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No. 79 • 7/22/2022

👋🏽 Reminder Fun Time 👋🏽

I, and subsequently this newsletter, will be on a break between Aug 1–Aug 31.

Big Lifts Can Be Small Lifts

I wrote two pieces this week, both on the note-making methodology I use called "zettelkasten." The first one, "I just finished reading a book and took lots of notes. Now what?," I wrote in bed, on my phone, while doing a bunch of other things online, while at the same time chatting with Becky. This one made a bit of a splash and got me on the front page of Hacker News for a couple hours. This translated into roughly fourteen thousand views in a single day. 

The second post, "Folgezettel is Not an Outline: Luhmann's Playful Appreciation of (Dys)function," was much more involved, and I worked on it on-and-off for about six weeks. This made almost no dent whatsoever, despite, in my mind, being the more crucial of the two pieces.

Now, productivity gurus will tell you that this proves that your quick, light-lift, throw-ups are where you should be spending your time. They are easier, require less mental bandwidth, and, being "shot from the hip," are more relatable. 

This is also part of why I dislike the productivity scene so much.

Here's my experience of the pieces themselves:

The Quick Piece

  • This was written off a comment I made on Reddit. In other words, the reason it was so easy to write, was because I repurposed a Reddit comment I made for an essay. I love doing this.
  • In the end, it spurred a lot of negative comments on HN, because they had no idea where the piece was coming from, and thought I was being ideological (I wasn't)
  • The bump in reads (14k) led to maybe six new newsletter subscribers and about the same number of new Twitter followers (Six!)
  • Because the piece is more a brief "how-to" it might be useful over the years to some, but will probably fade very quickly

The More Involved Piece

  • This piece was written over a six-week period, but because I write many pieces at the same time, and keep very good track of where I leave off, really took six writing sessions of probably no more than one hour each (six hours max).
  • I enjoyed the process of writing this piece.
  • This piece made more or less no dent in the zettel-sphere, but for those who did read it, gave a number of a-ha moments, and may have fundamentally shifted their perspective about a particular aspect of the practice.
  • Because this piece was not widely shared online, it's hard to know if I got any new followers or subscribers. But, I know for a fact that I cemented a few "true fans."
  • Because the piece reframes one of the core aspects of the zettelkasten practice, it has the potential of staying relevant for years to come.

My Takeaway

  • I'm a writer, which means I write. I write lots of different content that takes many different shapes and involves many different kinds of lifts. 
  • Likes and shares do not necessarily lead to much of anything.
  • You never know what pieces will land, how, for whom, and to what end.
  • Diagnosing "best practices" based on what it takes to write a piece (quick one-offs or longer investments) is a terrible way of knowing what's worth your time.
  • If you have a system in place that allows you to sanely work on many different writing projects at the same time (I can teach you how), then big lifts really ain't that big. And, it allows you to write in whichever way you need to for any given project at any time. 


📦

Wanna See How I Do Things?

I'm not a huge fan of people making "a call" for artists and writers to "show their process" without giving said artists and writers a platform to show it on. If you want creatives to go out of their way to show how they do what they do, which many creatives (like myself) would love to do, you should incentivize your request by giving them the visibility to do so. (Art is labor. Marxist alert!)

Despite one such "call" coming out of the zettel-sphere this past week (which I annoyingly called out, cuz I was feeling spicy), I'm going with what I enjoy anyway, and will be creating some content in the upcoming weeks and months giving an inside look into how I work with my notes to develop writing. Stay tune-i-fied. 

Be *in* Social Settings More than *on* Social Media

In the zettelkasten scene there is a sometimes-debate between analog vs digital. Can a "real" zettelkasten be digital, even though Niklas Luhmann didn't do it that way? Blah blah blah. I believe cognition, retention, and success in learning has far more to do with the social aspects than it does with whether or not you type on a computer or write with a pencil. What matters above any "tool" is the social environment in which your learning takes place.

So, for all you "it's about the pencils" people, take note....

"A recent study published in Neurology indicates that social isolation increases the risk of dementia in older people and is as well associated with changes in brain structure and cognition, which is the mental process of learning."

Now you have another reason to be social. Get out there. Bring your iPad or pencil.

https://infidelpro.com/not-interacting-with-people-reduces-cognitive-function-over-time/

Commodities Require Being Reductive

Nice bit from Bill Watterson on not selling out his Calvin and Hobbes comic:

"[L]icensing is inconsistent with what I’m trying to do with Calvin and Hobbes… [it] isn’t a gag strip… The humor is situational, and often episodic. It relies on conversation, and the development of personalities and relationships… To explore character, you need lots of time and space. Note pads and coffee mugs just aren’t appropriate vehicles for what I’m trying to do here. I’m not interested in removing all the subtlety from my work to condense it for a product… I have no aversion to obscene wealth, but that’s not my motivation either. I think to license Calvin and Hobbes would ruin the most precious qualities of my strip and, once that happens, you can’t buy those qualities back."

Commodification requires reductivity. To make a product, to sell something, you have to strip away the nuance, the rough edges, the human and turn it into a widgit.

