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Calendar of upcoming events

4-6th April 2022: Mentor chats on Twitter (summer programme)
7th-8th April 2022: Mentee application window open (summer programme)
28th April 2022: Mentor-Mentee announcement (summer programme)
7-8th May: Picture Book Weekend (Hub members)
16th May: Novel-in-Development Award closes (Judged by Chloe Seager)

Hub Calendar

Live sessions:
Wednesday 23rd March: Picture Book Workshop with Rashmi 8pm
Wednesday 6th April 7pm : Book Club with Melissa Welliver
Wednesday 13th April 6pm: Chapter Book workshop with Emma Finlayson-Palmer
Wed 27th April 8pm: Book Blogging with Jo Clarke

Picture Book Weekend


From Pitch to Portfolio
Featuring 3 workshops and 2 panels from 3 of our favourite Picture Book teachers, and agents Alice Williams and Lydia Silver on the portfolio panel, this a weekend NOT to miss!

Free for Hub members, we welcome you to join us for the weekend that goes through every stage of the picture book writing process.

Novel-in-Development Award

“WriteMentor is such an encouraging environment I had no hesitation in entering. I loved that the novel did not have to be complete.”

Amanda Thomas, winner of WriteMentor’s 2020 Novel-in-Development Award

Read more here.

Mentoring

WriteMentor Spark is a monthly, online one-to-one mentoring service. Working with a children’s author, you will receive ongoing developmental editing, writing advice, publishing insights, and direct feedback on your manuscript to help you elevate your writing craft to the next level.

Spark Mentoring is always available if you need extra help or support each month.

Alternatively you can join the waiting list for our group mentoring (PB, MG, YA) here.

If you'd like 1-2-1 PB mentoring, complete this form.

“Mentors can be your cheerleader and a new writing buddy who will help boost you through the times when you might be struggling, and celebrate your successes with you”

Mentor Emma Finlayson-Palmer and her mentee Debbie Roxburgh chat about their experience of WriteMentor’s Spark programme

Emma, what made you decide to become a mentor?

Some years back I was mentored by the fabulous Tamsyn Murray, and I also had advice from the lovely Olivia Levez on how to critique ahead of my first critique group. I learnt so much from both experiences and really wanted to be able to share what I’ve learnt (and still learning) along my journey with other writers. I absolutely love working with other writers and the buzz it gives me to see writers progressing and developing in their own journey.

Debbie, what made you decide to sign up to the Spark programme as a mentee?

Writing had always been a very solitary process for me but after going to the Winchester Writers’ Festival several years ago, I discovered there was a thriving on-line community I could be a part of without having to travel (Driving to unfamiliar places stresses me out. And yes, I have a satnav but we don’t have a good relationship!). I was also at the stage where I wanted an experienced eye on my work before I started querying again. I came across WriteMentor and their Spark programme through Twitter. Emma ticked a lot of boxes for me and so I applied to work with her on a YA book I’d written.

What have you both learned through mentoring?

Emma: I’ve learned a lot about my own writing, and how I approach planning. Through working with others my writing have evolved and developed as the feedback I give helps me see things in my own writing. I love being able to talk through ideas and brainstorm with writers. I’ve discovered just how much of a buzz it gives me to work with writers and sharing the love and excitement for constructing stories.

Debbie: I’ve learned a lot about my writing strengths and weaknesses. I’ve discovered how much I enjoy the whole collaborative process of discussing the plot, my characters, where my book would sit in the market et cetera, et cetera. Bouncing ideas around is fun and hugely beneficial and having someone who knows my book inside out to call on for support and advice is invaluable. Oh, and my editing skills have improved A LOT! 

Why should people consider mentoring as a way to develop their writing?

Emma: Mentoring can be hugely beneficial to a writer. Mentors can help guide you in directions you might not have thought of, or help give a fresh insight into your story. Sometimes you need outside help, and someone who doesn’t know your writing as well as you so they can provide a new perspective on things. Mentors can be your cheerleader and a new writing buddy who will help boost you through the times when you might be struggling, and celebrate your successes with you.

Debbie: Having a mentor has given me the confidence to believe in my writing. As a writer it’s incredibly difficult  to step back and ‘see’ your story from a different perspective. The mentoring process offers that all-important perspective and has helped me get my work as polished as possible before the querying process. Emma is a mine of information and having recently returned to her with a lower MG book I’m working on, I’m excited at how the story is developing. Whenever my in-box pings with her latest feedback I’m raring to get stuck

Read the rest here.

Final Word

Chasing Trends

It can be tempting for us writers to see what's out there and selling at the moment and think that we have to write something similar.

After all, if funny middle-grades are selling well, surely that gives you the best chance, right?

Well, as most of you know it's never quite like that. Nor do trends last very long, nor do agents/publishers want books that are too similar on their lists, too. It's all a very delicate balance and through into the mix the fact that almost everyone is publishing says they're not sure what they want, but they'll know it when they see it, you can see why so many of do chase those trends, thinking reasonably that MUST be what they're looking for.

Recently I've been chatting to a few agents and they've discussed a movement in terms of where they are selling across the children's spectrum.

For a few years now YA has been 'dead' and MG selling well. PB's have also had an uptick in terms of sales. 

Well, guess what - here at WriteMentor, in our competitions and mentoring applications, we saw an exact mirror of what people say is 'trending'. In 2017/18 we received way more YA than other category's but over the last 4 years, people have converted their YA to MG, have written MG where they wrote YA before, or have switched to writing PBs. Numbers for MG and PB have rocketed.

Now fast forward to right now - those agents I spoke with are saying there's a change in the tide. MG isn't selling like it was. YA is doing better and so is younger fiction, that tricky space which we awkwardly call Chapter Books. PB's are a tough sell and fewer agents are taking them on right now. Many publishers are scheduled for PBs several years in advance now and don't have as much space for never titles.

Cue all the PB writers switching to CB and the MG writers switching to YA.

But here's why you shouldn't do that - with the caveat that if you want to do that, then go ahead, you're the boss of you and all the rest. But trends are called that because they don't last. They are impermenant and it's not sensible to keep chasing because by the time you're ready, those things that were trends have no moved on, the spots all filled, and they may well be focussing again on the very thing you gave up to chase the trends.

It could drive a querying writer insane.

So here's my sensible take on this - when you hear the whispers of what is selling, what's on trend or insider information from agents/publishers, do give it a listen with interest, but please don't go trying to master a whole new age category or genre - which will probably take longer than the trend will last - as you'll end up going back and forth and not really mastering anything at all.

All this is said with the full realisation that (a) some of us want to write across genre/age category and (b) some of us want to stretch ourselves as writers to develop and try new things. Both valid reasons to do it. My word of caution is simply that if you change merely to chase a trend, that will probably show in your writing somewhere - that lack of real passion, that lack of craft and knowledge of books for that category, that lack of writing what you really love regardless of what an 'industry whisper' might tell you.

Should you consider how you can make your book commercial/sell? Of course. You want to make a sales person at a publisher hear it and think that will be easy to market.

But should you chase something which just isn't you in some vague hope you can somehow learn the craft of a new category or genre and do better than those who've been writing in that space for years? Probably not. 

So go forth this week and write your own little weird stories - the ones that make your heart sing and your fingers light - and do think about what makes it really stand out - that elevator pitch - but don't go chasing trends. That way lies nothing good.
Writing can be lonely, but it doesn't need to be.

May the Force be with you!

Stuart, Florianne, Melissa, Sophia and Emily
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