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& WE ARE BACK!
 
THIS SUMMER, I took a much needed break to completely summer.

 I traveled to Senegal and Ghana, went to the beach, visited museums, friends, and of course, I devoured three meaty novels.  

I did not write much, I was too busy being swept up in the sights, sounds, and smells of life in West Africa. Now, the sensory details from my trip is fueling my writing. 
 
I'm renewed! 

This fall + winter, BGBL's Newsletter will be brining you all the literary HEAT!

ENJOY READING!!!!!



 
Our Feature Writer: Tongo Eisen-Martin

Tongo Eisen-Martin was born in San Francisco and earned his MA at Columbia University. He is the author of someone’s dead already (Bootstrap Press, 2015), nominated for a California Book Award; and Heaven Is All Goodbyes (City Lights, 2017), which received a 2018 American Book Award, a 2018 California Book Award, was named a 2018 National California Booksellers Association Poetry Book of the Year, and was shortlisted for the 2018 Griffin International Poetry Prize. 

Eisen-Martin is also an educator and organizer whose work centers on issues of mass incarceration, extrajudicial killings of Black people, and human rights. He has taught at detention centers around the country and at the Institute for Research in African-American Studies at Columbia University. He lives in San Francisco. 

Blood On The Fog is his latest poetry collection. 

WATCH THE INTERVIEW!
SMALL PRESSES, BE ROCKING YOUR LITERARY WORLD!
We had the privilege to interview Elaine Katzenberger, Executive Director and Publisher for City Lights Books. City Lights is a bookstore, a small press, and a forceful voice in the literary industry.

BGBL: Why are small presses important? 

ElaineOur choices are not based solely on what kind of marketplace demand might be perceived, and are often made in spite of it, in all honesty, as we work to CREATE a market and readership for the authors and the writing we believe in. I’d say that in this regard, independent presses enrich not only the literary landscape, but also our civic life, by cultivating alternatives to pop culture and stimulating curious minds to look further, be more adventurous, think more critically, ask questions and reach for answers. This may sound lofty, but in truth it’s our reason for working as hard as we do against all odds!

BGBL:  How are small presses elevating the publishing world? 

Elaine: We expand the world of ideas far beyond the “taste” cultivated by corporate houses with a bottom-line-driven approach. But also, by successfully doing what we do, we nip at the heels of those “big houses” and show them what’s possible. And then sometimes they pick up on the fact that there actually IS a readership for certain kinds of books they hadn’t thought worth publishing, start to think about communities they hadn’t bothered to think about serving, and so suddenly those books get the big money behind them and many more people become aware of authors who otherwise would never have seen the light of day. So, in this sense, we’re elevating the overall publishing world by not only publishing our own books but also by operating as a test environment that can open book industry minds that might otherwise be closed due to a lack of awareness of possibility. 


 


Find Your Next Indy Read At: City Lights

Who Is Brown Girl Book Lover? 

  • We interview BIPOC writers about their books and promote them. 
  • We review books by BIPOC & marginalized writers. 
  • We value & celebrate the intellectual contributions of BIPOC writers. 
  • We unearth published books by BIPOC writers and give them the limelight. 

My name is Leslie Ann Murray, and I’m a fiction writer, a book lover, a Trinidadian, a New Yorker, and your tour guide to literary diversity. 
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