Last week our Operations and Comms manager Katie took a group of Coxside residents on the very first 'Community Crit' Supported by artist educator Rachel Dobbs and artist Mark Leahy, the group went to see Then, at last' the MA Contemporary Art Practice Graduates 2020 - 2021 exhibition at the Arts Institute, Plymouth. Here she shares back the experience.
Then, at last is the MA Contemporary Art Practice Graduates 2020 - 2021 exhibition at the Arts Institute, Plymouth
Graduates Andy Cluer, Susan Hamston, Deborah Last, Gary Marshall-Stevens, Donna Mitchell, Brad North and Antonina Szram were completing their final pieces during a period of several pandemic lockdowns. The brochure for the exhibition stated: “The works presented here are the outcome of this process of questioning, and of the encounters with each other as a cohort. After a year of disruption, dispersal, disappointment, an exhibition emerges.”
Community members visiting the gallery were: Paolo, Bridget, Kimberley, Linda, Annie and Wayne plus Mark Leahy, Rachel Dobbs and Katie Oborn facilitating the event. Artwork was viewed and then the group gathered to talk about and discuss thoughts on what they had seen.
Artist Donna Mitchell’s work, Studio Conversations showed what could be perceived as two enormous pillows, one that looked soft and like ‘really tasty ice cream’ and the other tougher, ‘like stilton or a pig's skin’. It was mentioned that Donna had ‘found stuff on the side of the road and gathered bits from her environment’ to make her work.
Donna Mitchell had another sculpture on display which also created a lot of conversation, a shape that looked similar to a rock, hanging from the ceiling attached by rope.
“It’s like something from outer space, an asteroid.”
“How is it made? What is it made of? Is it light? is it heavy?”
“What is the point of it?”
It was ominous, it seemed to express layers of time. The structure was somehow a reminder of the coast. It contained feathery shapes and textures. The hanging artwork was moving, very slightly.
O Omniscient Om by Susan Hamston displayed rugs made out of household materials that would usually be discarded, a handwritten rota of family household tasks and a Caramel wafer wrapper was weaved in. The metallic wrapping caught the light and gave a glittery effect. Some of the group's comments on graduate Susan’s rug-like structures were:
“They’re like a lattice of knowledge.”
“Domestic life captured, grains of time woven together.”
“How is it so flat? Has it been ironed?”
“There is a semi-permanence to it.”
Dotted around the rugs were small fabric structures. Linda described them as ‘water lily decorations.’
The next artist Deborah Last described her work at the exhibition: “These ongoing works have been held in place by the rhythm of the daily landscape paintings. These are the landscapes and locations that kept me focused. I have headed out through storms and rain, in cold and sunshine to paint. At times we have had to stay close to home, so I painted there and then when able to, I headed out further afield to paint Dartmoor, Exmoor and the Devon and Cornish coastland. These paintings are quickly done, looking for light and structure. Finding the moment, inhabiting it and then expressing it.”
A series of paintings, each done on a different day in the lockdowns by graduate Deborah Last
Each image tells a story of the day's light and weather, they are colourful, timeless and relaxing. The details draw you into the landscape featured.
“You can see the wind, '' someone says as they view one of the paintings that must have been completed on a winter's day. The different seasons tell the tale of a year passing. Observing the images Wayne said:
“You can just be there can’t you?”
We'll bring you more thoughts and reflections from the Community Crit as the project develops.
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