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13 July 2023    Leonardo Network Newsletter
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Leonardo Journal  
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An informative announcement banner with a high-contrast background in blue and orange. The banner features simple abstract 3D shapes, including cubes and an arch. In the left center, the text 'CripTech Metaverse Lab' is prominently displayed. Three individuals are depicted within circular frames. Melissa Malzkuhn, a white blonde person, is shown smiling and wearing a green shirt. Indira Allegra, a black person with long white hair, is smiling and wearing a shiny blue top. Nat Decker, a white person with brown hair, is gently smiling while holding a fluffy cat and wearing a pink top. Next to each person, there are name tags indicating their names. The logos of partner organizations, including HTC VIVE Arts, New Art City, Meyer Sound, Gray Area, and Leonardo, are also present.
CRIPTECH METAVERSE LAB ARTIST COMMISSIONS TO PREMIERE AT GRAY AREA FESTIVAL OCT 2023
 
Date: 19–22 October 2023
Where: San Francisco, CA

Commissioned through the CripTech Metaverse Lab, a joint initiative with Gray Area, Melissa Malzkuhn’s Deaf Club, Indira Allegra’s Texere, and Nat Decker’s Touch each offer powerful new possibilities for creative accessibility in virtual reality. These works are being developed in partnership with HTC VIVERSE and New Art City and will premiere at Gray Area Festival, Plural Prototypes, in San Francisco. An experiment in creating collective access, the CripTech Metaverse Lab gathers a cohort of disabled creatives to experience immersive artworks, engage in critical discussions and speculative design processes. The cohort also includes Antoine Hunter, Maia Scott, Stephanie Sherriff, Andy Slater, Jennifer White-Johnson, Panteha Abareshi and Iris Xie. Learn more about the cohort.

Photo Credit: Victoire Poumadere. Courtesy of Gray Area
Three chairs situated in the middle of a brown field with overcast white clouds at the top. Accompanying text reads: "15 July 2023 Synthesis in Motion: Art + Science in Nature"
LEONARDO @ DJERASSI OPEN STUDIOS 
 
Date: 15 July 2023
Where: Djerassi Resident Artists Program, 2325 Bear Gulch Road Woodside, CA 94062

Last chance to get your tickets to enjoy a stunning sculpture hike and experience a rare glimpse of transdisciplinary collaboration in the making in an unrivaled setting overlooking the California coast. Learn about the Djerassi Resident Artists Program projects at Synthesis in Motion: Art + Science in Nature, the annual Leonardo @ Djerassi Open Studios on 15 July. Get your tickets!

Photo Credit: Jason Lam
Pictured on stage (From left) is EQTY Lab founder Jonathan Dotan leading a panel discussion at ASU California Center about the impact of generative AI on the film industry with filmmaker Aaron Zelman and Writers Guild of America members John Rogers and John Lopez.
THE COMPLEXITIES OF AI IN CREATIVE LANDSCAPE
 
Disruption 2.0, a recent event held at the ASU California Center, brought together a diverse group of writers, filmmakers, lawyers, and thought leaders to delve into the critical dilemmas surrounding generative artificial intelligence (AI) and its impact on the entertainment industry. Focusing on issues such as creator rights, the event provided a platform for insightful discussions on the intersection of AI and creativity, urging for a better narrative that embraces technology while safeguarding artistic integrity. Read more.

Photo Credit: Charles Anderson
Moving GIF image of the 3D audio visual experience of plankton in noise pollution. Accompanying text includes the title of the Exhibition: "Noise Aquarium"
EXPERIENCE THE NOISE AQUARIUM EXHIBITION

Date: 14 June 2023 – 3 January 2024
Where: Musée de la civilisation in Quebec City

Noise Aquarium [2016 – Present] will be at the Musée de la civilisation in Quebec City 14 June 2023 – 3 January 2024. First presented in London in summer 2022, the exhibition will be adapted to reflect local climate issues and solutions. Watch this 3D audio visual experience of plankton in noise pollution. Noise Aquarium utilizes 3D-scans of these micro creatures obtained with unique scientific imaging techniques and immerse the audience in the 3D ‘aquarium’ of diverse planktons projected as large as whales. 

Photo Credit: Courtesy of UCLA ArtSci Center YouTube Channel
  
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CALL FOR SUBMISSIONS: ISEA2024 
 
Deadlines:
24 August 2023: Creative works
16 October 2023: Academic submissions

This open call is for the ISEA2024 academic conference which will reflect on the theme, Everywhen. Exploring the interrelations between place time and story through papers, panels, posters, demos, institutional presentations, artist talks, keynotes, performances, screenings and workshops, constituting a meeting point for artists, scientists, technologists and theorists to share their research and work. Submit your creative works and academic submissions now! 

