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READER
I spent the weekend on a remote island in Door County with limited cellphone service and a handful of friends. I woke up to a chorus of birds, traipsed through the woods, and ate a lot of s'mores. I knew I needed a break from my unyielding routine of staring at screens for work and after work, but I didn't realize how fully I'd appreciate completely cutting myself off from technology. I didn't touch a computer for three days, which simultaneously feels like a long stretch of time and a complete blip. 

Aside from the unexpected cold front that pierced the tent I slept in like it was made of tissue paper, my weekend sojourn helped rejuvinate me. Which is good, because I entered a short week with a rather big deadline for a story I've wanted to explore for a few years. So I hope you don't mind that I cut my newsletter this week short—as I remembered, it's nice to take a little break whenever you can.


Sincerely,
 
  "With New Record Label, Unsane Document Their Own Noise-Rock Underground," by Brad Cohan (Bandcamp Daily)
  "What Is Asian American Music, Really?" by Cat Zhang (Pitchfork)
 
  Food House, "Butterfly Knife"
  3MB featuring Magic Juan Atkins, 3MB
  Iu Takahashi, Late in life
  Arthhur, "Keep Moving"

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PPP aid flooded fast food outlets facing labor complaints
One McDonald’s chain in Chicago received half a million dollars in forgivable federal loans. Then came complaints of COVID-19 safety failures and a deadly outbreak.

By  @g_thompson1

 
GOSSIP WOLF: Experimental-music newsletter Tone Glow hosts an international streaming showcase
Plus: Sunjacket drop a second album of synth-heavy indie rock, and RJ Lake soundtracks a video game about an alien airport run by dogs.

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THE SECRET HISTORY OF CHICAGO MUSIC: Ron Haydock was a Renaissance man of trash culture
In his tragically short life, he careened through rockabilly, monster magazines, pulp novels, and exploitation films—including Ray Dennis Steckler’s Rat Pfink a Boo Boo.

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