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Dear Friends and Colleagues of the Art Department,
Next week is Spring Break, so we may have a pause on our weekly newsletter.
There will be no lectures, openings, events to announce next Monday. We hope everyone has a chance to have a little downtime in the middle part of Spring semester.
 This week the Tuesday Faculty Colloquium features Professor Stephen Hilyard. Hilyard creates artwork in a wide range of media. A common theme in his work is the paradoxical nature of our impulse towards the profound—at once both sincere at an emotional level whilst remaining wholly mediated by our culture.
 The Wednesday Visiting Artist Colloquium will be provided UW-Madison Art alumni Anwar Floyd-Pruitt [MFA '20]. An Associate Curator of Contemporary Art at the Museum of Wisconsin, Floyd-Pruitt is an artist, curator, and puppeteer who maintains an active studio practice at the House of RAD (Resident Artist Doers) in the riverwest neighborhood of Milwaukee. The Chazen Museum of Art, Edgewood College, Mount Mary University, and the Museum of Wisconsin Art recently hosted solo exhibitions of his collages, paintings, and abstract mixed-media self-portraits, including his award winning exhibition at the Chazen as the Chazen Museum of Art 2020 Russell and Paula Panczenko MFA Prize recipient.
Join us for the Spring Semester Colloquium Art Faculty Lecture on Tuesdays and the Visiting Artist Colloquiums on Wednesdays from 5 to 6:15pm online on Zoom or in person in room L160 in the Elvehjem Building. These lectures are free and open to the public.
Things here in Madison are starting to warm up and snow is beginning to melt. Please watch for announcements after next week—we will have some excellent MFA Thesis Exhibitions on display. Congratulations to all the 2nd Year MFA students for their excellent qualifier shows this Spring.
Thanks.
Chair Derrick Buisch
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UW/ART
IN THE NEWS
MOWA Exhibit Courts Next-Generation Artists by Michael Muckian, Shepard Express, February 28, 2023.
Neon – it’s not just for making signs, Learning Connections Winter 2022-23, February 17, 2023.
‘Nothing static’ about glass by Kari Dickinson, Learning Connections Winter 2022-23, February 16, 2023.
Next-gen glass, Learning Connections Winter 2022-23, February 6, 2023.
School of Education announces 2023 Distinguished Alumni Award winners, UW-Madison School of Education News, February 6, 2023.
Kel Mur: Converge at Pyle Center by Hannah Keziah Agustin, Tone Madison, February 1, 2023.
Wisconsin State Journal spotlights ‘Prince Hall’ series by UW–Madison’s Abdu’Allah, UW-Madison School of Education News, February 1, 2023.
UW–Madison’s Hitchcock speaks about art, Native heritage in Q&A for Capital Times, UW-Madison School of Education News, January 31, 2023.
Who are the Prince Hall Masons? Exhibit shines a light on their work by Melissa Perry, Wisconsin State Journal, January 23, 2023.
Madison artist John Hitchcock honors Native roots in prints and neon by Lindsey Christians, The Cap Times, January 22, 2023.
New exhibition celebrates Emerging Artists and the Future of Wisconsin Art at MOWA by Jennifer Turner, Washington County Insider, January 18, 2023.
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University of Wisconsin-Madison Art Department
Spring 2023 Colloquium:
Art Faculty
Tuesdays @ 5 - 6:15pm
Elvehjem L160
Attend weekly lectures by the artists and members of the faculty in the Art Department at the University of Wisconsin-Madison! See how they make their work, what inspires them, and learn how to sustain a professional art career.
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Visiting Artists
Wednesdays @ 5 - 6:15pm
Elvehjem L160
Discover the latest developments in Fine art, Craft, and Design at our free public lectures by some of the nation’s most prominent artists, critics, and gallery and museum directors.
The Art Department Colloquium is a series supported by the Anonymous Fund and the Brittingham Trust. Faculty lectures are held every Tuesday and Visiting Artist lectures are held every Wednesday during the academic year, and are free and open to the public.
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Tuesday, March 7
Professor Stephen Hilyard
Stephen Hilyard creates artwork in a wide range of media. A common theme in his work is the paradoxical nature of our impulse towards the profound – at once both sincere at an emotional level whilst remaining wholly mediated by our culture.
