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The mission of the Northeast Ohio Blues Association, a 501(c)(3) organization, is to support the cultural significance of Blues, America’s true roots music, through educational endeavors and promotional events.
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Joe's Blues Blog


"If you want to see and understand where the blues is going, you have to look back and see where it has come from and what it’s been through!"

Joe's blog helps us deliver on our mission to provide education on the history of the Blues.

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From Joe's Blues Blog February 2023 

   Blues Song(s) And Artist(s) For February 2023: The song is "Rough Dried Woman", and the artist is "Big Mac", believed to be Willie McNeal, b 1901, d 7/18/1972, a truck driver by profession, out of Arkansas. The base for this was one of four instrumentals by Howlin' Wolf's band members in '63, featuring Hubert Sumlin on lead guitar, Eddie "Playboy" Taylor on guitar, Little Johnny Jones on piano, and Willie Williams on drums. The Big Mac vocal was over- dubbed later by Don Clay, a Chicago record man, who owned the Dawn label. If you see a copy of it on vinyl, you'll notice that the writing credit is by (B.)Earle,(Don) Clay, (Willie) Williams. Yes, it's the drummer on the record. If you listen to it, you might want to lower your volume a bit -- this is not a "blues shouter", it's a "blues screamer". The recording was leased to Stan Lewis, owner of the Jewel, Paula, and Ronn labels, out of Shreveport, Louisiana, who released it there, and it was a hit in the area, before it went national. The flip side of both releases following is the original instrumental version by Wolf's band members. The Ronn records version is # R-8. It was also released on the Dawn label, # 102, both in '66 (other sources say '67). Yes, it's been covered by others, including Magic Slim and Charlie Musselwhite. Whatever, just hang on & listen ! Enjoy !

 

Robert Nighthawk

Slide guitar master Robert Nighthawk was one of the first bluesmen to achieve regional stardom in the Delta through radio broadcasting. Following on the heels of Sonny Boy Williamson's King Biscuit Time radio show, Nighthawk went on the air during World War II on the same station, KFFA in Helena, Arkansas. Helena was where Nighthawk born and died, but in between he ranged far and wide, living in Mississippi, Chicago, St. Louis, Memphis, Florida, the southern Illinois town of Cairo, and other stopping points. He seemed to have as many wives and girlfriends (many of whom sang or played drums in his band) as he had addresses, and he had several different names as well. His real name was Robert Lee McCollum, born in November 30, 1909 -- in Helena, he always said, although recent census research has placed the McCollum family in the nearby town of Searcy in both 1900 and 1910. His first records in 1937 appeared under the name Robert Lee McCoy on the Bluebird label, and on subsequent releases he was billed as Rambling Bob, Peetie's Boy (a reference Peetie Wheatstraw), the Nighthawks, and, finally, by the early '50s, Robert Nighthawk. The record that most musicians remember him by was the 1949 single by the Nighthawks on Aristocrat Records that paired Annie Lee Blues and Black Angel Blues (Sweet Black Angel). Both were electrified versions of songs Nighthawk heard from one of his major influences, Tampa Red, and Nighthawk's recordings, in turn, influenced up-and-coming musicians such as Elmore James, B.B. King, and Earl Hooker. Muddy Waters was a close friend and admirer as well - Nighthawk had played at Muddy's first wedding in Mississippi in 1932. Nighthawk's intermittent stays in Chicago resulted in more excellent sides on Aristocrat, Chess, and United, and a classic album, Live on Maxwell Street 1964. Nighthawk made his way back to Helena and Dundee, Mississippi, where his son, drummer Sam Carr, had been carrying on his legacy with the Nighthawks band (Frank Frost and Big Jack Johnson, later renamed the Jelly Roll Kings). Nighthawk took over King Biscuit Time for a while and though he was struggling with what he believed to be the effects of poisoned whiskey, he managed to do a final recording session with his mentor, guitarist Houston Stackhouse. He died on November 5, 1967. -- Jim O'Neal www.bluesoterica.com

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