying and who’s not.

The powerful lobbying groups as well as many state governments ultimately want the court to reinstate the Obama-era net neutrality rules. In response, lobby groups representing telecommunication companies have filed suits of their own saying these state measures violate the US Constitution. 


United States: Tech industries urge Trump to rethink China IP Fine

US President Donald Trump has recently announced a $60 billion fine against China for its breach of IP practices. However, advisors for Trump as well as EU and US tech industries have stated that punishing China would only harm the American consumer and jeopardise American competitiveness, triggering a chain of negative consequences.

Thus far, there have already been several letters from high US officials and trade associations asking Trump to limit the proposed tariffs.  ‪‬‬
EUROPE

Portability Regulation comes into force

From April, the EU Regulation on cross-border portability of online content services in the internal market will enter into force. In practical terms, this will allow Europeans to travel within the EU and have access to all of their digital subscriptions, which they purchased within their home country. 

This Regulation is part of a broader package of proposals aimed at modernising EU copyright legislation.  

Upcoming meetings and events


Frankfurt Musikmesse
11 - 14 April, Frankfurt

Latin America Regional Music Publishers Conference (LARC)
25 April, Guatemala

Standing Committee of Copyright and Related Rights (SCCR): Thirty-Sixth Session
28 May to 1 June, Geneva

Midem
5 - 8 June, Cannes

ICMP at Midem:
5 June: 2018 Ralph Peer II Award for Outstanding Contribution to Global Music Publishing.  

6 June: ICMP Board meeting, General Assembly & Popular and Serious Bureaux meetings.


CEEMPC18 (Central and Eastern Music Publishers Congress)
20 September, Bucharest

Regular updates on all our events are available on: www.icmp-ciem.org
GLOBAL LINKS
World Intellectual Property Organization (WIPO)

World Trade Organisation (WTO)

Internet Corporation for Assigned Names and Numbers (ICANN)

US Trade Representative

European Parliament

European Commission

Council of the European Union

European Union Intellectual Property Office
NEWS LINKS
MPA UK Newsletter

AMPAL Update

The Dean's List

IMPF - Indie Notes

Budde Music France Newsletter
NATIONAL
&
MEMBER NEWS

Canada: CMPA appoints new board members

The Canadian Music Publishers Association (CMPA) has welcomed Amy Eligh and Rell Lafargue to its Board of Directors.

Eligh is the Director of Publishing and Licensing at Arts & Crafts Music and Lafargue is President & Chief Operating Officer at Reservoir music publishing. 


France: SACEM enters licensing deal with Facebook

French collecting society SACEM, has struck a licensing deal with Facebook. The agreement covers online platforms Facebook, Instagram and Oculus in some 180 territories. SACEM says it with work with Facebook to ‘establish a first-class management system for the joint benefit of the companies and the music community as a whole’.

The multi-year agreement also covers works from Wixen Music Publishing and Canadian collecting society SOCAN, whose online repertoires are administered by SACEM in Europe.

France: CSDEM prize for music creation

On 26 March, ICMP’s French member CSDEM held its 8th annual Prix de la Création Musicale (Prize for Musical Creation) in Paris. The event showcases authors and composers, who discover and support music creation. 


United Kingdom: Agreement on IP rights post-Brexit

On 19 March, the UK and EU agreed that owners of EU trademarks and Community designs will have their rights protected in the UK after the Brexit transition period which is due to end on 31 December 2020.  

The draft agreement also includes provisions on protection and enforcement of IP.
OTHER NEWS

Spotify launches tool to complete missing credits

Last month, we reported that Spotify is introducing a strategy to include songwriter, producer and musician credits.

Along this vein, the streaming service has now launched a tool called Line-in, which aims at crowdsourcing missing information from the public. Spotify hopes that if listeners see errors or missing information, they will help by filling in the gaps. 

Separately, Spotify’s IPO will be launched on 3 April, while the company has recently opened in four new markets, including South Africa and Israel. 


YouTube announces music subscription service…. again

At the recent South by Southwest festival (SXSW), YouTube’s Global Head of Music, Lyor Cohen announced that the platform is to launch a new music subscription service.

Cohen claimed that the service would combine ‘the best of Google Play Music’s context server’ and YouTube’s ‘breadth and depth of catalogue’.  

This is not the first time that YouTube has hinted at launching such a service.


British Library in a race against time to save audio recordings

The British Library is currently in the process of digitising 6.5 million of its sound recordings. The recordings are in more than 40 different formats and could be lost due to decay within the next 15 years if they are not updated.

Some of the recordings are 130 years old and in obscure formats, requiring special cleaning.
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