Photo Credit: Courtesy of International Symposium on Electronic Art (ISEA)
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DEADLINE EXTENDED: DESIGN + ART + SCIENCE
 
Deadline: 1 August 2023
The journal LA TADEO DEARTE welcomes research and reflection papers in any language. This open call invites you to share writings focused on reflection or possible actions that explore the encounters, the misencounters, and the exploration of interstices and common areas shared by design, art and science. The interweaving of knowledge, transdisciplinary thinking, and consilience can help us rethink what it means to build "a better world." You’re invited to share your concerns, your visions, or your proposals.
Learn more.
Image of 4 CAA-Getty International Program participants and friends (left) a light-skinned woman with long brown hair, a bald dark-skinned man, light-skinned woman with glasses and shoulder-length brown hair, and a dark-skinned maan wering a hat, glasses, and scarf gathered at an event during the CAA 111th Annual Conference in New York.
THE CAA-GETTY INTERNATIONAL PROGRAM
 
Deadline: 15 August 2023
Getty has awarded CAA a grant to fund the CAA-Getty International Program for a thirteenth consecutive year, enabling twelve international visual arts professionals to accompany program alumni presenting at the 112th Annual Conference in Chicago in February 2024. Participants will receive funds for travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships.We encourage all international art historians and museum curators to apply!

Photo Credit: Stephen Fọlárànmí. Courtesy of the Ccollege Art Association of America (CAA)
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LET'S DARE TO CO-CREATE THE FUTURE? 
 
Deadlines: 
31 July 2023: Proposal submission (100–250 words)
31 October 2023: Final manuscript submission

From Artificial Intelligence to augmented wisdom: How can we co-create the future for a healthy planet? We invite you to submit proposals exploring this theme for publication in a special bilingual issue of Leonardo in collaboration with the Zhuangshi, Journal of Art and Design. We welcome submissions from all disciplines, theorists, historians, practitioners, and critics reflecting on this topic. Learn more.
 
Visit our Opportunities Hub for more!

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BIOPOLITICAL SCREENS: IMAGE, POWER, AND THE NEOLIBERAL BRAIN
 

In Biopolitical Screens, awarded the Choice Outstanding Academic Title, 2015, Pasi Väliaho charts and conceptualizes the imagery that composes our affective and conceptual reality under twenty-first-century capitalism, from console games to virtual reality to video installation art. He presents a critical account of how images curate our minds and have merged with the neural tissues of our brains.
BUY YOUR COPY FROM MIT PRESS
Graphic image with a dark background except a bright yellow bar that includes the text "Read Artist's Articles at direct.mit.edu/leon and floating in the foreground are the cover photos of Leonardo Journal Volume 56, Number 3, and Volume 56, Number 4 coming out August 2023 at THE MIT PRESS.
READ LEONARDO VOL. 56, NO. 4 OUT ON 1 AUGUST

Cover: Suk Kyoung Choi, The Drowned World triptych, series 001. (© Suk Kyoung Choi)
Leonardo Vol. 56, No. 4 is on the horizon! While available now is Leonardo Vol. 56, No. 3 sharing transdisciplinary articles such as the cover image from The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene by Suk Kyoung Choi, and reviews: Giving Bodies Back to Data: Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology by Roberta Buiani, Animal Crisis: A New Critical Theory by Gregory F. Tague, and more. Find more articles here.
LEONARDO REVIEWS

July 2023
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats by Olivier Bessard-Banquy. Reviewed by Jan Baetens.

Post-Postmodernist Fiction and the Rise of Digital Epitexts by Virginia Pignagnoli. Reviewed by Jan Baetens.
The Smartness Mandate by Orit Halpern and Robert Mitchell. Reviewed by Jussi Parikka.

Virtual Exhibition No. 12: Art Research Center/A.R.C. Group 55th Anniversary Exhibition Reviewed by Robert Richardson.

Go to the Leonardo Reviews Archive.

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Photo of a greenhouse full of plants and contraptions. Accompanying text includes: "Future Plan(t)s: An Art and Science Intervention @ ETHZ"
LASER TALKS IN ZÜRICH: FUTURE PLAN(T)S

Photo Credit: Courtesy of the Future Plan(t)s Exhibition and Intervention
The future of our plants is one of humanity’s biggest challenges. On 29 August and 5 September, LASER Zürich will hold two public events in the context of the Future Plan(t)s exhibition, bringing together artists, theorists, and scientists to cultivate dialogue on plant communication, ethics, knowledge, and sustainability. Register here!


FIND ALL UPCOMING LASER TALKS LISTED HERE
 

SHANGHAI LASER TALK(CHINA)
"'TECHNOETICC AESTHETICS' Psiborgian Incursions"
14 July 2023, 5:00PM CST (UTC +8) Find out more

SANTA FE LASER TALK
(US)
"Bioart and Gender in the Americas"
30 July 2023, 11:00AM MDT (UTC -6) Find out more


Zürich LASER TALK(SWITZERLAND)
"Future Plan(t)s"
29 August 2023, 6:30PM CEST (UTC +2); and
5 September 2023, 6:30PM CEST (UTC +2)  Find out more
 
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