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Opening This Week... Freaky, Ammonite and Hillbilly Elegy
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City Lights Cinema

Greetings City Lights Fans,

It was great to see some near sold-out shows (hey, in the age of Covid, 27 counts as a near-sell-out) for the new Kevin Costner/Diane Lane film, Let Him Go. It's a slow burn for sure--but I loved the acting, the production design, and the continuously building tension. Leslie Manville is awesome too. We continue with Let Him Go

Joining that film we have: Hillbilly Elegy, the film from J.D. Vance's bestseller, directed by Ron Howard and starring some Oscar bait: Amy Adams and Glenn Close. "Hillbilly Elegy is a beautifully constructed, unforgiving, heart-tugging family epic about three generations of the Vance family." Chicago Sun-Times

And obviously it is Oscar time, as we also have Ammonite: "But Lee (God's Own Country) is only building a richer kind of mood, and priming the canvas for his actresses, who reward that faith with remarkable performances: Winslet, raw-nerved and ferocious beneath her reticence; Ronan a slow-blooming, stealthier force. Much will undoubtedly be made of two explicit love scenes, happening as they do between two famous female movie stars; like its coiled seashell muse, though,  Ammonite  finds its beauty in the whole, not the parts. A-." Entertainment Weekly

Finally, for some good comedy mixed with thrills, we have Vince Vaughn in Freaky, which has some hilarious takes on the body-switching genre (a serial-killer switches bodies with a senior high school girl who has a had a year from hell). "It’s a love letter to the genre without ever aping or mimicking it. With an incredible supporting cast and two engaging leads, it’s an out and out blast that finds Landon inching closer and closer to slasher masters like Craven and Carpenter." CoS

Given the times, it is a wonder that we have such a slate of new stuff. We look forward to sharing it with you!

Michael

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OPENING THIS WEEK
FREAKY: R, 101m 
After swapping bodies with a deranged serial killer, a young girl in high school discovers she has less than 24 hours before the change becomes permanent.

"Freaky doesn't skimp on the meat and potatoes of any good body-swap movie: having a ton of fun watching two different people awkwardly slip into their new corporeal figures (and lives)." IndieWire
AMMONITE: R, 120m 
"One of Lee’s brilliant choices is to refuse to put a soppy romantic gloss on the affair. He suggests instead that passion can blind lovers to a true understanding of each other as easily as it can open their eyes." BBC
HOLDING OVER
HILLBILLY ELEGY: R, 116m 
Based on the bestselling memoir by J.D. Vance, HILLBILLY ELEGY is a modern exploration of the American Dream and three generations of an Appalachian family as told by its youngest member, a Yale Law student forced to return to his hometown.
LET HIM GO: R, 114m 
Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

"A 1960s-set Western laden with big skies, steady gazes, and slow-roasted narrative corn, Let Him Go gets by on the strength of its female leads, Diane Lane and Lesley Manville. Kevin Costner’s effective, too, and he’s right in his taciturn sweet spot, muttering about this and that." Chicago Tribune
PERFORMING ARTS
LEONARDO: THE WORKS: PAINTERS SERIES, 104m
Leonardo da Vinci is acclaimed as the world’s favorite artist. Many TV shows and feature films have showcased this extraordinary genius but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of Leonardo: The Works, as EXHIBITION ON SCREEN presents every single attributed painting, in Ultra HD quality, never seen before on the big screen. Key works include The Mona LisaThe Last SupperLady with an ErmineGinevra de’ BenciMadonna LittaVirgin of the Rocks, and more than a dozen others.

This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo: the first to truly tell the whole story.

