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Saturday, February 22, 2020
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Suggestions for your senses,
every Saturday at 9 a.m.
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SPONSORED BY
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Good morning.

This week, we view Neri Oxman’s “Material Ecology” MoMA show, opening today; get spiritual and poetic with mushroom art; talk donabe cooking with Naoko Takei Moore; chill out to a playlist curated by fashion designer Phillip Lim; and delve into The Essence, a new book about the perfume industry.

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See
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New Age
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Courtesy Neri Oxman and Mediated Matter Group
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As the founder and director of MIT’s Mediated Matter group, the Israeli-American designer and futurist Neri Oxman is pioneering the way forward for “material ecology,” renegotiating the relationship between nature and the man-made with otherworldly creations that seem straight out of a sci-fi movie, pushing the boundaries of biology, engineering, and design. Whereas past eras—the Stone Age, the Iron Age, and the Bronze Age—were defined by materials, and our current one by digital technology, in Oxman’s mind, we’ve already entered the dawn of the next era: the Biological Age. As she put it last year on Ep. 16 of our Time Sensitive podcast, “The Biological Age is an age where we have disassociated ourselves from physical materials as the single defining element of our existence in the universe.”

Working in close observation of the natural world, Oxman and her team find inspiration in everything from silkworms spinning their cocoons to the structural characteristics of a crustacean’s shell. The group often refers to living organisms as their collaborators on highly engineered creations, which can be as philosophical as they are functional. Opening today and on view through May 25 at New York’s Museum of Modern Art, the exhibition “Neri Oxman: Material Ecology,” organized by Paola Antonelli and Anna Burkhardt, features seven major works that have defined her 20-year career. Among these are the fantastical “Silk Pavilion,” which, like much of Oxman’s work, is not only digitally fabricated but grown—in this case, by using silkworms as living 3-D printers.
 

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Touch
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Fungus Among Us
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Courtesy Adam Fuss
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Artists, chefs, and scientists have long found creative inspiration in mushrooms, and for a variety of reasons. Prized for centuries for its range of psychedelic, medicinal, and culinary applications, the versatile fungi have more recently become an experimental medium that designers are using to make eco-friendly textiles, products, and even construction materials. As exemplified in the works of British artist Adam Fuss—who creates photograms by placing spores on light-sensitive paper and letting them bloom in contact to create an abstract print of their unique growth patterns—mushrooms are also simply a source of visual intrigue and natural beauty. 

One thing’s for sure: the fungus is among us, seemingly cropping up in all areas of the creative sphere. On view through April 26 at London’s Somerset House, “Mushrooms: The Art, Design, and Future of Fungi,” organized by Francesca Gavin, examines the widespread influence of the humble organism, featuring the work of 40 artists, designers, and musicians. Highlights include composer John Cage’s illustrated Mushroom Book of recipes and observations, artworks by Cy Twombly, and a series of events including a pop-up dinner by chef Skye Gyngell and a hands-on workshop for learning how to grow your own mushrooms at home.

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SPONSORED BY
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Taste
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Hotpot Thought
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Photo: Yoshihiro Makino
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Naoko Takei Moore, owner of the specialty Japanese kitchen boutique Toiro in Los Angeles, tells us about the centuries-old culture and history of cooking with traditional ceramic Japanese earthenware pots called donabe.

Your store stocks all sorts of donabe, and carries the very best. What makes for a good-quality donabe?

It depends on where it’s made, but the kind I know and prefer to carry is from the Iga Prefecture in Japan. Iga pottery is considered to be the best donabe. The clay from there is really special and consistently the most durable, because the entire region of Iga used to be Lake Biwa four million years ago. That clay contains a lot of fossilized microorganisms from the prehistoric era. It makes the clay pot porous, which gives it durability and promotes higher heat retention. The clay is also fired twice for about twelve hours at extremely high temperatures, more than two thousand degrees Fahrenheit.

How did you come to be a donabe specialist?

As a Japanese person living in L.A., I wanted to do something to really connect these two cultures. Something like donabe, which I grew up eating, most people didn’t really know anything about. Hotpot and food cooked in a donabe really symbolizes Japanese communal dining culture and comfort food in a way. At first, it was really hard because donabe was never really recognized as a category of cooking or food in the States, and nobody could pronounce donabe. Maybe, if you went to a Japanese market, you’d find a donabe, but it’s most likely a cheap, mass-produced, machine-made kind.

Does donabe originate from a specific region of Japan, or is it more widespread?

