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Disregard if you've already pre-registered for this date.
  • This Friday, October 8, 2021.
  • Join LIVE online at 11 am (Pacific time) or watch the recording ANYTIME thereafter.
  • Hosted by Jen and Julio.
  • $20
Webinar includes:
  • Remote instruction, interactive chat, online group critique, and shared image folder.
  • Free access to all the awesome recap notes we take.
Watch the inspiration video below:
Our last ROOFLESS DOG & PONY SHOW presented the inspiration for this webinar.
 
Listen to this episode as a podcast on:
VASE. SURFACE
This is our 36th painting collection of 2021.
 

Earlier this week, we read an article by David Hockney in The Art Newspaper, 'Abstraction in art has run its course,' that we truly enjoyed.

Hockney discusses candidly figuration in European art in comparison to other more ancient cultures. In his opinion, Abstraction was necessary to remove the shadows that had dominated European art for centuries. And by “shadows,” he really means the deep, tenebrous darkness so prevalent in European paintings while totally absent in other cultures.

 

Within a couple of days after reading that article, we were captivated discovering a painting by a new artist to us: Avigdor Arikha (1929-2010). Arikha turned away from abstraction in the mid-1960s. “People who think there is anything new in the arts are idiots,’’ he told The Washington Post in 1979. He is renowned for his personal way to translate random, mundane objects and people from life onto the painting format composing them with an unnerving asymmetry.

 

Inspired by one of his paintings, we’re going to paint a still life from life, selecting only one vase and one surface and playing with composition.

White Vase, 1996, by Avigdor Arikha
  • Painting premise: Still Life.
  • Props: select one piece of pottery and one surface.
  • Painting surface: any size, any kind. We recommend 9x12 or under.
  • Medium & surface used in webinar's presentation: oil over cotton paper. Feel free to select your media & surface.
PAINTING WEBINARS THIS YEAR:
  1. TOASTERS
  2. KAMALA HARRIS
  3. OUR PILLOWS
  4. IN THE CLOUDS
  5. CLOWN CHIC
  6. SELF-PORTRAIT BLINDFOLDED
  7. AMERICAN SKIN
  8. FIRST DOGS
  9. OXEN
  10. PORTRAITO
  11. SWALLOWS
  12. STILL LIFE WITH FLOWERS
  13. POSING PAINTERS PAINTINGS
  14. LIQUID GOLD
  15. PULL OVER
  16. DROUGHT
  17. PORTRAIT OF A TREE
  18. PAINT TUBES
  19. ANTI-PORTRAIT
  20. EAR RINGS
  21. BATHERS
  22. ON THE COUCH
  23. BOUGAINVILLEAS
  24. AIRPLANE WINDOWS
  25. BARACK EATING ICE CREAM
  26. BLUE SWANS
  27. MACARTHUR PARK
  28. ACCIDENTAL RENAISSANCE
  29. AFGHAN HOUNDS
  30. DAGUERREOTYPES
  31. IT'S OVER
  32. CLUTTERED CLUSTERS
  33. FREE USED
  34. RESCUED BIRDS
  35. AFRO LATINX
  36. VASE. SURFACE
You can access all of the pre-recorded sessions in our online webinar library. Click here.

I'm a beginner. I haven't painted in decades. I've never painted with oil. Can I still join?
Yes. We make every effort to create a session that can be useful and rewarding regardless of the level of painting practice.

I don't like to be on camera. Do I have to talk, present something, or show what I'm doing?
No. You decide who hears you or sees you, or be completely invisible. A webinar is different than a video conference. You watch the presentation and instruction but you're not sharing voice or video, unless you want to.

What if I don't have the right materials for the session?
You can definitely use any materials you may have at hand. We provide guidance and instruction that can be adapted to any setup or medium you may have.

What if I can't make it at the time of the webinar?
Webinars are automatically recorded and become become available to replay. You can watch it anytime, as many times as you'd like. You can also register to view at any time thereafter.

Can I interact during the webinar?
Yes, you can do it in two ways: there is a chat box you can use and we have a shared photo album to share your process.

Can I interact if I don't watch the webinar live?
Yes, you still can. We have the shared folder as our point of contact after the webinar, where you can upload your work and get personalized feedback. You can also email us with any questions at any time.

What's the shared photo album for?
The shared album is our own social media space where we can upload images of our work. It's a convenient way to receive personalized feedback. It's easy to upload and view. Or not, you decide.

What's Roofless in Colloquium and how is it different from the webinar?
Our painting webinars are absorbing and engaging. We get very focused on the painting process. We host post-webinar video conversations to share and exchange thoughts about our experience with the painting series: process, strategies, challenges, expectations, questions and discoveries.
We give ourselves a few days to process the information provided during the webinars and to add some work to our paintings.
 
Looking forward to connecting and painting with you!


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Julio Panisello · 533 S Los Angeles St #605 · Los Angeles, CA 90013 · USA

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