Hilyard’s work has been exhibited internationally, including galleries and film festivals in New York City, Los Angeles, San Francisco, Chicago, Seattle, Minneapolis, Marfa, Austin, London, Berlin, Shanghai, Hong Kong, Dubai, Sao Paulo, Riga, Perth, Sydney, Volgograd and Camagüey- Cuba. Hilyard’s practice has been supported by The Huntington Library, The Harpo Foundation, The American Scandinavian Foundation, The McKnight Foundation, The Wisconsin Arts Board and the Minnesota State Arts Board.
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Wednesday, March 8
Anwar Floyd-Pruitt
Anwar Floyd-Pruitt is an artist, curator, and puppeteer from Milwaukee. The Chazen Museum of Art, Edgewood College, Mount Mary University, and the Museum of Wisconsin Art recently hosted solo exhibitions of his collages, paintings, and abstract mixed-media self-portraits. In addition to leading puppet-making workshops, Floyd-Pruitt writes and performs a family friendly singalong called Hip Hop Puppet Party. Most recently, he was awarded a grant from the Jane Henson Foundation to engage LGBTQIA+ youth in puppetry. Anwar is an Associate Curator of Contemporary Art at the Museum of Wisconsin, and he maintains an active studio practice at the House of RAD (Resident Artist Doers) in the riverwest neighborhood of Milwaukee. He has a BA in Psychology from Harvard University, a BFA from the University of Wisconsin–Milwaukee, and an MFA (2020) from the University of Wisconsin–Madison.
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Congratulations to the Art recipients of the UW-Madison Division of the Arts 2023 Awards in the Creative Arts!
- Creative Arts Award
Douglas Rosenberg, Vilas Distinguished Achievement Professor of Art, Project title: “The Sea”
- Emily Mead Baldwin Award in the Creative Arts
Helen Lee, Associate Professor, Project title: “Present Tense: A Decade of UW Glass”
- Joyce J. and Gerald A. Bartell Award in the Arts
Spatula&Barcode: Laurie Beth Clark, Professor and Michael Peterson, Professor
- Edna Wiechers Arts in Wisconsin Award
Michael Velliquette, Assistant Professor of Art Foundations, Project title: “Embodied Looking // Embodied Making”
- Lyman S.V. Judson and Ellen Mackechnie Judson Graduate Student Award in the Creative Arts
Matthew Francis Ludak, MFA student
- Graduate Student Creative Arts Award
Sophie Loubere, MFA student, Project title: “Trespasses”
Praveen Maripelly, MFA student, Project title: “Vasudaiva Kutumbhakam”
Skyler Simpson, MFA student, Project title: “Dream House”
Anamika Singh, MFA student, Project title: “FIRE ON THE WATER”
- Undergraduate Interdisciplinary Arts Award
Maile Evelyn Llanos, Undergraduate, Project title: Plants of Wisconsin
Maia Therese Rauh, Undergraduate, Textiles and Fashion Design with a Certificate in Studio Art, Project title: Exploring Structural Weavings Using Elastic Yarns
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Calling all student entrepreneurs!
The 2023 Arts Business Competition is accepting proposals through Monday, March 6, until 5pm CST. Three finalists will win a first prize of $2,000, a second prize of $1,000, and a third prize of $500 to produce an arts event, exhibition, performance series, commercial venture, or other artistic project.
The UW–Madison Arts Business Competition is a campus-wide contest created to encourage innovative thinking in the arts. Proposals should demonstrate creativity, innovation, added value to the arts, and potential for success.
