These trump, or triumph, cards were often painted for wealthy families. Members of the nobility would commission artists to create for them their own set of cards, featuring family members and friends as the triumph cards. A number of sets, some of which still exist today, were created for the Visconti family of Milan, which counted several dukes and barons among its numbers.

Because not everyone could afford to hire a painter to create a set of cards for them, for a few centuries, customized cards were something only a privileged few could own. It wasn’t until the printing press came along that playing card decks could be mass-produced for the average game-player.

In both France and Italy, the original purpose of Tarot was as a parlor game, not as a divinatory tool. It appears that divination with playing cards started to become popular in the late sixteenth and early seventeenth century, although at that time, it was far more simple than the way we use Tarot today.

In 1781, a French Freemason (and former Protestant minister) named Antoine Court de Gebelin published a complex analysis of the Tarot, in which he revealed that the symbolism in the Tarot was in fact derived from the esoteric secrets of Egyptian priests. De Gebelin went on to explain that this ancient occult knowledge had been carried to Rome and revealed to the Catholic Church and the popes, who desperately wanted to keep this arcane knowledge secret. The biggest problem with de Gebelin’s work is that there was really no historical evidence to support it (learningreligions.com).

*True North Tarot available here.