VIRTUAL CINEMA
MARTIN EDEN: NR, 129m 
Adapted from a 1909 novel by Jack London yet set in a provocatively unspecified moment in Italy’s history, Martin Eden is a passionate and enthralling narrative fresco in the tradition of the great Italian classics. Martin (played by the marvelously committed Luca Marinelli) is a self-taught proletarian with artistic aspirations who hopes that his dreams of becoming a writer will help him rise above his station and marry a wealthy young university student (Jessica Cressy). The dissatisfactions of working-class toil and bourgeois success lead to political awakening and destructive anxiety in this enveloping, superbly mounted bildungsroman. Winner of the Best Actor prize at the Venice Film Festival and the Platform Prize at the Toronto International Film Festival.
HARRY CHAPIN: WHEN IN DOUBT, DO SOMETHING: NR, 94m 
"Harry Chapin: When in Doubt, Do Something is an uplifting tribute to an impressive human being." Los Angeles Times
HERB ALPERT IS...: NR, 111m 
Herb Alpert, legendary musician, artist, and philanthropist has sold more than 72 million albums - 29 of them gold or platinum - outsold The Beatles in 1966 and co-founded A&M Records, the most successful independent record company in history. Herb Alpert Is…, directed by John Scheinfeld, looks at Herb’s extraordinary life with rare footage and interviews with colleagues like Sting and Questlove.
NATIVE SON: NR, 93m 
One of the most controversial novels of its day, Richard Wright's NATIVE SON (first published in 1940) exposed the injustices of urban African American life, witnessed through the eyes of Bigger Thomas, whose violent tendencies and moral confusion were the inevitable result of generations of institutionalized racism. In prison for murder and sentenced to death, Thomas reflects on the circumstances that led to his fate. 
OUT STEALING HORSES: NR, 123m 
A widower moves to the country where a chance encounter rekindles memories from his past.
BUOYANCY: NR, 93m 
Spirited 14-year-old Chakra works the rice fields with his family. He yearns for independence and seeks out a local broker who can get him paid work in a Thai factory. Without telling his family, Chakra travels to Bangkok to make his fortune. But when he gets there, he and his new friend Kea realize the broker has lied to them. Along with other Cambodians and Burmese, they are sold to a fishing captain as slaves.
NOMAD: IN THE FOOTSTEPS OF BRUCE CHATWIN: NR, 85m 
A journey where the viewer can see Werner Herzog's creative and personal vision which was shared with iconic travel writer Bruce Chatwin, the prolific author of 'In Patagonia' and a champion of the nomadic life.
APOCALYPSE '45: NR, 103m 
Documentary Presents Never-Before-Seen Footage of the Grisly End of World War II.
DESERT ONE: NR, 107m 
Using new archival sources and unprecedented access, master documentarian Barbara Kopple reveals the story behind one of the most daring rescues in modern US history: a secret mission to free hostages of the 1979 Iranian revolution.
JAZZ ON A SUMMER'S DAY: NR, 85m 
This documentary concert film captures the sounds and performances of some of the major jazz artists at the 1958 Newport Jazz Festival. Unlike earlier jazz movies that had been filmed in smoky black and white, this is shot in vibrant color. While musicians such as Louis Armstrong, Thelonious Monk, Anita O'Day and Mahalia Jackson perform, images of beaches, sailboats on water, dancing couples and the faces of joyful audience members are intercut into the proceedings.
REPRESENT: NR, 93m 
In the heart of the American Midwest, three women take on entrenched political systems in their fight to reshape local politics on their own terms.
GORDON LIGHTFOOT: IF YOU COULD READ MY MIND: NR, 91m 
The iconic Canadian musician, Gordon Lightfoot, reflects on his life and career.
THE GREY FOX: PG, 110m 
New 4K restoration! After decades in prison, stagecoach robber Bill Miner (Richard Farnsworth) emerges in 1901 a free man without a place in 20th-century society… until he sees The Great Train Robbery and is inspired to once again do what he does best.
NOTHING FANCY: DIANA KENNEDY: NR, 82m 
Cookbook author and environmental activist Diana Kennedy reflects on an unconventional life spent mastering Mexican cuisine.
CAPITAL IN THE TWENTY-FIRST CENTURY: NR, 103m 
"If there's a depressing note to Piketty's circular view of history, it's his belief that egalitarianism often springs from catastrophic disaster ("everyone is equal in death" becomes a refrain), and that it's the slow grind of extreme wealth and extreme poverty that breeds those disasters." The Austin Chronicle
CLEMENTINE: NR, 90m 
Reeling from a one-sided breakup, anguished Karen flees Los Angeles for her ex’s idyllic lake house in the Pacific Northwest. There, she becomes entangled with a mysterious, alluring younger woman, whom she cannot seem to resist.
THE BOOKSELLERS: NR, 99m 
Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. The Booksellers takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.
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