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Sur Rodney Sur
Fly in the Buttermilk of the Contemporary Art World Lecture
Thursday, March 23 @ 5pm CST
Location: Elvehjem L140, 800 University Ave, Madison, WI
Online: https://uwmadison.zoom.us/j/94770627236
Archiving Your Art Works Workshop
Friday, March 24 @ 12pm CST
Location: University Club Rm 212, 432 East Campus Mall, Madison, WI
RSVP: cvc@mailplus.wisc.edu
Enigmatically recognized as an artistic collaborator, curator, writer, archivist and community archivist —Sur Rodney (Sur) is most renowned for his former position as co-director of the East Village landmark Gracie Mansion Gallery from 1983-1988 . During the early to mid 1990s he served as a curator and archivist at Kenkeleba House, a Lower Manhattan African-American art institution, and was hired to archive the New School University’s Vera List Center for Art and Politics contemporary art collection, visible in all their campus buildings. His work with artists estates, many at cause to the HIV/AIDS pandemic, led him to serve on the board of Visual AIDS, beginning in 1994, and help establish the Frank Moore Archive Project to assist artists with HIV/AIDS, and their estates. The archive is used as a resource for curators, publishing and launching exhibition projects while also providing a monthly on-line web gallery by invited curators internationally. Sur is currently editing a collection of writings on his experiences with the New York art world that begin in 1972. He manages the studio of African American conceptual artist/writer Lorraine O’Grady, he has archived the work of his photographer father for the Special Collections at Concordia University in Montreal and is creating the Cloudsmith Archive of his late spouse of 23 years, the Fluxus artist Geoffrey Hendricks.
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WUD 95th Annual Student Art Show
February 10 - March 24
Location: Memorial Union, Main Gallery and Class of 1925 Gallery, 800 Langdon St, Madison, WI
This year's Student Art Show is curated by UW faculty member and artist Adriana Barrios. WUD Art's longest-standing tradition highlights the work of student artists and makers for the larger campus community. Join us in celebrating the students' work by visiting the galleries during the Union's building hours.
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Mycological Menagerie Art Gallery
February 3 - May 14
Location: Wisconsin Institutes for Discovery, 330 N Orchard St, Madison, WI
The Mycological Menagerie Gallery features both local Madison artists and global artists, all connected by artwork which features or focuses on Fungi. The artworks featured in this gallery vary, including: paintings, photography, fiber art, wood burned pieces, poetry, digital artwork, and mixed media artworks. This gallery fuses science and art to highlight the beauty of Fungi while sharing basic biology information about this misunderstood Kingdom.
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Bound: An MFA Qualifier Exhibition by Emilee Taxman
March 5 - 12
Reception: Thursday, March 9, 6-8pm
Location: Gallery 7, Humanities Building 7th Fl, 455 N Park St, Madison, WI
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Black as the Depths: An MFA Qualifier Exhibition by Zari Williams
March 5 - 12
Reception: Friday, March 10, 6-8pm
Location: Art Lofts Gallery, 111 North Frances St, Madison, WI
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Eavesdropping: An MFA Qualifier Exhibition by Skyler Simpson
March 6 - 11
Reception: Friday, March 10, 6-8pm
Location: Art Lofts Gallery, 111 North Frances St, Madison, WI
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Lost to Memory: An MFA Qualifier Exhibition by Carolyn Spears
March 5 - 12
Reception: Friday, March 10, 6-8pm
Location: Backspace Gallery, Art Lofts, 111 North Frances St, Madison, WI
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The Onlooker: Master of Fine Arts Thesis Exhibition by Natalie Lambert
March 29 @ 6-8pm
Location: Backspace Gallery, Art Lofts, 111 North Frances St, Madison, WI
This is an 18+ only event.
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Gaffer Gala Night
Saturday, April 1 @ 6-9pm
Location: Glass Lab Hot Shop, Art Lofts, 111 North Frances St, Madison, WI
Join the Mad Gaffers for a night of glass shenanigans. Submit a drawing for a chance to have your creation come to life! Email Kagen Dunn for more information.
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Announcing the 2023 Arts + Literature Laboratory Prize winners Teresa Audet and Xinchen Li
The Arts + Literature Laboratory and UW–Madison Art Department are pleased to announce the 2023 Arts + Literature Laboratory Prize winners University of Wisconsin-Madison Graduate Students Teresa Audet and Xinchen Li!
The annual ALL Prize exhibition is awarded to one or two graduating MFA candidates from the University of Wisconsin-Madison, selected by curators on the ALL Visual Arts Team. The prizewinner’s MFA thesis exhibition will be shown at ALL, and receive a $1,000 stipend to assist with exhibition expenses and installation provided by the Art Department.
A local Madison community-driven contemporary non-profit arts organization, the ALL provides the visual, literary, music and performing arts that presents over 200 events per year, mostly free or low-cost, and year-round arts education for all ages, working to make the arts more accessible and sustainable in our community.
