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Hello from SymbioticA 9 March 2020

THIS WEEK:
Making SPACE for Feeling: (Re)configuring the Future with Speculative Fiction


Date: 13 March 2020
Time: 3:00pm
Location: SymbioticA
Speakers: Laura Collier & Kathryn Prince

At the 2019 Hugo Awards, Ada Palmer proposed the idea that authors of speculative fiction are all scientists. In Palmer’s words, the genre studies the world and tests hypotheses in innumerable simulations, “thereby giving every generation new tools of empowerment, analysis, action and global progress – social, as well as technological.” Indeed, speculative fiction has long been used as a tool with which to envision future realities, and may be re-tooled to imagine tangible avenues towards a more hopeful future.

In this presentation we will explore the genre’s function as a liminal space of experimental thought, where theories and ideas are ‘beta tested’ within fictional worlds, before being deployed through trade fiction, and into the imaginations of the audience. Together, we will further consider the ways that speculative fiction, while not necessarily a social reality in the ‘concrete’ sense, encourages dreams of the future as a shared collective experience.

Laura Collier is a PhD candidate at the University of Western Australia. By employing an adapted history of emotions approach, in conjunction with xenofeminism and activist theory, Laura’s thesis explores ways in which speculative fiction narratives by women imagine a future for humanity, and considers the power inherent in the utopian imagination. Laura tweets at the handle: @thelauracollier

Kathryn Prince is an Associate Professor in English and Literary Studies whose current project, “Actor, spectator…detector?”, considers the limits of facial recognition, biometric data, and more human-centric cues in relation to emotion detection in the theatre and beyond. She is Leader of UWA’s node of the ARC Centre of Excellence for the History of Emotions and Director of Medieval and Early Modern Studies at UWA.

[Palmer, Ada. “John W. Campbell Award Presentation Speech 2019.” Dublin WorldCon. 18 August 2019]

Image: Mario Azzi on Unsplash
Flesh Out of Water

Date: 20 March 2020
Time: 3:00pm
Location: SymbioticA
Speaker: Tony Jones

In this informal artist's talk, Tony Jones will take us through some of his prominant public sculptures including 'Eliza' (the bronze diver in Crawley Bay) the CY O’Connor Horse & Rider in North Coogee and Standing Figure in East Perth. Through his experience as a Western Australian artist Jones will discuss initiatives such as Praxis, PICA & AGWA through to teaching and the work of Western Australian artist Brian McKay and theoretician Donald Brook.

Tony Jones is a sculptor/artist/teacher who has worked in Western Australia for some 50+ years whose public artworks can be found in the Perth metropolitan area and the regions. The sculptures often but not exclusively reflect a life lived close to and on the Indian Ocean and the Swan River.
BioMess: Call for Collaborators

The Weisman Art Museum is organising an iteration of BioMess by Oron Catts and Ionat Zurr. The exhibition will celebrate the incredible diversity of life and challenge our perceptions of norms and strangeness in the natural world. In preparation for the exhibition, the artists invite scientists to propose examples of organisms in the animal kingdom that defy cultural ideas of the self, bodies, gender, sex, identity, and reproduction. Based on these proposals, the Weisman Art Museum will form a collaborative team of artists and scientists to curate the exhibition.

INFO
Oratunga Winter School #3
19-25 July 2020
South Australia

Over five days, a team of distinguished scholars and creative practitioners will guide you through the art of creative place-making in storied Country. Practice and reflection on practice will be encouraged through a programme of solo and group activities.

Be welcomed by Adnyamathanha Elders and join acclaimed writers and artists in the Historic Oratunga Sheep Station. Distinguished staff includes:

Kim Mahood
Stephen Muecke
Jennifer Rutherford
Rachael Mead
Luke Harrald
Brian Castro
Fran Bryson

Places are limited and a selection process applies.

INFO
Call for Papers

Transdisciplinary Imaging Conference 2020
DARK EDEN
6 – 8 November 2020
Sydney

The Sixth International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture, to be held at Artspace, Sydney, is calling for papers that explore the darkness of the contemporary image through the concept of Dark Eden. Is the Dark Eden a Counter-Enlightenment? Is it a shadow zone, a spectral landscape, a cemetery or a zombieland? Is it the debris of an image culture, or does it provide the material for a new culture?

Deadline for abstracts: 1 June 2020

INFO
Job Posting:
Professor - Media Studies UT Dallas


The School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas invites applications for appointment at the rank of Full Professor with Tenure with expertise in media history, media archaeology/archiving, and/or technoculture studies. Applicants’ research agenda should emphasize the media of the moving image, including film, television, and emerging cinema, and situate that work within cultural histories of creative production and the social impacts of mass media. Desired areas of teaching expertise include media histories, contemporary media philosophy, and/or media archeology and archiving.

