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Fortune teller reading tea leaves

Submissions, auditions and callbacks

Specific burning questions, answered!

I do like to bang on about submission tapes, don’t I?


But after my last reminder about the Do’s and Don’ts, I got a few specific questions I’m sure are in many of your hearts and minds, so let’s have at em!

When reaching out to a club do you send a short tape to be mindful of their time or a longer one so they can see how much time you can competently do?

Why not send both?!

Your tight five is your calling card, your pick up line, your elevator pitch. It's a language everyone speaks and understands, and it is respectful of the reviewer's time. Always include that!


But feel free to add “here's a feature set I recently did at Helium, opening for Nate Bargatze” or “I'm also including a link to my most recent special if you'd like to review a longer set.”


Oh btw, that link should already be in your email signature!!


Do I do the same set at the audition as on the tape?

Do your current tight 5 that, if everything was perfect, you would record today to submit to anything in the future. This may be the same or very similar to your submission or you might have washed out 40-60% of it.


One caveat - keep in mind the tropes of what you're auditioning for. As I've discussed before, many late night or JFL sets are a bit more basic autobiographical or more tightly thematic than you may be doing in a normal spot. So you may have moved on from “I know I look like a butch Lara Croft” live, but keep that opener when it's appropriate.

Do I do the same set at the callback/next round?

Well let's start with the cut and dry one - for a late night set, yes!! The whole process involves honing in on a specific, perfectly repeatable set with no surprises.


For anything else… it's complicated. Because, as always, we're all our own monsters.


If you'd like to do the same set, here's some things to remember:

  • If people like your jokes, they like hearing them more than once! There's some jokes that are 7 or 10 years old that I still laugh at when they just pop into my head, nevermind hearing them onstage.

  • You got here for a reason, you don't necessarily need to worry about proving your versatility and range! This obviously varies by opportunity but I'm pretty sure there's no one who got a Netflix new faces audition off of the only 5 they have. It's assumed you have the ability to do 20 or an hour, otherwise your 5-7 wouldn't be this good!

  • And certainly don't do a different set if it isn't as strong as the first one!


On the other hand, arguments for doing a different set are:

  • You'll be more excited about it! We all know even sliding a couple new jokes into your regular set can energize the whole thing. Don't go new new but if you have another strong set that you'll have fun with, go for it!

  • There are some circumstances where you'll benefit from showing your range. A lot of competitions and “younger” festivals will have industry judging or watching who have no context for you. We’re not dummies, but it’s always nice to reinforce a positive impression with an even more positive one!

How's that for absolutely not giving you a straight answer? Ha ha ha. Comedy!


If you’ve got any follow up questions to this, or any other newsletter topic I’ve put out, feel free to reply back and ask!

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