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READ NOW > LEONARDO VOL. 56, NO. 3
1 June 2023    Leonardo Network Newsletter
Leonardo Journal 56.2 – 56.3 Featured Images
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Leonardo Journal 54-6 cover
Suk Kyoung Choi, The Drowned World triptych, series 001. (© Suk Kyoung Choi) from Choi's article "The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene."
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image caption>Dancer Hayley Meier interacting dynamically with particles in a simulation. In this case, the simulation is not astrophysical, but is a kinematic system in which the dancer’s motion becomes a force on the particles, affecting their velocity and position. Based on the work of Devin Bayly.
STELLARSCAPE: AN IMMERSIVE MULTIMEDIA PERFORMANCE INSPIRED BY THE LIFE OF A STAR
 
Photo Credit: © Yuanyuan [Kay] He
StellarScape is an immersive multimedia performance synthesizing music, science, visual art, and technology. The performance includes live musicians, sensors, electronic music, and dance, all collaborating through interactive cinematography. The result combines kinesthetic and acoustic sensing with astrophysical simulations of star formation in real time. This convergence research collaboration is catalyzed by the union of concepts at the confluence of astronomy, humanity, artistic expression through music and dance, and sociotechnical experience. This article summarizes the authors’ motivation for undertaking the project, the interdisciplinary collaboration required to execute it, the authors’ goals for the audience experience, early results of the first performances, and ways the piece can be delivered in the future for entertainment, outreach, and education.
 
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Shigeru Onishi, 題名不詳 / title unknown, gelatin silver print, 45.6 × 55.9 cm, 1950s.
EXPLORING SHIGERU ONISHI'S EXPRESSIONISTIC PHOTOGRAPHS

Photo Credit: © Estate of Shigeru Onishi, Courtesy of MEM, Tokyo
Using French philosopher Maurice Merleau-Ponty’s work on late Paul Cézanne as a springboard, Maja Bak Herrie broaches the concept of topological vision to examine Japanese mathematician and photographer Shigeru Onishi’s (1928–1994) photographic work.

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Diagram of “Community Emotion,” which treats participants as situated within historic and environmental contexts. This assemblage emphasizes the presence of the artist (grey) as staging the overall process.
EMOTION AS METHOD

Photo Credit: © Christian Nold
Artist, designer, and researcher Christian Nold uses science and technology studies to identify five emotion assemblages and the contexts in which they operate. Nold asserts that artists, designers, and researchers need to make deliberate choices when working with emotion.

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(a) The five routes of field investigations in 2016, 2017, and 2019 to 2021. (b) The positions of 1,484 Mani heaps in the five field investigations.
DIGITIZING TIBETAN CULTURAL HERITAGE

Photo Credit: © Han Sun and Zhijun Peng. Photo © Han Sun
Zhijun Peng et al. share their three projects focused on the study, representation, and conservation of Tibetan Mani heaps. Piled with carving stones, a Mani heap is used as a religious altar for prayer in daily life in Tibet.

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Additional articles in the issue span a range of art/science topics, as does the Leonardo Reviews section, which provides critiques of recently published books and exhibitions. Leonardo is available as print and online editions as well as via download at a library near you!
360 Degree Reading Experience: Augmented articles with video clips, sound files, and additional images related to the articles in this issue. Find out more!

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Accepted Leonardo articles are first posted on the Leonardo Just Accepted page of the MIT Press website. Just Accepted articles appear online in advance of the final version and are not yet associated with an issue, copyedited, typeset, or proofread. See recent articles:
“The *.* Group’s contribution to the development of technological art in Brazil” by Artemis Moroni

"Creative futuring for more-than-human worlds: Exhibitions as sites to ponder environmental governance" by Hira Sheikh, Isabella Deary, Lowana-Skye Davies, Merinda Davies, Marcus Foth, and Peta Mitchell 

"The Phenomenal Atlases of Contemporary Physics: Knowing the Imperceptible" by Kaća Bradonjić

"When the computer came into the music scene: the collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia" by Sergio Canazza, Giovanni De Poli, and Alvise Vidolin

"A Lesson with Francis Bacon Forced Me to See Out of the Software Box" by Nelson J. Diaz
"The Belitung Shipwreck in Virtual Reality: Exploring the Narrative Framework of Digital Cultural Heritage" by Baosheng Wang and Qing Liang

"The unveiled city: Multicultural representation of Tokyo by hashtag labeling on Instagram" by Yonlay Cabrera and Luis Diago

"From Thought Forms to Art Concret: Tracey M. Benson interviews Paul Brown" by Paul Brown and Tracey M Benson

“‘Dancing with Atoms’: A tribute to Sheila Tinney” by Silvin P. Knight, Jose Refojo, Louise Newman, Rossella Rizzo, Hugh Tinney, and Roman Romero-Ortuno 

"CAPTURING THE BEAUTY OF BUBBLE SHADOWS AND EXPLORING THEIR REGULARITY" by Brad Miller and Diego Rosso
Only subscribers to Leonardo have access to Just Accepted articles unless authors have made arrangements to have the article published as an open access document.
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APRIL 2023

Lichens: Toward a Minimal Resistance by Vincent Zonca; translated by Jody Gladding. Reviewed by Gregory Tague.
Life in the Posthuman Condition: Critical Responses to the Anthropocene by S.E. Wilmer and Audronė Žukauskaitė, Editors. Reviewed by Jacob Thompson-Bell.
The Unification of the Arts: A Framework for Understanding what the Arts Share and Why by Steven Brown. Reviewed by Jan Baetens.

MAY 2023

Coded: Art Enters the Computer Age, 1952–1982 by Leslie Jones, Editor. Reviewed by Brian Reffin Smith.
Invention and Innovation: A Brief History of Hype and Failure by Vaclav Smil. Reviewed by Enzo Ferrara.
Photographie contemporaine et anthropocène by Danièle Méaux. Reviewed by Jan Baetens.
Thinking with Sound: A New Program in the Sciences and Humanities around 1900 by Viktoria Tkaczyk. Reviewed by Michael Punt.

 

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