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Articles, insights and research about narrative change. Produced by Narrative Initiative.

Hello. We're writing from 2049. 👋👋🏾

We're still here. And that is owed to the ideas, persistence and hard work you did in 2020 and the years that followed.

You set a vision for a better, stronger future. One grounded in equality and justice. One that built narratives, policies and a politics centered on abundance, care and learning.

This newsletter – focused on the intersection of futures and narrative power – may offer guidance and ideas on the path forward.


– Lili, Rachel, Liz and Márquez
Narrative Initiative


There will be a rush for answers, but a big piece of the “what’s next” narrative is getting society to ask different questions and giving them space to explore.
 

– Kristen Grimm

Anything is possible

Imagination and narrative power.

It's possible to create a shared vision (and guideposts) for the future and the new narratives that give it cultural, political and social life. This vision and the narratives that shape it could be called a “Narrative North Star.”

A Narrative North Star helps light up the space to explore news narratives that sustain communities, as Kristen Grimm spoke to in A Better World Ahead Means Shaping Emerging Narratives Now.

The pandemic is a portal wrote Arundhati Roy. But so are societal shifts shaped by decades of dominant narratives: extreme inequality, racism, mass species extinction, rising sea levels and more.

Do we proceed using stories grounded in the deep narratives that got us here? Or do we take from those narratives the values they offer to people beset by complexity and uncertainty? Can new narratives offer people security? Systems scientists Jessica Flack and Melanie Mitchell recently wrote about crafting a better future amidst uncertainty.

In The Story of the Impossible Train, Phoebe Tickell shows us how good results are possible in even impossibly bad situations. But we must imagine alternatives first.

Leaders in other issues are prompting us to call for bold policy changes by imagining new ways of being together. César Rodríguez-Garavito wrote Post-pandemic futures, hope, and human rights to call for new visions and actionable hope. In Mass Decarceration, COVID-19, and Justice in America, Deanna Van Buren & F. Javier Torres-Campos call out a crisis of imagination in criminal justice. Futures work can offer a new vision and narrative maps for reaching that vision.

A note: the world ahead is not created from scratch. We move with and build upon the narratives and values and histories we have. We do this together. It can be messy, not sterile. It is hard work. Not something that comes neatly out of a box. Panthea Lee shared a thread on co-creation, design and the future means. Worth reading.

Why You Future

A March, 2020, story covers decades of futures work by Royal Dutch Shell [Malcolm Harris, New York]. The goal was to make better forecasting decisions about exploration and investment. But also to better control the dominant narratives about fossil fuel use in an environment (both figurative and literal) growing intolerant of fossil fuels.

In Learning from the Future [Harvard Business Review], J. Peter Scobic tells leaders to use strategic futures work to take advantage of uncertain times like the pandemic. Scobic reference Shell’s scenario planning by the US Coast Guard. The work is about power, Scobic writes:

Organizations don’t just prepare for the future. They make it. Moments of uncertainty hold great entrepreneurial potential...It takes strength to stand up against the tyranny of the present and invest in imagination.

Imagining and putting shape to new worlds is essential to strong narrative projects as we recently wrote in Our futures now: Turning imagination into narrative power.

Below are several examples of work being done by organizations, companies and others. One of our favorites – as aspiration, inspiration and a tool for narrative change – is A Message from the Future with Alexandria Ocasio-Cortez.

How About Scenarios?
 
We see a lot of it happening in the wake of COVID-19. Introducing Our COVID Future: The Long Crisis Scenarios, Alex Evans and David Steven write:

If we can create plausible stories about different futures, we create a foundation for decision makers, campaigners, and communities to influence the process of change.

Evans and Steven describe each scenario as a choice between “collective action and polarisation.”  The future scenarios we see highlight narrative conflict. On one hand we choose to face uncertainty through individualism, scarcity and nationalism that creates enemies. On the other we recognize uncertainty as opportunity to learn from others and be ambitious enough to care for everyone.

Other scenarios popping up in recent months include:

What will the world be like after coronavirus? Four possible futures An economist’s perspective on the fragility of today’s economy and the narratives shaping the economy’s role. [Simon Mair]

The New Possible and What’s Next. Largely focused on the “future of work,” it identifies the broad, systemic stress created by rapid change and uncertainty. And the value of talking with others about uncertainty and possibility. [McKinsey]
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Projects and Resources

Provocative examples + Tools
 
Here’s a scan of examples, guides, tools and of bringing futures into narrative projects.

Projects

Create the Future We Fight For is a Greenpeace US project that invites activists and members to participate in futures and narrative work.

COVID-19 Trajectories is an ongoing narrative project of Forum for the Future.

The New Possible : A collection of recent policy, political, social and economic changes previously considered impossible. But imagined into action by COVID-19.

Don’t Go Back To Normal : An example of a group of people stepping through a portal created by the pandemic. And in an asset (not deficit) based way

Experiential futurist Stuart Candy’s When reality outruns imagination documents how futures work done before (and during) the H1N1 pandemic prepared narratives (and policymakers) to cope with extreme uncertainty.

This is Everyone's Work

We're excited by the range of cultures and mediums in which this work happens. Developing narratives and visions of policies will be equal and just means putting the experience and voices of all communities and cultures into the work. The future is not built from scratch - it is of and by everyone.

Finding indigenous futurism through dance [High Country News]

Afrofuturismo o cambiar el presente para imaginar un futuro [Claridad]

Black Quantum Futurism

The Cos-Maya-politan Future [Dr. Genner Llanes-Ortiz]

Chadwick Boseman embodied the Black heroes of our past and gave us one for the future David Betancourt’s tribute to Chadwick Boseman highlights the ability of imagination to coalesce elements needed to create powerful new cultures and narratives:

The film’s true power, fueled by Boseman, was reminding Black people there is more to our story than what we’ve been told. The imaginative possibilities of who we are and where we come from are limitless.

Get to Work: Resources and Tools

Narratives of the Future Worksheet [Narrative Initiative]
Our 2-pager offers a simple approach to surfacing preferred futures and the narratives that support them.

The Futures Cone, use and history [Joseph Voros]
Expand possibility and learn about terminology and use of the futures cone.

The Futures Wheel [MindTools.com]
Map the actions that move you to a future outcome. Useful for brainstorming and narrative power building.

Project Foresight
Approachable and powerful set of futures literacy resources created earlier this year by a group of grad students in the Netherlands.

Metafuture [Sohail Inayatullah and Ivana Milojević]
Abundant source of thinking on futures, narrative and power.

Teach the Future
A vast set of resources aimed at helping teach futures skills. Helpful to any narrative practitioner looking for creative guidance.

Learning and Doing


EVENTS + TRAININGS

Monument Lab Town Hall: Shaping the Past : Oct 8, 2020

JOBS

Manager of Storytelling : Project Drawdown [Remote, US]

Communications Director : The Leap [Remote, US]

Senior Strategist/Analyst : Datapraxis [Remote, UK] 

Analyst/Data Scientist : Datapraxis [Remote, UK]

Narrative Strategist : Real Food Real Stories [San Francisco area]

Regional Manager : Narrative 4 [Multiple US regions]

Chief Communications Officer : MoveOn [Remote]

Digital Editor : The Daily Yonder, Center for Rural Strategies [Remote]
 

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