This is not a juried show; all artists who submit will be represented in next month’s newsletter.
Spotlight: Ben Goldman’s Corona Masks
Ben has been busy during the pandemic. I caught up with him via Zoom, and we talked about his latest project. Here’s the article Ben wrote for the newsletter describing the process. Thanks for sharing this journey with us, Ben!
~alexis
By Ben Goldman
My Mask Series explores the nature of identity. Maybe doodling during a zoom call triggered the exploration (hopefully not during an inquiry!). Or maybe it was a dream?
The first painting was a rabbit-mask selfie with triangle cutouts to see. Somebody said it looked sad, but I felt happy and inspired enough to paint 30 more versions of me.
Among these cosmic transpersonal explorations, “Astronaut Me” launched despite the pandemic, or, more likely, due to it, months before billionaires headed into space (and far less expensive).
If you’re reading this, it’s all but certain—according to the unintuitive mathematics of common ancestry—that you’re descended from Nefertiti (along with everyone else alive today).
That’s one of many discoveries in my latest book Nature Breakthroughs: 5 Steps to Transform Yourself and the World, in which identity is one key element in my model of change. Identities are the only “things” that never change; our relationships to them (and between them), however, can change a lot.
So many roles that meant so much to me (middle son, brother, student, left-hander, teenager, radical, expert, husband, boss, Jew, teacher, father, candidate, lover, author, artist, bicyclist, entrepreneur, and so many more…) have all but dissolved. I didn’t paint any of those familiar selves, nor am I sure what’s left; except, how suffocating the politics of identity can be.
So, into the woods I go, a key aspect of the nature breakthrough method I teach at my workshops: finding your true nature in nature. There, on Lenape lands where I conduct them, I chopped up a fallen tree to create my Mask Totem, the next phase of this artistic adventure.
Chopped up a tree
In addition to months of hand carving, robotic technology was mixed in, courtesy of William Paterson University’s Sculpture X workshop.
Added a robot
The final totem from that gifted oak includes five double-sided busts of my own likeness adorned with archetypal masks from the painted series that spin independently like stacked Tibetan prayer wheels atop a crouched body, incorporating everything from the most natural tree stump to the latest technology and fakest commercial consumer products.
I pushed the concept one step further with the augmented reality of virtual masks using LensStudio software accessible on SnapChat.
Augmented reality masks
So many layers of technology mask how we see ourselves and each other, whether it’s paint on paper, social media, or artificial intelligence. Younger generations are now so fully absorbed by these newest layers of technologically mediated masks, with unknown implications for personal, societal, and ecological wellbeing. What better time than a pandemic to see our masks as socially constructed barriers in a world divided by identity?
Cart them away
For more inquiry and visual art on this topic (including how it relates to Diamond Approach work), check out my recent article in Battery Journaland view the entire Mask Series here.
Ben Goldman is a [fill in the blank or see my bio] and a member of DHR5.
DAG Art Gallery
Welcome to the virtual DAG art gallery.
Here are the submissions from the last month’s call for art,
“Meditation”
Tim Jones, UK3 Migration - Himma, pen, pencil, pastel, 10” x 6”
May - June 2021
Tim Jones, UK3 Migration - Himma, (detail), pen, pencil, pastel, 10” x 6”
May - June 2021
Tim Jones, UK3 Letting Go: Diving to the Human - Water Chandelier pen, pencil, pastel, 10” x 6”
May - June 2021
Tim Jones, UK3 Letting Go: Diving to the Human - Water Chandelier, (detail)
pen, pencil, pastel, 10” x 6”
May - June 2021
Olga Romanillos, DA Ottawa One Heart, watercolor
Inger Edelfeldt, DASCAN Meditation I, mixed media
Britt Block, Omega Painting With a Secret Name pastel on paper, 50" x 36"
Sara Todd, Casc3
Meditation I, collage on board
Sara Todd, Casc3
Meditation II, oil on paper
Irmgard Himstedt, DANS2
Mac's Meditating I, contemplative objectrelations and installations
Irmgard Himstedt, DANS2
Mac's Meditating II, contemplative objectrelations and installations
Irmgard Himstedt, DANS2
Mac's Meditating III, contemplative objectrelations and installations
Back Issues
Here’s the link to the back issues as well as the subscription sign-up. Please help spread the word to all of your creative Diamond Approach friends.