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illuminating poetry since 1959

November 2020

Photo taken by Associate Editor Kary Wayson.

 
A Message from Our Editor:

Though we’re still weeks away from turning over the year, there’s a sense of the fresh and the possible in the air over here at Poetry Northwest. First off, we’re celebrating Northwest Editions as they send a gorgeous new book out into the world this month. We also have four new staff members we’re excited to introduce you to: Helene Achanzar, Jennifer Foerster, Gabi Graceffo, and Sean Hill. Keep your eyes on our social media for more information about these additions to our family and what they’ll be bringing to our pages. Finally, I’m thrilled to share that we’re gearing up to launch the James Welch Prize, a very special award for two Indigenous poets. But before this year ends, we’ll need your help making this dream into a reality. Read on to learn more about this effort, including how you can contribute to creating a meaningful celebration of Indigenous writers, as well as other excitements breathing new life into the tail end of this unforgettable year.              
                                                                                                 —Keetje Kuipers                   
Our current reading period will re-open on January 1!
Read our submission guidelines.

 
 
Poetry Northwest’s inaugural James Welch Prize will be awarded every winter to two outstanding poems, each written by an Indigenous U.S. poet. The prize is named for Blackfeet writer James Welch, whose early poems were featured in Poetry Northwest and who went on to become one of the region’s most important novelists. The prize will be awarded to two first place winners every year, each receiving $1000 and publication in Poetry Northwest. In addition, through partnerships with Seattle Arts & Lectures, Hugo House, and the Beargrass Writing Retreat, each winner will also receive a trip to either Seattle, WA, or Missoula, MT, to read with the contest’s judge. We are honored to have Diné poet Sherwin Bitsui judging this year’s prize.

Poetry Northwest will be launching a fundraising campaign this December in order to keep the Welch Prize sustainably fee-free for Native writers over the next several years. Most prizes are pay-to-play: writers pay fees, and those fees then create the cash purse that’s paid out to the winner. Our goal with this 3-week Kickstarter campaign is to raise $10,000 that will go towards paying for the cash purse for the next five years. By donating to the campaign, you will be paying the submission fees for the Native writers entering our contest and, at the same time, contributing to the cash prize for the winners. None of this money goes into the pockets of Poetry Northwest—it is entirely for the winning writers—and any money that we raise over our goal amount will be donated to In-Na-Po, a new Indigenous poets guild, whose partnership is an integral part of making this new prize possible, ethical, and sustainable.

Stay tuned in the coming weeks for more information about how you can be a contributor to this collaborative celebration of Indigenous poets.
 

We are excited to announce the release of Theorem,
a full-length collection featuring text and art,
by Elizabeth Bradfield and Antonia Contro, 
published by Northwest Editions
and available for purchase on our website.

Look below in our Events section for more information
about exciting upcoming book launch events!

 

Labor” by Johnny Horton

The Moon” by Chloe Martinez

Ode to Casting a Vote” by Rosalie Moffet

An excerpt from Dao Strom’s Instrument (Fanograf Editions, 2020), a forthcoming multi-genre book of poetry and art

Ghosts” by Henry Dumas 

I have Cried Off All My Makeup” by Erin Adair-Hodges

O desire, I grow my hair long” by Helene Achanzar

The Fourth Wall” by Laura Read

 

                                                        🔹
 

Dujie Tahat on Claudia Rankine’s Just Us (Graywolf Press, 2020) in “To Be in the Truth of Us

Frances Cannon's “Profound Asymmetry," a visual review of Sisyphusina (PANK Books, 2020) by Shira Dentz

"just want and the present / of its emergence, which repeats" by Caryl Pagel on Kirsten Ihn’s sundaey (Propeller Books, 2020)
 

"Sugar, Lime & Salt" by John Yohe on Natalie Scenters-Zapico’s Lima :: Limón (Copper Canyon Press, 2019)
 

so / many / connections” by Zach Peckham on Joshua Harmon’s The Soft Path (University of Akron Press, 2019) 

Nan Cohen on remembering Eavan Boland in “A Sense of Location and an Act of Leave-Taking


October 17th: The Rose Art Museum (Brandeis University) presents a virtual conversation/showing of fine art edition of Theorem by Elizabeth Bradfield and Antonia Contro at 2:30pm PST. RSVP now.

October 17th: Folio Seattle virtual book launch of Theorem  by Elizabeth Bradfield and Antonia Contro with Poetry Northwest at 6pm PST. Get tickets.

October 18th: Woodberry Room presents the VOCARIUM READING SERIES: M. NourbeSe Philip & Cecilia Vicuña will read at 4pm PST. Register here.

October 19th: Georgia Tech presents a virtual reading with Victoria Chang & J. C. Reilly, a part of  Poetry@Tech series, beginning at 3:45pm PST. Learn more.

October 19th: Montana Museum of Art and Culture presents a virtual conversation with Elizabeth Bradfield and Antonia Contro, authors of Theorem, as part of “Bookish Reveals” series at 12pm PST. Join here.

December 3rd: Edmond Center of the Arts present the WE SPEAK Festival featuring Jericho Brown, Andrea Gibson, Kealoha, Shane Koyczan, and Robin Sanders, alongside talented local youth at 7:30pm PST. Learn more.

December 4th: Songs at the Confluence: Indigenous Poets on Place, a digital poetry event presented by the Adrian Brinkerhoff Poetry Foundation and Tippet Rise Art Center, in partnership with In-Na-Po (Indigenous Nations’ Poets) begins at 4pm PST. Learn more.
 

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