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My work seeks to define the shape of indescribable phenomena. What color is trauma or depression? What does anxiety sound like? What shape does hopefulness take in physical form? Utilizing robotics and sound design in conjunction with handcrafted wood and rattan, my thesis exhibition will explore the somatic experiences of mental illness. Through audience interaction and play, I bring a lightheartedness to these heavy topics. By focusing on our both joyous and painful humanity, I aim to remove the shroud of shame from these collective experiences.
I use wood, rattan, handmade paper, and mixed media to create sculptures that utilize the language of furniture, basketry, and the human body. The repetitive craft processes I use are calming to my mind and result in visual repetition; lines and grids are my wandering woven thoughts. I am interested in the nature of utility, the object as vessel for unexpected and emotional interaction, and using humor and absurdity to point to collective social concerns. Kinetics and robotics have recently become a part of my practice as a way to create work that interacts with the viewer in unexpected ways.
For my thesis exhibition, small creatures on vacuum-like robots will wander around the gallery carrying flags with self-care messages, such as “drink more water” and “feelings aren’t facts”. A ghostly figure created from wood and rattan is outfitted with a motion sensor and a motor; its coat of rattling shingles tremors with anxiety when a visitor gets too close. On the wall, wooden and woven vessels pulsate in specific rhythms, simulating breathing exercises for panic attacks.
This work is informed by my own experience with depression, anxiety, ADHD, and PTSD, and many years of CBT, DBT, and EMDR therapies. I choose to work from scientific data alongside my own, and a narrative of resilience rather than suffering. I aim to make work that the audience can see themselves in as much as they see me.
—Teresa Audet [MFA '23]
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Squiggly on the Inside: Master of Fine Arts Thesis Exhibition by Teresa Audet
March 17 - April 17
Reception & Artist Talk: Friday, March 24, 6-9pm
Location: Arts + Literature Laboratory, 111 S Livingston St, Madison, WI
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My current research continuously focuses on creating an immersive environment. Throughout my research practice, creating a place of memory is a constantly recurring theme.
I am returning to object making and to create a room in memory/a "time-space" for myself. I chose the furniture from the house I grew up in that has metaphorical and symbolic meanings to me. Recreating the furniture with the 3D printing pen in life-size serves as a flashback to my memories. Besides, because of the fragile material, it also reflects the fictional nature of memory and tactility. I explicitly chose a clock, a bed, a cabinet, a wardrobe, and a sewing machine. And some pieces will be hanging in the air; when lights go through, the shadow of the pattern and portrait that made up the furniture will output another piece on the floor/wall. The remaking process reclaimed my ownership of the family history and memories. At the same time, the design of these old furniture pieces reflects the artisan's unique aesthetic and craft level in the seventies and eighties China. It becomes a mapping of my generation's cultural background and belonging. I also recorded the sound of the sewing machine and my grandma's oral stories to play in the show, helping create the immersive environment.
—Xinchen Li [MFA '23]
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(in)visible: Master of Fine Arts Thesis Exhibition by Xinchen Li
March 17 - April 17
Reception & Artist Talk: Friday, March 24, 6-9pm
Location: Arts + Literature Laboratory, 111 S Livingston St, Madison, WI
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Singularity: Master of Fine Arts Thesis Exhibition by Cullen Houser
March 20 - April 14
Reception: Friday, April 7, 5-9pm
Location: Tandem Press, Apex Gallery, 1743 Commercial Ave, Madison, WI
Tandem Press is excited to announce Singularity, a Master of Fine Arts thesis exhibition by Cullen Houser, University of Wisconsin-Madison MFA candidate and 2022-2023 Tandem Press Project Assistant, opening on March 20th at the Apex Gallery.
Singularity explores the intersection of digital and analog through the materiality of their muddled union. Facial features, patterns and lights are all subject to manipulation and distortion implemented through both artificial and tactile means.
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FACULTY & STAFF EVENTS & RESEARCH
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Congratulations to the new 2023 ATypl Board Member Graphic Design Lecturer Henrique Nardi
The Association Typographique Internationale is a nonprofit global forun for type and typography. The organization is democratically run by a board of directors elected by the ATypI membership. Board members hail from all over the world and use their time and talents to help further the ATypI mission and elevate their communities.
