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Book cover -- Lost Hong Kong: A history in pictures

The story of Hong Kong is one of almost constant change. From a sleepy fishing community, Hong Kong has grown into one of the most significant financial and trading centres of the world.

Hong Kong Island has witnessed massive rebuilding over the years, with the result that much of the colonial-era architecture has been swept away and replaced by skyscrapers. Moreover the first high-rise buildings constructed from the late 1950s onwards are now themselves under threat as the constant requirement for more accommodation – both for people and for businesses – continues.

Over the years, photographers have recorded the changing face of Hong Kong: its street scenes, buildings and people. This new book – drawing upon images from a wide range of sources, many of which are previously unpublished – is a pictorial tribute to this lost Hong Kong. Once familiar but now long-gone scenes are recorded, offering a tantalising glimpse back at an era which in chronological terms may be relatively recent, but given the rapidity of change, seems like a distant age.

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Book cover -- Hong Kong Noir


Book excerpt: Hong Kong Noir


Read a story from Hong Kong Noir, an anthology of dark stories set in our city. Each story takes place in a different district. This one, by Carmen Suen, is set in Wah Fu, a housing estate on the southwest coast of Hong Kong Island.

Co-editor Susan Blumberg-Kason says:

“Fourteen” brings the reader to a more innocent time in the 1980s. Hong Kong public housing had expanded and the decades of squatter villages were becoming a thing of the past. But it was still difficult to be poor, as it always is, especially when the government doesn’t care. “Fourteen” tells the story of a young girl from a broken home in Hong Kong’s first public housing estate that provided private bathrooms and kitchens. Even with these “luxuries”, the vulnerable still struggle to find happiness and meaning in Hong Kong. This is the story of one girl who seeks to fine a place in the 1980s, yet the same story could be told today.

Fourteen

by Carmen Suen

Wah Fu

The elevator door opened on the fourteenth floor. Siu Wan shuffled out and headed toward her apartment, number 1424, where her family had been living since she was a baby. When they first moved in, Wah Ming House was the newest building in Wah Fu Estate. It was a hopeful time.

But today had not been a good day for Siu Wan, and it had nothing to do with the number fourteen, as one might suspect. Fourteen, sup sei, is not the most auspicious number in Cantonese culture, especially in Hong Kong. It sounds like sut sei—must die. Some developers would skip the fourteenth floor on their buildings, choosing instead to have the fifteenth floor immediately above the thirteenth. Not the case for government housing like Wah Fu Estate. The government most certainly didn’t give a damn whether residents in housing projects lived or died based on superstitious beliefs.

For Siu Wan, fourteen or not did not make any difference. It was the same tiny apartment with no privacy no matter the number. Every unit in the building was the same 300-square-foot cube with a kitchen, a bathroom, a balcony, and an open space in the middle with barely enough room for a dresser, a double bed, a bunk bed—or two, depending on how many kids and in-laws lived there—and the all-important round folding table that served as a dining table–cum–homework desk. In most cases, the table had to be folded up when not in use, so as to make room for TV viewing. To save space, some families would forgo chairs and sat on their beds when they were eating or working at the table. The only separation between the living space and the “bedroom,” if you could call it that, would be some curtains hanging from the ceilings to block one or two sides of the beds to create some sort of private space. That is, if the parents cared about privacy at all. Privacy was a luxury not everyone in Hong Kong understood, especially when one was poor.

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Pete Spurrier, Publisher
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