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Disingenuous support looks like this: Adidas changing their branding to show Pride love while continuing to support the world cup in Russia, where anti-LGBT+ laws are enforced. Or BMW UK adding a rainbow colour scheme to their logo, but avoiding it for BMW Middle East lest they get on the wrong side of anti-LGBT+ governments.
 

These are some of the hypocrisies of the bigger, corporate brands. But well-intentioned, smaller brands can fall into the trap of surface level support too. 

 

While Pride is a time for celebration, its true origins of protest and creating meaningful change have become obscured, with brands appropriating and overusing the Pride flag – also known as rainbow-washing – without showing anything more than short term, public-pandering support. And in fact, we’re seeing that with younger generations the sentiment of rainbow flags isn’t one that resonates as strongly anyway, with ‘just 14% of Gen Z look[ing] favourably on rainbow flag campaigns’. When support comes in the form of ‘loud and proud’ marketing schemes from which only the brands monetise, it makes sense that people are sceptical of intentions. 

That’s not to say that these visual symbols and statements of support don’t mean anything at all. But it needs to make sense for your brand. Aesop, for example, went beyond the rainbows and took a more considered approach to celebrating Pride, staying in line with their brand personality and making no attempt to hero themselves in the comms. So unless you’re also taking thoughtful, sincere and sustained steps to create change and aligning values internally too, waving a flag for all but one month won’t be very convincing.

 

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“If it’s just about changing your logo on Twitter or hanging a flag in your store so queer people will spend their queer dollars there, well, in the immortal words of Shania Twain, that don’t impress me much.”

― Angela Watercutter, Senior Associate Editor of WIRED
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The Interview Header
K Bailey Obazee is the founder of digital storytelling platform PRIM. PRIM started because K knew there was a need to create space to share for the Queer Black stories that weren’t being made visible. Now the platform is home to visual artists, writers and audio creators who want to express their stories, and to audiences who want to connect. We spoke to K about why she thinks writing and reading is so powerful when it comes to representing marginalised communities, her monthly book club OKHA and her Vogue’s Pride 2020 film series, Love Notes from Quarantine.
READ THE INTERVIEW
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Aesop’s ‘our story’ page begins like this: ‘We offer skin, hair and body care formulations created with meticulous attention to detail, and with efficacy and sensory pleasure in mind.’ These elements of thoughtful curation and focus on sensory pleasure run through the entire brand. Including Aesop’s engagement with Pride. Keeping true to Aesop’s personality, the brand showed a considered, layered and multi-sensory exploration of Queerness, sharing ecclectic collections of music and literature, plus a global map of queer venues, ranging from restaurants, bookshops and museums.
EXPLORE THE ARCHIVE
What does authentic support look like for your brand? How might you write your brand’s Pride comms to align with your mission and personality? Does it reflect the actions you’re taking internally too?

Hit reply to submit your prompt
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Browse our Bookshop.org page to see what the team is reading and a few of our favourite brand and copywriting books. When you buy from Bookshop.org you're supporting independent bookstores. And we're donating the 10% affiliate cut from our store to BookTrust, the UK's largest children's reading charity. 

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