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Dark Matter
September 17 - April 2
Location: Madison Museum of Contemporary Art, 227 State St, Madison, WI
DARK MATTER by British artist and Professor Faisal Abdu’Allah explores cultural representation and self-determination.
DARK MATTER includes a selection of the artist’s most celebrated series, as well as a reconstruction of Garden of Eden (2003), an architectural installation the artist created in collaboration with renowned architect Sir David Adjaye. Exploring issues of privilege, exclusion, and the voyeuristic gaze, this interactive piece separates visitors based on genetic traits—in this case, eye color—in order to undermine our perceptions of difference and alienation. With Garden of Eden, Abdu’Allah points to the privileges conferred to certain people based on the nuances of their genetic matter.
In other works Abdu’Allah uses human hair, a carrier of DNA, and focuses on the ritual of cutting hair. Abdu’Allah is also a trained barber, a profession he has fully integrated into his artistic practice, most notably through his community-based Live Salon performances (2006–present). During each Live Salon session, he provides free haircuts to willing museum visitors and engages them in open-ended conversations about issues surrounding contemporary social identity and representation. In Hair Traits (2016–present), Abdu’Allah uses participants’ actual hair, which he blends into a fine powder to render their portrait on paper. Regarding his use of human hair, he explains, “Essentially, it brings their DNA, their identity, into the work. Our hair carries a trace of who we are, and it is extremely political. In the history of post-colonialism, the straighter your hair was, the higher up on the chain of respect you were.”
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Blu³eprint
February 22 - April 2
Location: Madison Museum of Contemporary Art, 227 State St, Madison, WI
Carved from limestone and measuring almost seven feet in height, Blu³eprint depicts artist Professor Faisal Abdu’Allah seated in a Belmont barber’s chair, a nod to the significance of the barbershop both within his artistic practice and his personal history. For Abdu’Allah, a trained barber, the barbershop reflects the Black experience as a place of physical renewal and social solidarity for generations of men.
Abdu’Allah selected the title to express the communal power associated with the Black salon. The artist made the “u” in “Blu³eprint” to the power of three, to reflect the three “u’s” in the Zulu word “Ubuntu.” Ubuntu is an African concept referring to the interconnected nature of humanity. It communicates the idea that we are human only through the humanity of others, or, “I am because we are.”
Abdu’Allah’s pose may be familiar to some. It mirrors a sculpture that has been an enduring feature of Madison’s public art landscape—Abraham Lincoln (1909), a bronze monument by Adolph Weinman situated atop the University of Wisconsin’s Bascom Hill. In recent years, the monument has generated controversy among some UW students who argue that President Lincoln’s anti-immigrant policies and his belief, despite his opposition to slavery, in white racial superiority means that the monument should be removed.
Abdu’Allah conceived of Blu³eprint as a counter-monument to the Lincoln sculpture—a contemporary work erected as a counterpoint to an existing monument. “My philosophy is that artists have always been the shapers of social consciousness, and for me this piece illustrates that,” Abdu’Allah said.
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Refracting Histories
November 10 — April 2
Location: Museum of Contemporary Photography 600 South Michigan Avenue Chicago, IL
Refracting Histories features artists who are critically looking at art historical canons, using the malleable nature of image making to reinterpret and expand upon narrow pedagogies in the field of photography. Participating artists include: Kelli Connell + Natalie Krick, Nona Faustine, Professor Tom Jones, Colleen Keihm, Tarrah Krajnak, Sonja Thomsen, and Aaron Turner.
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Water Memories
June 23 - April 2
Including: Professor Tom Jones
Location: Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY
This exhibition explores water’s significance to Indigenous peoples and Nations in the United States through historical, modern, and contemporary artworks. In four thematic sections—Ancestral Connections, Water and Sky, Forests and Streams, and Oceanic Imaginations—diverse aquatic expressions feature both representational and abstract approaches.
