Studying Sargent
In the manner of John Singer Sargent, I think we'll be working differently for this study. Let's do a charcoal drawing on Tuesday with some detail, being sure to get the features in the right place, then wiping it down to just a blur of the face.
Working on stage one this weekend and will have a plan in place for Tuesday!
If you want to REALLY work the way Sargent did, here are a few notes to prepare...
|
|
Highlights below and for the whole article click the PDF
PDF of Sargent notes
PAINT & Brushes
-
You do not want dabs of color, you want plenty of paint to paint with. Then the brushes came in for derision. No wonder your painting is like feathers if you use these. Having scraped the palette clean he put out enough paint so it seemed for a dozen pictures. Painting is quite hard enough without adding to your difficulties by keeping your tools in bad condition. You want good thick brushes that will hold the paint and that will resist in a sense the stroke on the canvas.
EDGES
- Upon one occasion, after painting for me, he saw one hard edge, and drew a brush across it, very lightly, saying at the same time: "This is a disgraceful thing to do, and means slovenly painting. Don't ever let me see you do it...
- I still think you ought to paint thicker -- paint all the half tones and general passages quite thick -- and always paint one thing into another and not side by side until they touch.
Technique
Study & Inspiration
- Paint a hundred studies: keep any number of clean canvases ready, of all shapes and sizes so that you are never held back by the sudden need of one. You can't do sketches enough. Sketch everything and keep your curiosity fresh.
|
|
I found this folder years ago when I was following Juan Jr. Ramirez on Facebook. Not sure where he disappeared to.
Click on each image to see his brushwork
|
|
|
|
|