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Tuesday is always the worst day.
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the beautiful worst

2.9.21 vol. 7 - issue 2

Last Tuesday was Groundhog Day, which as a New Englander I never invested much stock in (what's the point when Winter lasted until, sometimes, May?), but the holiday did get me thinking--how many times have we compared life in the pandemic to Groundhog Day, either due to the strange sense of timelessness or the monotony of our routines? And how do we find inspiration despite that monotony? Sometimes we don't, and that's okay. Sometimes our creative efforts are used to cultivate some magic and joy in these every day moments. In this issue of The Beautiful Worst, I'm sharing a look at some of the every day photos that inspire my writing (including a sneak peek at my current novel-in-progress!), as well as some resources to spark inspiration as we get through this pandemic winter. Be well and stay safe! xo.Katie

Fabulist Fiction Inspiration

This winter I was thrilled to finally find the genre that felt like "home" for my work--fabulism: a form of magical realism in which fantastical elements are placed in an every day setting. Here's a look at some of the photos of everyday moments that spark my imagination for fabulist fiction:
via  @grl__pwr

A Sneak Peek at My Novel-In-Progress:

This yet-to-be-titled novel is about Mira Wang, a young mind reader, who must use her abilities as she survives on the road and evades a mysterious presence known as The Sheriff. A fabulist adventure with western motifs, this story incorporates themes I’ve learned from my martial arts background. Each month I'll share a new installment of Mira's story with my readers on Patreon. Here's an excerpt:
“Stay here.” Samuel opened the door, buttoning his suit jacket as he stepped out of the car. He leaned down to tell Mira, “Be good.”

Perhaps, if Mira knew this would be the last time she’d see her father, she would have put aside her petty teenage angst to look out the front passenger window and etch this last memory into her mind: his steady gait as he pulled a rolling suitcase filled with cleaning supplies. Maybe she would have pulled him away from the red front door. Or maybe she would have tried to see who was opening it on the other side. 

Instead: Mira sunk into the passenger seat. She looked up at the fluffy clouds in the blue sky. She pushed the dashboard vents with her sneakered toe. The cold a.c. breezed across her face. 

This was life. 

Life was the road. Life was rest stops and a cooler with a jar of smooth peanut butter and wheat bread, two canteens—one of coffee, one of juice. It was two suitcases in the trunk with a carton of industrial cleanser for home use, which Samuel sold door-to-door.

Mira waited in the car while her father stepped into living rooms to show prospective customers the effectiveness of his products. He demonstrated how one’s life could change with this simple solution. How they could keep a clean house, keep whites whiter, carpets fresher, couches odor-free. How, with this newfound freedom, they could spend more time with family or entertaining friends. They could step into the lives they always wanted to live, become the version of themselves they always wanted to be. 

Mira and her father did not have their own home that required tending, no chores to obstruct their dreams. They stayed in towns for such a short time they mostly lived in motels with names like broken promises, Oasis Inn and Bright Morning Resort. Mira watched the world from balconies overlooking bean-shaped pools with turquoise water and rusty, sun-bleached furniture. Overnight stops for tired truckers and lonely travellers and families, like them, living somewhere in between. Places people ignored as they coasted across the highway to more important places in their more important lives. 

When she was small, Mira asked her father, “Why can’t we be normal?”

“Who says we aren’t normal?”

“We don’t live like they do on TV.”

“No one lives like they do on TV.”

“Not even the customers?”

“Especially the customers.”

What Mira had yet to learn—what Samuel had prevented her from learning—was when her father stepped into these homes, he was not drinking decaf coffee with housewives, coaxing them into a sale. In his briefcase was a menu of lethal weapons: sharp blades and a blunt club and a silenced revolver. But it was often easiest to complete the job with his quick hands. The cleaning products removed the bloodstains from the couches and carpets. There were solutions used to dissolve bodies in bathtubs.

He emerged from each house, tipping his hat. They’d get back on the road and in not too long people would begin to wonder what happened to their friend, their neighbor, their co-worker. By the time the investigation was in full swing, Samuel and Mira would be on the road. 

Samuel made people disappear, but his most successful disappearing act was him and Mira.

To read the complete installment of "The Road, or: A Matter of Time" and to follow along as I write this new novel, subscribe to my Patreon. Subscribers can also access my library of short stories, essays, craft notes, and e-books.
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Virtual Enrichment to Spark Inspiration

Celebrate Black History with a Virtual Exhibition

"28 Days of Black History" is guiding audiences on a virtual tour of art celebrating Black history in the United States. Each email includes a work, discussion questions, and an action item to dismantle anti-Blackness in your community. Audiences can sign-up anytime and start with Day 1 of the tour. Hosted by Anti-Racism Daily. Sign-up here.
Writing Sprints with Greta Valentine

Greta Valentine, a fiction writer based in Kansas, hosts writing sprints every Monday night on Instagram. Each session includes dedicated writing time and community check-ins. It's a great way to start your week! Mondays at 8pm CST. 
Still Here, Still Life

Each week, illustrators Tess Smith-Roberts and Zena Kay host a still life drawing challenge at Still here, Still Life. You can follow them on Instagram to enjoy artist's interpretations of the prompt or join in with a medium of your choice. They also collaborate with photographers, florists, bakers, and brands of all kinds on prompts. New prompts are posted every Sunday.
 
Ink From The Embers  

Writer Corinne Cunningham and artist Toby Schreier are siblings and creatives, teaming up to host Ink From The Embers, a podcast where they share their conversations on their artistic process and the nature of creativity. Listen here
The Herd by Andy Li

I'm so proud of my brother, Andy Li, and his upcoming public art installation at the Rose Kennedy Greenway, "The Herd." Since 2015, the Greenway Conservancy has installed artwork in the Auntie Kay and Uncle Frank Chin Park to celebrate the history, culture, and traditions of the Lunar New Year and Boston's Chinatown community. 

For this Year of the Ox, Andy will be installing "The Herd," an immersive experience of colorful banners with messages of hope, perseverance, and community. The Herd will be available for viewing until 2022.

Your Turn!

What inspires you? How do you find or create inspiration during these quiet winter months?

Reply to this email with your advice to readers and I'll share it in the next issue of The Beautiful Worst!
Stay Safe + Be well!
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