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Vignettes: Concentrated Views of RAM’s Collection
February 1 - August 19
Artists: Robert Arneson, Aaron Bohrod, Wendell Castle, Sue Coe, Warrington Colescott, Dorothy Dehner, Richard Diebenkorn, Jan Huling, Professor Emeritus Truman Lowe, Terence Main, Wendy Maruyama, Binh Pho, Joyce J. Scott, Robert Stackhouse, Lino Tagliapietra, Professor Michael Velliquette, and Mary Alice Wimmer [MFA '64], among others
Location: Racine Art Museum, 441 Main St, Racine, WI
Vignettes is comprised of several smaller exhibitions of works gathered under various organizing principles or themes—emphasizing specific characteristics of the individual pieces and overall groupings. These groupings are inspired by RAM’s history or collection in different ways.
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Staring at the Sky by Professor Douglas Rosenberg
2023
Professor Douglas Rosenberg's new book, Staring at the Sky, will be published by Bokförlaget Korpen in 2023, a distinguished publishing house in Gothenburg, Sweden. Bokförlaget Korpen was founded in 1975 with a focus on intellectual publications within the field of art, philosophy, feminism, poetry and contemporary culture. Staring at the Sky collects Rosenberg’s essays on art and culture from his five-year weekly/durational writing project between 2015 and 2020.
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Join the UW-Madison Art Alumni Facebook Community!
Share your art, events, updates, catch up with your fellow Badgers, and keep in contact with the Art Department all in one place.
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Congratulations to UW-Madison School of Education 2023 Distinguished Alumni of Art Award winner Patricia Norby [MFA '02]
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Solarpunk Futures Game
Artist: Solarpunk Surf Club [MFA '20]
Date: Fri, Mar 10, 7-8:30pm
Location: Overture Center for the Arts, Rotunda Studio, 210 State St. Madison, WI
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Teapots: Group Show
Artists: Margaret Bohls, Craig Clifford, Nick DeVries, Delores Fortuna, Rick Hintze, Kate Marotz, Ryan Myers [MFA '05], Ted Neal, Jose Sierra, Mike Stumbras, and Shumpei Yamaki
Date: Mar 3 - Apr 16
Opening Reception: Fri, Mar 3, 5-8pm
Location: Abel Contemporary Gallery, 524 East Main St, Stoughton, WI
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Ten at Ten
Artists: Claire Kellesvig [MFA '22], Nykoli Koslow, Meg Lionel Murphy, Guzzo Pinc [MFA '20], Pranav Sood [MFA '20], Brennen Steines, Gabrielle Tesfaye, Johanna Winters, Lindsey T. Yeager, and Eduardo Zavala
Date: Jan 28 - Apr 9
Location: MOWA, West Bend, 205 Veterans Ave, West Bend, WI
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Mills Folly Microcinema: Project Projection: Local Film and Video
Date: Wednesday, March 15, 7-9pm
Location: Arts + Literature Laboratory, 111 S. Livingston Street #100, Madison, WI
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Mills Folly Microcinema: Live Cinema Live Music
Artists: Aaron Granat, Dale Kaminsky, Tim Russell, Liz Seze, and Shawn Pierce
Date: Wednesday, March 29, 7-9pm
Location: Arts + Literature Laboratory, 111 S. Livingston Street #100, Madison, WI
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Sharp Points by Carey Watters
Date: February 11 - April 8
Location: OS Projects, 601 6th Street, Racine, WI
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Terra Femme with Courtney Stephens In Person
Date: Wednesday, April 12, 7-9pm
Location: Arts + Literature Laboratory, 111 S. Livingston Street #100, Madison, WI
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Allan Servoss: Just on the Other Side
Date: March 3 - April 16
Opening Reception: Friday, March 3, 5-8pm
In-Person Artist Talk: Saturday, March 18, 2pm
Location: Abel Contemporary Gallery, 524 East Main St, Stoughton, WI
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In no. 5: Debbie Kupinsky: Topographies
Date: March 3 - April 16
Opening Reception: Friday, March 3, 5-8pm
In-Person Artist Talk: Saturday, April 1, 2pm
Location: Abel Contemporary Gallery, 524 East Main St, Stoughton, WI
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Angela U. Drakeford: In bloom at the end of the world
Date: November 12 - April 16
Location: John Michael Kohler Arts Center, 608 New York Avenue, Sheboygan, WI
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