When it comes to science fiction for young children, who is represented becomes all the more significant. Children are always looking for Rudine Simms Bishop’s “mirrors” and “windows,” and young readers are likely to interpret representation in the genre as a message about who is invited to read the genre and who is invited to imagine the future. Plus, children internalize what kinds of people are visible in STEM careers as indicators of whether those careers are viable options for them.
Yet there aren’t many science fiction books for the youngest readers to begin with, and even fewer of them have Latinx characters. In my recent study of science fiction for children under 12 years old, Equipping Space Cadets: Primary Science Fiction for Young Children, I found only three books that included Latinx characters, out of 357 illustrated science fiction books from 1926-2016. The only one of these three books to include any cultural depth was Lowriders in Space by Cathy Camper and Raúl the Third, which has been reviewed and featured in an interview with illustrator Raúl the Third on this site. It is a fabulous example of what happens when science fiction and Latinx culture are combined for a future that celebrates rather than erases. The story demonstrates how Mexican American culture and the Spanish language not only belong in science fiction, but how concepts like the rasquache artform of Lowriders can enrich speculation about engineering through grounding it in culturally specific contexts. There was only one other book in the study that included any Spanish words, if one can call them that, and that was Skippyjon Jones: Lost in Spice by Judy Schachner, a book that only serves as a parody of both science fiction and Latinx people. The odds of a Latinx child finding Lowriders in Space (and not Skippyjon Jones) are far too low for comfort. We need more, and better, examples of Latin@futurism in children’s fiction.
Recently, The Last Cuentista by Donna Barba Higuera won the Pura Belpré award and the Newbery award, granting major visibility to the potential of preserving Latinx culture in the futures of speculative fiction. In fact, the book itself seems to send that message. Higuera’s story explicitly denounces the idea that erasing cultural and physical difference would produce peace and equality. In the end, the main character Petra Peña’s Mexican heritage and the stories passed down from her abuelita are what empower and enable her to save her peers from attempted brainwashing and servitude. The mainstream success of this novel is hopefully already inspiring agents and authors and publishers to create more books like this, but readers and buyers must also support these efforts even for books that don’t win the awards.
Further reading...Click on the images for more information:
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Dr. Emily Midkiff is the author of the nonfiction book Equipping Space Cadets: Primary Science Fiction for Young Children. She worked for an interactive children’s theater and puppetry company for 9 years before deciding to get an MA and PhD to study children’s stories professionally. She teaches children’s literature and literacy education at the University of North Dakota.
Before we get to the questions and Julian's answers, here's some information about his young adult novel, The Memory Index, which released August 9, 2002!
In a world where memories are like currency, dreams can be a complicated business.
In an alternative 1987, a disease ravages human memories. There is no cure, only artificial recall. The lucky ones--the recollectors--need the treatment only once a day.
Freya Izquierdo isn't lucky. The high school senior is a "degen" who needs artificial recall several times a day. Plagued by blinding half-memories that take her to her knees, she's desperate to remember everything that will help her investigate her father's violent death. When her sleuthing almost lands her in jail, a shadowy school dean selects her to attend his Foxtail Academy, where five hundred students will trial a new tech said to make artificial recall obsolete.
She's the only degen on campus. Why was she chosen? Freya is nothing like the other students, not even her new friends Ollie, Chase, and the alluring Fletcher Cohen. Definitely not at all like the students who start to vanish, one by one. And nothing like the mysterious Dean Mendelsohn, who has a bunker deep in the woods behind the school.
Nothing can prepare Freya and her friends for the truth of what that bunker holds. And what kind of memories she'll have to access to survive it.
Q: Please tell us what inspired you to become a writer.
JULIAN: Ever since I was a child, storytelling has been my escape—it's helped me make sense of my messes. As a first-generation Mexican American who spent his formative years in the South, I've always felt a disconnect: my parents didn't teach me Spanish because they believed I needed to master English to excel academically. On the flip side, most of the friends I made in the rural town I lived in were white. I had a sort of crisis of identity. I couldn't fully embrace my Mexican heritage (three of my four grandparents didn't speak English!), and I always felt slightly detached from my circle of friends because I look different. Making home movies and writing stories became an exercise in processing my insecurities. I feel safest when I'm acting and writing—when I'm creating.
Q: Please tell us what inspired you to write this particular story.
JULIAN: With The Memory Index, I started by asking the question: Are we more than the sum of our memories? My fascination with childhood amnesia fueled this question, and that seed soon blossomed into the novel. One of the reasons I decided to set this narrative in the 1980s was that it allowed me to play with analog technology, like tape decks and VHS camcorders. This story almost doesn't work in modern times—where smart phones and micro technology are ubiquitous. In addition to the analog tech and thinking through the challenges of an 80s world confronting a terrifying phenomenon like Memory Killer, I wanted atmosphere to play a role in this duology. There's something decidedly different—decidedly special—about 1980s pop culture. There's a reason it's been in vogue for a while. And I think if, as a storyteller, I can hope to capitalize on that familiarity, it will help to ground the story. Now, obviously the risk is using that decade in a gimmicky way, but when done correctly, an 80s-set story should be amplified by its setting. (Think "Stranger Things.")
Q: Please tell us about your publishing journey.
JULIAN: I had a stint in self-publishing from 2012-2014, where I learned a lot of valuable lessons. And it wasn't until 2021, half a decade later, that I signed my first book deal with a major house. Interestingly, I was unagented at the time, so navigating the negotiations myself was unique. But now that I've found a home in HarperCollins, I can't foresee myself ever returning to self-publishing.
Q: Why did you choose to write for young adults as opposed to other ages?
JULIAN: What's great about YA is how massive the readership is! So many adults read YA, too, so the opportunities for story feel truly endless. Furthermore, I consume a lot of YA, so it's definitely the sub-genre I gravitate to the most.
Q: What are some of your favorite young adult novels?
Q: If you could give your teen self some advice, what would it be?
JULIAN: I'd tell myself to be more fearless. To create without the fear of whether or not my stories would be "liked" or "successful." Silence that inner critique and just WRITE!
ABOUT THE AUTHOR: Julian R. Vaca is a first generation Mexican American, and he's been a creative writer for over a decade. He's a staff writer on PBS's "Reconnecting Roots," a nationally broadcast show that drew in millions of viewers over its first two seasons. The Memory Index is his debut young adult novel. Julian lives in Nashville with his family. Connect with him at JulianRayVaca.com; Instagram: @JulianRayVaca; Twitter: @JulianRVaca; and Facebook: @JulianRVaca.
Here are the August 2022 Latinx Releases!
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Recent Reviews
In case you missed them on the blog, here are some of our recent reviews. Click on the image to go to the blog post.
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