MESSAGE FROM ERIC
- July -
|
|
|
Eric,
You have stated the importance of constructing a painting with a visually pleasing design; that is, one with an interesting shape construction and simplified value structure. My question is: how do I know when I have achieved that?
- Jean in Washington
Jean,
that is a very good question that I spent much time considering. It may seem that my answer just doesn’t give enough guidance, and that I am speaking in broad generalities, yet I still feel it is the best answer. Otherwise, we are relegated to innumerable “rules” which can be successfully violated by an artist with modest talent. Even though “rules” may be based on an element of truth, they are to be held very loosely.
I think painting is much like cooking: it would be unwise to dump all the spices into every prepared dish; yet we do that when we paint by the “spice rack of rules” that bruise the creative process. What an awful way to paint!
What is the better way? I think if you can think in broad generalities you will progress faster and also have more fun. Think in terms of grouping and forming simplified value patterns that are easy to read from a distance (not in a “rule” of how much real estate each value should cover), shapes that are puzzle pieces and not geometric shapes; avoid tangents and repetitive shapes of the same size, and employ fresh color. Catch the viewer’s eye at a distance, carry it throughout the picture plane, and bring it to an area of dominance. This is not exhaustive, but it gives you the idea to think in big terms.
I think the quickest and most efficient way of seeing these important relationships in your painting is to associate yourself with someone who paints well and is able to point out strengths and weaknesses in terms of these broad concepts. This is how I learned at the Academy. In time, your sense of design will strengthen, without having to adhere to time consuming and frivolous rules.
So many times I have read about another “rule”, only to step away and be glad to have enough knowledge not take it too seriously; sometimes I feel I could never make my paintings adhere to such a “rule”.
Painting is not easy, but the most important concepts are easy to understand.
I believe it was Derain who said, “The problem with art is there is too much information.” I agree wholeheartedly!
Keep your brush wet!
Eric
(PDF)
MESSAGE FROM ERIC is also posted on Eric's Website under Workshops.
If you have a question that you would like to have answered by Eric, just send it to watercolors@ericwiegardt.com. Please put MESSAGE FROM ERIC in the subject line.
|
|
NEW:
Zippered Paint Brush Case
High quality, portable paint brush case with vent holes. Perfect protection for your brushes! Holds up to 10 brushes up to 14" long.
Sale Price: $29.25
To buy, CLICK HERE
|
|
|
Please allow 10 days for shipping for all products.
Or choose "Local Pick Up" while checking out and stop by to get your purchase!
|
|
Eric, his wife Ann and our team at Wiegardt Studio Gallery are all so grateful for every single follower of Eric's work and achievements, whether you are a fellow student of watercolor painting or a collector.
Therefore we want to offer you a free shipping coupon: "Thank You!"
Just type it into the coupon box while checking out on our website!
Click here to claim:
|
|
This Free Shipping Coupon "Thank You!" applies to orders over $100 and will expire July 31st.
|
|
They are finally here!
You can now watch Eric´s successful video series "Painting Loosely From Photographs" instantly by buying the online version:
it´s easy, convienent and fast.
Just go to our new website section Online Video to find out more:
www.ericwiegardt.com
|
|
"I have no doubt that his future accomplishments will
leave an indelible mark upon the American art scene." - Irving Shapiro, AWS, Former President and Director of American Academy of Art.
Eric Wiegardt has been awarded the highest honor in watercolor painting: the Gold Medal and Dolphin Fellow from the American Watercolor Society, New York.
As a teacher and artist, he has left a lasting impression on the American and International art scene with his bold, loose painting style. Eric has taught over 5000 watercolorists his popular "Wiegardt's Painterly Watercolors" workshops.
To learn more, click on this link: ABOUT ERIC
Wiegardt Studio Gallery
2607 Bay Avenue, Ocean Park, WA 98640
Phone: 360.665.5976
Summer Hours: Monday through Saturday 11:00am to 4:00pm
To see more go to www.ericwiegardt.com
Follow us on INSTAGRAM & Like us on Facebook
|
|
|
|
|