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News from the National Jazz Archive
Newsletter 4/2022, April 2022


The Lost Tapes: Series 2 begins tonight!

Never-before-heard interviews with three jazz legends will be broadcast for the first time on Jazz FM, beginning this evening with Blossom Dearie, and continuing with Horace Silver on Sunday 10 April and Quincy Jones on Sunday 17 April. The programmes will be hosted by Helen Mayhew and begin at 9pm. 

Les Tomkins regularly interviewed musicians when they played in London and published articles and features in Jazz News, Crescendo and Melody Maker from the 1950s, based on these recordings. Many of his interviews with jazz greats that were published in Crescendo can be read on the Archive's website.

Les died in 2020 and bequeathed his tapes to the National Jazz Archive. The Archive is thrilled to have forged a partnership with Jazz FM that makes this amazing historic material accessible to a wide audience.

These interviews follow on from those broadcast last year with Oscar Peterson, Art Blakey, Sarah Vaughan and Stan Getz, and a two-hour special programme on Tony Bennett broadcast in December.

Blossom Dearie – 3 April
Les Tomkins interviewed Blossom Dearie in 1966, on one of her frequent visits to London. On the tape, she talks about the kind of lesser-known, tasteful songs she likes to sing, and the art of providing piano accompaniment. She tells a wonderful story about inspiring an arrangement by Miles Davis and Gil Evans’ “Once Upon a Summertime”.


Horace Silver – 10 April
Recorded at the White House Hotel in London in 1968, just before his run at Ronnie Scott’s, Horace talks to Les Tomkins about his favourite recording and preference for smaller groups. He discusses various jazz players and reflects on the current trends in free jazz and his move into lyric writing. One highlight is the chance to hear the story of “Song for My Father” in his own words.


Quincy Jones – 17 April
Recorded at the Mayfair Hotel in October 1963, Quincy is at an fascinating point in his career – touring, directing orchestral records for Dizzy Gillespie, moving into pop production and taking his first steps into A & R – he also has some strong words for those who won’t move with the times!


Elaine Delmar and Friends – last few tickets left

A few tickets are still available for the concert by Elaine Delmar and Friends next Saturday, 9 April, in Loughton, starting at 2.30pm. With Elaine will be Barry Green on piano, Simon Thorpe on bass, Bobby Worth drums and Jim Mullen on guitar.

Tickets are £20 and are on sale at the Archive (020 8502 4701) or from WeGotTickets, with a small booking fee.


Chris Ingham’s celebration of Hoagy Carmichael - 5 November

Chris Ingham’s celebration of Hoagy Carmichael is packed with the songs and stories of one of America’s most enduring and endearing songwriters. Wry, wise, sentimental, down-home and sophisticated, Hoagy’s songs are beloved for their warmth, wit and melodic beauty. This joyful, edifying and heartfelt salute to the Old Music Master features many engaging anecdotes and insights along with tracks from Chris’s acclaimed CD including well-loved hits alongside obscure nuggets and delightful curiosities from Hoagy’s rich and varied songbook.

With Chris will be Paul Higgs on trumpet, Geoff Gascoyne on bass and George Double on drums.

This fundraising concert for the National Jazz Archive will be in Loughton, Essex on Saturday 5 November. Tickets cost £20 and will be on sale at the Elaine Delmar concert on 9 April. They are now available on WeGotTickets with a small booking fee.


The ‘Night Club Queen of Soho’ – a glimpse of the Jazz Age

The National Archives occupy a special place in the UK archive firmament. Everyone should visit their palatial headquarters in Kew, West London, at least once. This spring is a great time for jazz aficionados to make that pilgrimage and check out The 1920s: Beyond the Roar, writes Paul Kaufman.

Last year, 2021, marked around 100 years since the dawn of the so-called jazz age. It’s hard to think of an art form other than jazz that has given its name to a whole period – a tribute to its import and impact. It was also the centenary of the 1921 census. Publication of census data at the beginning of this year will be the last for 30 years. The 1931 data was destroyed in a fire and WWII meant no census in 1941.

The exhibition is part of the National Archives’ 20s People programme, which explores stories connecting us with the people of the 1920s – also a time of global pandemic, rapid technology change, and uncertainty. 

The centrepiece is a recreation of The 43 Club in Soho run by the notorious Kate Meyrick. During her career Kate ran eight nightclubs in London and one in Paris. The longest running was The 43, open from 1921 to 1933 at 43 Gerrard Street. 

Kate frequently broke licensing laws, which meant her premises were raided by the Metropolitan Police – leaving a wealth of information about her at The National Archives. Her occupation in the 1921 census is listed as ‘confectioner’ – no doubt a ploy to avoid the auspices of the law.

At the start of her career, a fine and order to close the club in question were the usual punishments. However, as she became a habitual offender, and the then-Home Secretary decided to crack down on nightclubs, the consequences became more severe. Kate received five prison sentences, totalling over three years.


The longest was 15 months hard labour in Holloway Prison, of which she served a year. This spell was for paying a police officer to warn her when raids were planned. Kate was not alone in this bribery, nor in breaking licensing laws, which she rationalised as the only way to keep up with her competitors.

National Archives records, as well as her autobiography, tell us much about Kate and have enabled the recreation of a nightclub within the exhibition space based on The 43, using police descriptions, lists of customers and staff, and a plan of the club. 

The 1920s of course held little glitz and glamour for most people. Other themes touched on by the exhibition include the struggle of women to hang on to and advance progress made during the war, unemployment, the dawn of the fascist and communist political movements, anti-colonialism, and the prejudice faced by non-whites, rejected after loyal service in the forces.

The exhibition is fairly small, but fires interest in exploring this national treasure trove, and the newly released census information further, not least in digging deeper into the lives of the early jazz pioneers.

The 1920s: Beyond the Roar is free and open to 11 June 2022. 20s People can be accessed here.

Friday 20 May sees a special late night event in the reimagined 43, in partnership with the Candlelight Club, featuring music, food, cocktails and cabaret.

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The National Jazz Archive was founded by trumpeter Digby Fairweather in 1988 and is supported by Essex County Council and the Heritage Lottery Fund.
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