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Philip Porter writes:

'Saving Jaguar' Takes On A New Meaning

I would like to tell you an amazing tale. In 2016 we arranged for two pallets of books - Saving Jaguar hardback edition and Stirling Moss Scrapbook 1961 - to be shipped back from the States. They went missing. We were not amused. How can anybody lose two pallets of books? We tried and tried to get some answers. No-one could help; no-one could find them. We reprinted Saving Jaguar.

Fast forward nearly five years. We recently had a call from a company telling us they’d found two pallets in a corner of their warehouse and were they ours. 

Looking at this company’s website, it reads, ‘Welcome to the fastest moving global freight forwarding specialist. We care; we connect; we deliver.’ They do - eventually. We are amused!

Porter Press Books Update

TheAutomotiveArtProject, a very large format book of 150 paintings, is almost ready to go to our printers. The Norman Conquest, the story of Vic Norman’s colourful life, is progressing nicely. Richard Heseltine is close to finishing Ferrari Breadvan after a lot of hard work. In parallel he has been making great strides with Concept Cars of the '60s, the first in a new series suggested by Richard. Keith Bluemel is hoping to finish his book on the Ferrari F40 shortly but has also been proof-reading Ultimate 250 GTO

BRM book is progressing steadily. Tony Brooks has written a superb foreword for the Vanwall book and kindly signed the pages to be bound into the special edition copies. As mentioned elsewhere, I have been progressing with my new edition of the book on the E-type 9600 HP and it is ready for editing by James Page. James has been sending his individual car histories, written for Ultimate 250 GTO, to the owners and getting incredibly positive feedback.  

Our team has been getting their heads round how best to present our forthcoming book of GT40 Drawings. We are talking to authors about Ultimate GT40, that is authors plural as it is such a big task with 130+ cars to cover. Place your bets here on how many volumes it will be! 

Mark Hughes is busy editing Serge Vanbockryk’s next amazing piece of work: Ultimate Works 962

‘New news’ is that we will be publishing a book on the Camel Trophy by Nick Dimbleby. Designer Martin Port, a devout Land-Rover man is very excited about this one. Photos will be amazing. There’s more but I am running out of space!

C-type Replica Furore
by Philip Porter

As you may have heard, the C-type replica world has been thrown into disarray by recent legal proceedings in Sweden.

The facts, as we understand them, are that a gentleman called Karl Magnusson spent several years building himself a C-type replica. During that time, he was in contact with Jaguar Classic and even came over to the UK to make a presentation to senior persons and discuss collaboration. 

Read more >>

Styling Inspiration
by Philip Porter

In view of the legal turmoil currently in the Jaguar C-type world, I thought it might be amusing to dig out a few pages from my very first book, published in 1984. 

Very new to this writing game, I had a short chapter at the conclusion of the book entitled Styling Themes. I cheekily floated a few thoughts on the similarities between various models of Jaguar and … Bugatti.

Read more >>

Competition History
Extract taken from Ford Model T - An Enthusiast's Guide
1908 to 1927 (all models and variants)
by Chas Parker with contributions from Chris Barker and Neil Tuckett

Henry Ford had recognised the publicity value of using his cars in competition at an early stage. In 1901 he challenged Alexander Winton, founder of the Winton Motor Carriage Company, to a ten-lap race on a one-mile oval at the Detroit Driving Club, Grosse Pointe, Michigan. Winton took an early lead but after seven laps his engine failed, leaving Ford to coast to victory in ‘Sweepstakes’, a 26hp racing car of his own design, at an average speed of 45mph (72kph).

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A unique E-type SuperFind waiting to be found again
by Michael Kliebenstein

I miss my fantastic early E-type! It is exactly 35 years ago today that I bought my Jaguar E-Type, and I can tell you that I miss it a lot.

I was only 25 years old, and my E-type was a 1962 Coupe in metallic blue with original grey leather. It was a total beauty, believe me, and it was rather special. It had unusual bonnet side louvres and Plexiglass windows. The interior was partially stripped out, so no radio, no astray, no heater – a pure Jag, and it went like stink! I found it by accident in an underground garage in Agrigento, Sicily. 

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The Malcolm Sayer Mysteries
by Philip Porter

I am currently working on a completely new edition of a book I wrote for a massive publisher by the name of Orion, some 20 or so years ago about my E-type, with the obnoxious title, The Most Famous Car in the World. No-one knew this title was forced on me and people in the Jaguar world thought I was boasting. Did me enormous harm. The new edition will definitely have a new title, and probably just the registration 9600 HP.

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E-type – The Fashion Icon
by Philip Porter

The E-type went on sale in 1961 and remained in production until 1974, bridging two decades that would come to define the fashion industry. Both the fashion of the ’60s and ’70s and the E-type today evoke nostalgia, and share an important place in British culture. Here, Philip Porter reflects on a classic era for design, and with the help of Abigail Humphries reconnects the E-type with the fashion of its period.

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Porter Press Events Calendar 2021

15 & 16 May - Goodwood Members' Meeting

8 - 11 July - Goodwood Festival of Speed

16 - 18 July - Auto Royale 

30 July - 1 August -
Silverstone Classic

17 - 19 September - Goodwood Revival

Featured Titles

Click here to view all Porter Press books

Fast-Feed-Back

McLaren F1 GTR - The Definitive History

'Excellent service, lovely book

'Very, very good, email updates on delivery excellent , A really lovely book.' Mr H. 


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Competition Reminder

For your chance to win this month's prize - a copy of Stirling Moss - The Definitive Biography, Volume 1, 1929-55, by Philip Porter, please send the correct answer to the question below to shannon@porterpress.co.uk by February 28th.

What colour was Stirling Moss's privately-owned Maserati 250F?
a) Red
b) British Racing Green
c) Light Green

 

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