If you go back in history, the original donabe, which simply translates to clay pot, was made more than ten thousand years ago, but the kinds we know now are hundreds of years old. Back in the Edo period, which is roughly two hundred to four hundred years ago, people used donabe regularly as an everyday household item in the kitchen, and not necessarily for hotpot. It wasn’t until maybe after World War II that hotpot became a mainstream thing shared together, with the family surrounding the table.

The donabe is really widespread—I would say it’s like a national cookware for Japanese people. Every household owns at least one. Throughout the country, I’ve never heard of anyone who doesn’t like hotpot because you can be so creative with it. It can be as simple and reasonable or as complicated a dish as you want.

What are some of your favorite dishes to cook in a donabe?

The only thing you cannot do in a donabe is deep-fry, but other than that, you can basically use it to cook anything you can think of. It’s good for the stovetop, and it’s great for the oven. Donabe builds up heat slowly, but once it gets hot, it’ll distribute the heat evenly, and retain heat after you take it off the stove. Of course, the most popular dish to make in it is hotpot, which can involve a variety of flavors and ingredients—but it’s hard for me to say a favorite. I have about twenty different kinds of donabe at home. They’re like my kids, and I don’t want to neglect any one of them. Every day, I’ll try to use a different one, and it’s often the case that I’ll first think of which donabe I want to use. For example, there’s a donabe we use for cooking rice. Last week, I made an Italian-style porcini risotto. Donabe is great for all kinds of food.

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Hear
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Slow Fashion
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Photo: Inez and Vinoodh
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After nearly 20 years in the fashion business, 15 of those spent running his eponymous label, Phillip Lim is taking an intentional slowdown. Last month, the designer released a statement on why he was pausing from the runway, citing “sustainability in all its forms” as a top concern: “I’d like to take a moment to breathe, to allow myself the time to think about the act of joyful creation again, not just the hustle.” In place of 3.1 Phillip Lim’s runway presentation at New York Fashion Week this season, the designer hosted a “studio day” at his flagship store on Great Jones Street. An all-day house party, it was an open invite to all: “no rsvp, no rush, no stress.” 

“I wanted to get back to a place of connectivity, and part of that was about creating an experience that welcomed new faces, longtime friends, and loyal customers,” Lim says of his decision to skip NYFW. “Being able to pause, breathe, and hang out at our home while bringing our usual community of creatives into the mix made everything feel more open, yet intimate.” Here, he exclusively shares with The Slowdown a playlist of energizing, stress-free songs to chill out to.
 
“The music selection is a synthesis of beautiful voices and instrumentals, both current and referential,” he says. “Having a purposeful blend of acoustic and electronic sounds feels fresh and matches the stress-free energy of that day.”

“Winter Dub,” King Tubby
“The Single,” Cabaret Voltaire
“Stay High,” Brittany Howard
“Inventionary,” Chad Lawson
“Every Soul!!!!,” 9th Wonder
“Home,” Caribou
“Electroluminescence (SF Version),” Franck Kartell
“Humanz,” Marco Benevento
“Take Me Home,” Sofia Talvik
“Basso,” Aysedeniz Gokcin
 

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Smell
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Second Skin
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Courtesy Gestalten
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Scent has become a gargantuan global business, valued to the tune of $31.4 billion as of 2018, and predicted to grow further in the coming years. A new book called The Essence: Discovering the World of Scent, Perfume & Fragrance (Gestalten) offers a fascinating look at the industry, covering the history, origins, and methods used to produce fragrances over the years, as well as the figures who are bringing the perfume-making craft into the 21st century. There are also plenty of punchy, entertaining sidebars, including a timeline of significant launches, from Issey Miyake’s definitive 1990s aquatic scent, to artist Lucy McRae’s 2011 “Swallowable Perfume,” which comes in the form of a pill that, once ingested, emits scent through the user’s own skin and sweat. 

Lifestyle advertising bolsters the enduring mystique and culture surrounding scent, of course, and the book contains a particularly enjoyable anecdote about certain Hollywood celebs who notoriously refuse to use deodorant. “There’s this bizarre dichotomy with luxury fragrance brands that want to capture the bad-boy persona of certain actors,” says editor Trey Taylor in reference to Johnny Depp, an avowed anti-deodorant dude who has nonetheless served as the face of several cologne campaigns. “What lends to that bad-boy persona is the idea that they don’t wash, in order to give the impression that they’re careless and risk-taking, which is ironic because they’re trying to hawk fragrances they definitely don’t wear.”

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Until next week...

Today’s email was written by Aileen Kwun.

Editor: Spencer Bailey
Creative Director: Andrew Zuckerman
Producer: Mike Lala

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