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To the left, light-colored text is floating in the dark expanse. It reads: Season 36 POV. unseen. Now Streaming. To the right, a picture frame floats in the dark, empty space. It features Pedro's side profile, a bald young man wearing glasses walking outdoors. Underneath it, the PBS logo.

Film Newsletter and Updates: Apr 25, 2024

Lead and Eraserhead


I was a teenager when the iPod and subsequently the iPhone came out. I remember when my classmates would flock around one of our friends who owned the first iPhone in our class. While my family couldn’t afford an Apple device at the time, I always carried a few pencils in my backpack. Over a decade and a half later, with smartphones everywhere, it turns out that a carefully sharpened stub of pencil dubbed a “mini” has become the most valued possession of some school-aged children these days. According to a recent Wall Street Journal Article: “They’re a status symbol.”


In a couple of weeks, we will mark one year since unseen made its debut. For better and for worse, so much has changed in the world since then. Whenever I travel with Pedro as we continue to share our film with audiences, I am reminded of how much we too have been transformed by this process. For one, I have come to place more value on the things I once overlooked – and question the worth of what I have been conditioned to aspire for. I’m even considering what it would be like to nix my smartphone, and kick it old school once again. Perhaps there’s a thing or two to learn from the kids at the schoolyard and even from our younger selves. (SH)


Where to Watch


Catch unseen streaming on PBS throughout the Spring. If you’d like to attend in-person events featuring Q&A’s with our team, joins us at:

  • Thin Line Fest: Emerging Filmmaker Nominee, Texas Premiere, Sat, Apr 27, 10am at Denton Campus Theatre

  • Santa Rosa Junior College: In partnership with the Santa Rosa Intercultural Center, Mon, Apr 29, 12pm. Contact InterpretingServices@santarosa.edu to request additional accessibility assistance


We’re also grateful to have shared our film this past month at:


REMINDER: Organizations that serve the undocumented and disability communities can host a screening of unseen free of charge by going to our website. Thank you to our partners at GOOD DOCS and the Ford Foundation for making this possible!


DEMOCRACY NOW! Logo on the bottom left, with the title Film on Blind, Migrant Student. Background features a split screen with Set Hernandez wearing a red shirt to the left, and the film's poster to the right.

The Roundup

  • “How can we reclaim the narrative for ourselves, instead of further uplifting the perspectives that politicians have about our community? How can we really lean on each other and amplify the voices and the ways that we understand our lives and the world?” – Check out our two-part feature on Democracy Now. Special thanks to co-news director Renée Feltz for highlighting us through the show.


  • “When Set approached me with the idea of writing an original song for unseen, I doubted whether I was the right person for the task… I knew this project would be different, and I knew I may never get the chance again.” – Read this tender essay on Womanly by our incomparable songwriter Julie Yeeun Kim about her experience shaping our film’s end credit song.


  • “Hernandez starts out looking at the world through Pedro’s eyes, visually replicating the haziness that is part of Pedro’s condition… but the film grows clearer in more ways than one when the realization sets in that they share the same view, a type of clarity that’s bound to come to many more.” – Stephen Saito, The Moveable Fest


A looping sequence of images featuring the multiracial filmmaking team behind unseen smiling in front of film festival step-and-repeat signage. Their outfits vivid, their poses playful, their smiles joyous. Several of the team members are holding mobility canes.

Poetry as Inspiration


Whenever our impact team gets together, we find ourselves reciting poems to open and close our meetings. Poetry, in fact, has served as key inspiration in the making of unseen. With April being National Poetry Month, I offer the poems and excerpts below that have been instrumental in the creation of our film:

  • Eagle Poem by Joy Harjo: “…know there is more / That you can’t see, can’t hear; / Can’t know except in moments / Steadily growing, and in languages / That aren’t always sound but other / Circles of motion.



  • On Pruning by Allison Funk: “…When winter’s close, cut back / the tallest stems, then with soil / topped with straw or leaves, bury the plant, / make the mound as high as you can, / as if the grave were your own / impermanent home, as if you believed anything / could bloom again.


  • The Summer Day by Mary Oliver: Tell me, what else should I have done / Doesn't everything die at last, and too soon? / Tell me, what is it you plan to do / with your one wild and precious life?


P.S. These poems are in honor of our dear colleague Jess Search who loved poetry and who, through our funders at Doc Society, taught me how one can bookend meetings by reading poems for the soul.


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