What an issue we have for you this month at The Flute Examiner! I have written an article about the dangerous pursuit of clear tone over all other aspects of sound production. (Not that it’s a pet peeve as a teacher or anything…) Kelly writes about the necessity of keeping things simple as we introduce new concepts to students, and Keith has provided a survival guide for those summer outdoor gigs that we are all sure to see as the weather heats up. Our NYWC piece this month is Beth Anderson’s “The Praying Mantis and the Bluebird” for flute and piano, and our featured interview shines a spotlight on one of my favorite Baroque flute inspirations: Na’ama Lion, who teaches and performs all over the country and the world.

Enjoy these days at the sweet, warm intersection of Spring and Summer…and don’t forget your bug spray!
 

—Jessica Dunnavant, Editor

	Interview with Na’ama Lion Tell us about your background. How did you come to music as a career? I grew up in a household with a lot…
	I Can Hear Clearly Now It’s a common scenario. A dedicated student stands in front of me, playing a piece for adjudication. Rhythmically, it’s perfect. All the notes…
	KISS Principle Most of us are familiar with the acronym KISS – “Keep It Simple, Stupid.” This advice is appropriate for all types of situations…
	Considering Outdoor Gigs We have reached that point in the year where many of us are starting to do more outdoor performing. As we get back…
	The Praying Mantis and the Bluebird” for Flute (or C-instrument) and Piano (or harp) by Beth Anderson This is the first piece I composed for my friend and colleague, flutist Andrew Bolotowsky. He is the bluebird. The piano accompaniment is…