Copy
Huajes Valley Network newsletter. We want to feel you close.
[I understood that] my comal is not just a craft,
nor a work of art, it is a work tool for others.
Without the comal there are no tortillas,
and without tortillas we do not eat.

—Catalina Ortiz Guerrero,
master comalera from Santa María Atzompa, Oaxaca.

Hello <<Nombre>>! 

After the opening of Fire and Clay at the Amparo Museum, with a packed auditorium, the presence of 50 artisans from six villages, and an impeccable installation, we can only thank you from the bottom of our hearts. 

We want to thank you and congratulate you as well, because this exhibition continues to expand and transform the way in which society and institutions understand indigenous peoples’ pottery production. In the words of director Ramiro Martínez, "This project opens the door to other ways of understanding the museum." 

Such is the potential of these humble clay tools, now exhibited with all their dignity and beauty, next to top-notch artists, within the Architecture and Design program that the museum promotes. Without a doubt, it is an innovative approach. We want to explore this potential through our Casa del Barro Movement. 

As a member of the Network, you’ve made it possible for the artisans to attend the inauguration – several of them in a museum for the first time in their lives – permitting them to rethink and reassess their work vis-a-vis the larger world. You should also know that they returned to their homes with a renewed vigor and excitement for their craft. :)

Together, we have opened yet another door for potters and their work. The artisans were present at the exhibition, the press conference and the standing-room-only inaugural talk. The very talented Elia Mateo, red clay master; Amando Pedro, black clay veteran; Eric Mindling, author of the book Fire and Clay; and Kythzia Barrera, our co-director, all spoke eloquently and passionately about pottery and it's challenges for the future.

Most importantly, this exhibition demonstrated that these artisans merit world-wide attention.

We hope that soon you can visit this new enlarged version of the exhibition and know that you are a part of it. (The exhibition will be open until June 25th).

We would love to hear your thoughts. Send us a message!

We will continue to explore a full itinerary for traveling the exhibition to both Mexican and international venues. We want it’s message to spread and bloom!

Bonus:
Take a look at the beautiful pamphlet – almost a virtual tour – that the Museum prepared about the exhibition. (In Material Adicional).
A heartfelt thank you to the beautiful community of 2018 HVN members, who brought care, experience or resources, to make this exhibition possible.

Rabbit
Cristina Barbachano
Tatiana Bilbao
Barbara Braniff
Alejandra Cervantes
Carolina Coppel
Dolores de Beistegui
Jorge Espinosa

Cristina Gálvez Guzzy
Julieta Giménez Cacho
José Kuri
Sandro Landucci
Mónica Manzutto
Carlos Prieto
Diego Yturbe
Javier Sánchez
Raúl Zorrilla    
Steve Farneth (EUA)
Elizabeth Rintoul (EUA)
Stanlee Gatti (EUA)
Natalie Foster (EUA)
Rob Forbes (EUA)
Robin Petravic (EUA)
Cathy Bailey (EUA)
Ellen Leanse (EUA)


Armadillo
Mónica Calderón
Derek Dellekamp
Ezequiel Farca
Deer
Javier Arredondo
Alejandro González Iñarritu
Gabriela Cámara
Gloria Cortina
Maria Eladia Hagerman
Cristobal Riestra
Tania Rodríguez
Onora casa

Eagle
Maggie Galton
Germaine Gómez Haro
Patricia Ortiz Monasterio
Jaime Riestra
Alejandro Ramírez
Semillas Papalotla
Paula Williams (EUA)
James Martin (EUA)

Jaguar
Aimeé Servitje
Pivotal Ventures (EUA)

Special thanks to 
Bárbara Garza
Nacho Garza
Eugenia Braniff
Uzyel Karp
Laura Laviada
Cristina Salas Porras (EUA)
… … …

We want to continue building and exploring new possibilities with you through 2019!

With love, touching the earth,

Kythzia, Diego
y el equipo de Innovando la Tradición.
Copyright © 2019 Innovando la Tradición / Colectivo 1050°, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.