The goal for people who want to sell their services (someone like me who sells classes, for example), is to somehow maintain the human while reducing the product just enough to make it feel organized and approachable. The human, in its totality, in its fullest spirit expression, can be very unapproachable.

https://www.thelegalartist.com/blog/on-bill-wattersons-refusal-to-license-calvin-and-hobbes

Do The Apps Make Us Think Smaller?

Cactusdan, who "thinks the tiny web is pretty cool" like I do, takes the itch of social media beyond the platforms themselves, and suggests that we "get rid of the need for large amounts of small content" entirely.

"The next big step after getting rid of social media is getting rid of the need for large amounts of small content. That itch and the time it takes up should be replaced with literally anything that provides more fulfillment. I've been trying to replace it with stories (via books, video games, movies, comics etc.) and meatier internet content like long-form blogs. Anything else is much better than throwing time away."

It's a simple, yet profound sentiment. For those of you who have shed the social media monkey on your back, have you ever noticed that your prior usage changed what kinds of material and media you're able to engage with now? Does it need to be "smaller?"

https://cactusdan.bearblog.dev/social-media-brain/

Willpower Is Really About Controlling Your Environment

People often remark about my "willpower," my ability to maintain routines. First, I'm not as willpower-y as some people think. Second, what I am good at is controlling my environment. I'm good at creating a set and setting where certain triggers are simply not available. So, yes. I have *some* willpower. But, I also have the ability to change my environment to be conducive to my desires (no kids, no siblings living under one roof, etc). Therefor, I'm able to decide what my chair should feel like, what sorts of sounds come out of my Sonos at what time, and what sorts of food should *not* be in my cabinet.

"It may work for some, but very few people who try these techniques actually 'live the life of their dreams.' What keeps fit people going to the gym on a regular basis isn't wearing their running shoes to bed at night. It's discipline and accountability."

https://herman.bearblog.dev/the-best-investment/

WHAT I'M LOVING

This view for writing this week's newsletter. (We're staying at friend's).

WHAT I'M PRACTICING

I want to reassess how I write about things that might be otherwise unpleasant. Not so much "look on the bright side," as much as "is there an opportunity to build off this?" I believe there's a way to talk about living in the apocalypse, which I 1000% believe we are, and ride the wave in a pro-creative fashion. 

WITH WHOM I'M CONNECTING

The author of Psalm 62:

"One thing God has spoken, two things I have heard."
  
The word of God—divine teaching, insight, in-spiritedness (aka inspiration)—is received not as a single, sellable, node of truth, but as multisided. Spirit communication ("God is a spirit, and those who worship God must do so in spirit and in truth." John 4:24), when it descends, filters through our humanness. From the one to the many. Spirit is situational. Movement. Flux. Dynamism. 

I'm connecting with this dance. 

WHAT I'M READING

Information lands when it's packaged, presented, and contextualized in a way that resonates at a time when you've got fertile ground to recieve it. It could be the same information that's been passed down over the ages. If it hits, it hits. Doesn't matter if it took thirty other writers to try and sell you on it previously.

This week I'm reading Jakob Greenfeld's short, micro-book, A Skill Called Luck. There's very little that's "new" in this mini-tome, but, for whatever reason, his presentation is landing for me. 

My takeaway thus far: Luck is made for those who create a home for it. 

Sign up for Jakob's newsletter to get the free e-book. https://jakobgreenfeld.com/

Side note: "Luck is made for those who create a home for it," is basically spirituality in a nutshell.

From the holy "Hadith Qudsi" of Islam:

Allah says "Take one step toward me, I will take ten steps towards you. Walk towards me, I will run towards you." 

WHAT I'M HEARING

I will go to my grave knowing that Flin Flon will forever be one of the greatest concept bands of all time, and I will drag into the firey pit anyone who disagrees with me.
Mark Robinson (left) wrote songs that always seemed to push Nattles (right) and Matt Datesman (drums) to the edge. Anyone who was ever in band that had a "down strokes only" policy for bass players (aka my old band) knows how difficult this is. And Nattles is showing it in her face. Bless her awesomeness. 

Basically, the only live footage of this band available.

For more angular aural pleasures.... https://open.spotify.com/artist/2SNmxYDpBWoTrLmTZlsHxR?si=g8-rCU4PSM6muE7GGtgbQw

WHAT I'M WATCHING

The last video game I truly enjoyed was Galaga. But, a note maker comrade of mine thought I might be interested in checking out Hellblade: Senua's Sacrifice. Now, I don't "game," and don't know anything about what's happening in gaming environs, but this game, which deals with equal parts mental illness, magic, and adventure has me thinking I could give some of this world a glance.

Here's a 7-hour walkthrough sans commentary. The intro is worth a peek.
Another game they thought I'd enjoy is "Paradise Killer," which is...how to describe it....? If an apocalyptic death cult who worships ancient demons was murdered and you're the only one who can solve it, but all of that was set in the context of a Miami Vice-colored, vaporwave-drenched wonderland of characters. 

Needless to say, this person gets me.

And, that's that! See ya next week.

Please share this newsletter far and wide. Without social media, you are my reach out into the world. Help me extend my reach.


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