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The Moment (when the world stopped turning)
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solo exhibition of KLONE (Tel Aviv, Israel)
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Klone, Red Moon, quadriptych, 24" x 24" each, mixed media, collage, 2012
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A collection of glimpses from our world, snapshot like documentation of possible/impossible moments. Each of those moments is represented through a visual vocabulary, loaded with symbolism that is derived from various experiences from not so far away childhood and through not so clear adulthood. This is visual documentation of life , no matter where you're from, which part of the globe and which side of the ocean. The dreams we have, the days we live, the politics, the unnecessary battles, the necessary struggles, the poor and the rich, the tired and the restless. There's place for everybody and place for no one. This is daydreaming of what could be and what won't ever return. The chase that never ends.
Klone was born in Harkov , Ukraine (former USSR) and currently resides in Tel-Aviv , Israel. "My work is dealing with memories, my own and the ones I manage to collect in everyday life from surroundings, if it's my childhood in USSR or the coming to Israel, if it's the layers of the city, walls crumbling apart and graffiti covering and being covered, people getting old and the new generations appearing every moment, the search is endless thus my work of documenting it is still long, I learn a new language that invents itself along the way."
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site specific mural by KLONE on view through March 15th
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Exhibition dates: February 1–March 15, 2013
VIEW & PURCHASE AVAILABLE WORKS ONLINE
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Uncanny Valley of the Heart's Delight #8
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FEB 22nd from 7–10pm
Admission: $8, all ages
with
Will Sprott
Nick Jaina (OR)
Corpus Callosum
RSVP and let your friends know
More information here...
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Deciphering the Ash of Effigies
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Joseph Loughborough (UK) solo exhibit
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Honesty, expressionism and possibly exorcism can be read from Loughborough’s impulsive and intuitive rapid-fire mark making, which strive to grasp a comprehension of the human condition.
Drawing inspiration from various themes concerned with Camus/Kierkegaard's notion of ‘Absurdity.” Each drawing becomes story pursuing a standing point within the concept.
Lonely human forms seem to struggle and ponder the sporadically lit space they occupy without reaching the point of a dramatic emotional encounter. Couples and groups of people cling together searching for an antidote to the revelations of their existence.
Personifications of latent hopes and emotions wait in vain to be realized. No specific conclusions can be made to the meaning of the individual works aside from the acknowledgement and indulgence of image, expression and technique. This reflects absurdity’s philosophical model of observing our potentially meaningless existence without the sterilization of Nihilism. The irony of religious motifs act to enhance the awkward balance between secularism and religious hope that the characters depicted seem to grapple with.
Questions are frequently asked of the viewer about how we interpret our oft-untold fears and desires.
Joseph Loughborough (b. 1981) spent his formative years exploring the derelict boatyards and creeks of Portsmouth, on the south coast of the UK. After graduating from Portsmouth University he pursued interests in art, philosophy and skateboarding culture, living in London, Paris and currently Berlin.
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Artist's Reception: Friday, March 1, 2013 from 7–11pm RSVP
Music: tba
Exhibition dates: March 1–April 13, 2013
For preview/purchase inquiries, please email:
Cherri Lakey, cherri@galleryAD.com
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Opening Reception is part of the South FIRST FRIDAYS monthly art walk, March 1, 2013. View the full schedule of exhibitions at participating venues: www.southfirstfridays.com
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Please contact us with any questions you may have about collecting a recent work(s) by artists you have seen on exhibit at ANNO DOMINI Gallery. Also know that if it helps us to get an artist into an emerging and/or growing collection the gallery is open to installment plans.
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