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Happy President's Day,

Welcome to another edition of the alumni newsletter. As the school year already begins to wind down (you can tell, because the editor in 
chief election is just a week away), many Hatchet writers, photographers and editors are trying to figure out what comes next for them.

That’s where you, the alumni network, come in. We’re launching a new program for alumni to meet one-on-one with students. Do you have a free lunch break? Want to grab a coffee before you head on into work? Email me, and I’ll connect you with someone on staff who wants to pick your brain about your career and how you used your experience at The Hatchet to land a job or internship.

In other news, keep an eye out in the coming weeks for more details about the next Alumni Association’s social gathering.

 

Thanks,
Zach Montellaro (Class of 2016)

Campus news

Universities have been scrutinizing their yearbooks amid a national controversy about blackface and other racist images pictured in dated publications. The Hatchet looked back at how the University has changed through concrete measures like mandatory diversity training and subtle changes in the way students discuss race on campus.

A Snapchat post that depicted two sorority members and a racist caption circulated around campus last year. For the one year anniversary of the event, The Hatchet looked back at how the University has changed through new diversity initiatives and a shifting culture.

Alumni Q&A

Ben Solomon (Class of 2008), a freelance sports photographer, sat down with Lindsay Paulen, The Hatchet’s culture editor. Solomon recounted his experience shooting at the Australian Open last month and how his time as a photo editor at The Hatchet set him up for success.

How did you get involved with sports photography?


It’s a bit cliche, but The Hatchet is how I got started in sports photography – shooting games at the Smith Center and up on the Vern. Then when the basketball team would get hot in March, traveling to Atlantic 10 championship games and NCAA tournament games. Gaining the experience to shoot collegiate games for a school newspaper gave a very solid foundation to what I’m doing today. Shooting alongside some of the best sports shooters in the D.C. area, editing and being on deadline, all of those things gave me a very solid footing.

Who has been your favorite player to photograph and why?

It’s a tough one to answer, but I’m going with Roger Federer as the favorite to photograph. But my reasons probably aren’t what most would guess. Yes, he’s a legend, and yes he’s got one of the prettiest backhand shots, but he’s my favorite to shoot because of the challenges that exist when shooting him. The first challenge is that most times when he hits a forehand, his eyes are either closed or he looks extremely bored. Couple that with his stoic demeanor, trying to make him look not bored can take a full match.

The other major challenge that exists when he’s on 
court is trying to come up with something different. As a photographer, you’re sitting next to potentially hundreds of other photographers all shooting the same exact thing.

Was there a moment during the Australian Open where you felt you missed an opportunity? If so, what was it?

Yes, I’ve definitely missed my fair share of moments. I can’t pinpoint one specific instance because there’s so much going on during a grand slam that there are moments constantly around the grounds. Being a sports photographer is as much about anticipating as it is shooting. Knowing the matchups and the styles of play, knowing what the sun and lighting are going to do throughout the day, all play into setting yourself up to be in a position to potentially capture one of those epic moments.

How did you get the opportunity to take photos at the Australian Open?

Networking and more networking – and putting yourself out there and taking a risk – that’s the main way to progress in this line of work. Someone took a chance on me a while back before I had established myself in the sports photography world, and I took that opportunity and ran with it.

What will you be up to after the Australian Open?

After I head back home from a month of tennis, I jump right into college basketball where I’ll end that season shooting March Madness for the NCAA and prepping for the Major League Soccer season, where I’m the team photographer for the New York Red Bulls. Never a dull moment.

Alumni news

Emily Singer (Class of 2011) is now a senior political reporter at Shareblue. Nora Princiotti (Class of 2016) covered her second consecutive Super Bowl earlier this month. Colleen Murphy (Class of 2016) recently completed a weeklong German-American Fulbright Commission program in Berlin.

Eva Palmer (Class of 2017) recently started a new job as an assistant account executive at Dini von Mueffling Communications in New York City. Chloe Sorvino (Class of 2015) is now covering consumables as a staff writer at Forbes. Jake Sherman’s (Class of 2008) first book “The Hill To Die On” comes out April 9.

Job opportunities

The New York Post's PageSix.com is hiring a web reporter/producer. If interested, email Julie Gordon (Class of 2004) at julie.gordon@nypost.com. Forbes is hiring food and agriculture policy writers, email Chloe Sorvino at csorvino@forbes.com. POLITICO is hiring for several positions, including a tech reporter, email me for info. Bloomberg Tax is hiring a senior reporter and a legal reporter, email Colleen Murphy (Class of 2016) at colleensmurphy94@gmail.com for more.

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