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February is roughly the time on my calendar when I need to schedule myself a catharsis. 

A good cry, a change of mood and outlook. This week's poem is a sonnet, and I chose the piece for its beckoning transformation. The poem opens with the speaker on the precipice of some understanding. "I learn to sleep with the doors open." Changes unfurl throughout.

The speaker's state of being is in flux, and that flux is explored through the figures of the locust and the red bird. Neither animal is a direct metaphor for the speaker. Neither is a stand-in. Instead these figures occupy and inform one another, shared language trading between them (see how colors (red and brown) appear and reappear).

The ending is a revelation, a call back to the first lines, and finally an elision between the speaker and the animals she has evoked. I think the speaker has figured something out here, arrived somewhere I would like to arrive. The last three lines, especially, I have read and read again. 

Red Bird
By Donika Kelly

I learn to sleep with the doors open.
My legs open. The air full of water.
Locusts molt in perfect derivation,
green from brown. The red bird inside my chest,
between my knees. This red bird calls
like it is spring, like a brown hen will cock
her head and answer. We are in the full
throat of summer, my red bird and I.
The locust, whirring in the redbud;
unhusking itself on brick, too large now
for its old, parchment body.
I rub my legs together.
I let water out of the air.
I am full throated and calling.

This poem is from Kelly's book, Bestiary. Bestiary was long-listed for the 2016 National Book Award and won the 2015 Cave Canem Poetry Prize. I found this PDF of the entire collection if you want to read more. You could also buy a copy. It has a great cover. I found this poem through the most recent issue of Lue's Poetry Hour, which featured exclusively poems by Black poets about birds. 

The Postscript

1. A very good short story by Kaitlyn Greenridge in The Georgia Review. Features omens, the desire to prophesize, 1960s New Hampshire, a marriage between a Black man and a white woman. 
2. A live cam of jellyfish floating around if you'd like to be temporarily mesmerized.
3. A tweet I wrote.  
4. A delightful TikTok of e-commerce dance moves. Volume required. 
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Sonia Feldman · 2529 Detroit Ave · Cleveland, OH 44113 · USA

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