Engagement
How do we as drama teachers plan and evaluate our own programs and learning experiences? Do we rely on technical measurement in the form of rubrics and aesthetic product? As experienced teachers, what are personal criteria for success at the end of a lesson, unit or production? Of course, a major variable is the context whether it be process work, play building and age group. The point is, whatever our criteria, we had a plan to get there. Wouldn’t you love to share your best ideas with like-minded teachers and benefit from theirs?
At the beginning of the year, drama teachers across Alberta have planned for engagement in their drama classrooms. I’ve been asked great questions about where to start with JH at beginning teachers’ conferences and Haseman and O’toole’s Dramawise Reimagined: Learning to Manage the Elements of Drama is a great place to start. With a shared vocabulary, teachers and students can describe and implement what works or what could be more. Also, short scripted sketches/scenes are abundant in collections available online. For many reasons short, accessible texts are an excellent drama teaching tool.
Finally, at a recent arts council meeting student delegates were asked “what do you think should be considered when collaborating in the arts?”. A simply profound response was: “Why before Wow” (Central Memorial High Delegate to CBE FAC). For me, engagement and success in drama work really hinges on clarity of purpose from the outset and reflection throughout on why the work is important. Inspiration makes the perspiration more enjoyable.
Here is a great paper which studies how a few teachers from New Zealand plan for transformative experience in drama within their specific curriculum demands. How might these ideas apply in our context?
Please keep me updated on your upcoming productions. Reach out if you have questions or you have great ideas to share. Come say hello at our Calgary mini conference!!!
Sincerely,
Glenn Taylor
Your Drama Rep. FAC
gitaylor@cbe.ab.ca
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