Applicants should upload a cover letter, curriculum vitae, research statement, teaching philosophy, teaching evaluations, relevant URL/portfolio URL, and the full contact information for at least five academic or professional references.

INFO
THE FUTURE WE CHOOSE: CHRISTIANA FIGUERES
Octagon Theatre, The University of Western Australia
14 March, 11:30am
Duration: 1h 30m

Former Executive Secretary UN Climate Change Convention, Christiana Figueres sees the 2020’s as the “golden ten years in the history of mankind” – the last decade in which we can continue to design the future.

An internationally recognised leader on climate change, Ms Figueres' work in her UN role culminated in the historic Paris Agreement of 2015.

She says “Our collective responsibility is to ensure that a better future is not only possible but probable, and then not only probable but foreseeable.”

Christiana Figueres is putting all her energy behind an accelerated global response to climate change, co-founding Global Optimism and publishing “The Future We Choose: Surviving the Climate Crisis”.

Hear Christiana Figueres in conversation on Saturday March 14 as she shares her message of outrage and optimism at the beginning of the most critical decade of all.

TICKETS

Apply for Residency
The Farm Margaret River
Western Australia

Located on the South-West coast of Western Australia, The Farm Margaret River is a place where art and agriculture co-exist. Applications for its annual funded Artist in Residence program are now open and close on Friday 29 May 2020.

PDF
APPLY
Call for Papers: Anthropocenic Temporalities

Contributions are invited for a special issue of Kronoscope:Kronoscope: Journal for the Study of Time (Brill) entitled “Anthropocenic Temporalities.” As an interdisciplinary journal directed by The International Society for the Study of Time, Kronoscope welcomes work from all fields.

The Anthropocene designates a duration with fuzzy boundaries. As a geologic era, it remains unofficial and without an origin or ‘Golden Spike’; as a historical period, its span, causes, and definitive questions remain open to conjecture. As a juncture characterized by the entanglement of disparate timescales (human, biological, ecological, geologic, cosmic), the Anthropocene is less a distinct “time” than a plurality of temporalities. We invite scholars and artists to reflect on Anthropocenic temporalities in any modality (critical, creative; visual, verbal) and from all disciplinary perspectives. We seek to assemble a rich range of contributions from emerging and established writers, who share concern and commitment to the Anthropocenic situation.

Proposals (abstracts of 250-500 words) or completed work may be sent to the co-editors:
Paul Harris (paul.harris@lmu.edu) and Emily DiCarlo (emily.dicarlo@mail.utoronto.ca).

Submissions due: June 1, 2020
ANAT Salon :: Making Space
8 April 2020
Adelaide, Australia

From artwork exploring how real-life movement in immersive worlds resonates with the environment, to found sounds and stories expanding our intimate and public spheres, we reveal how art can disrupt and alter perceptions, and how it can carve out new performative spaces.

BOOK
Apply for Residency

Spend three months at Ginkgo Bioworks working at the intersection of your creative discipline and synthetic biology. A joint initiative spearheaded and curated by Ginkgo and design agency Faber Futures, the Ginkgo Creative Residency provides an experimental platform to explore both the potential and implications of synthetic biology.

INFO
Art As We Don't Know It now on sale

Art as We Don’t Know It marks the 10th anniversary of the Bioart Society. Instead of looking back, the Society has joined forces with Biofilia – Base for Biological Arts in order to look forward and scan what kind of questions and topics in the realm of bioart, art&science and their politics could be relevant in the coming years. The resulting book is a tantalising and invaluable indicator of trends, visions and impulses in the field. The 280-page volume features a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart. Art As We Don't Know It is edited by Erich Berger, Kasperi Mäki-Reinikka, Kira O’Reilly and Helena Sederholm. It is created in collaboration between the Bioart Society and Biofilia – Base for Biological Arts, and published by Aalto ARTS Books.

INFO/BUY/FREE PDF DOWNLOAD
Expiring soon:

Bricolage
Until 22 Mar 2020
Nathan Thompson, Guy Ben-Ary and Sebastian Diecke
Fremantle Arts Centre
INFO

Future and the Arts: AI, Robotics, Cities, Life - How Humanity Will Live Tomorrow
Until 29 March 2020** Scheduled to re-open 13th March (currently closed)
Featuring The Tissue Culture and Art Project & cellF (documentation)
Mori Art Museum Tokyo
INFO
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