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Tuesday 14th February - L'Europa non è lontana, C'è una canzone italiana per voi...
ESC Insight's Email Newsletter

Chaos and Uncertainty in Kyiv...

From long delays in confirming a city and venue to ongoing issues with the release of tickets, Ukraine's journey to hosting the Eurovision Song Contest 2017 has been beset with difficulties. Things appeared to reach crisis point on Monday afternoon with the announcement that several key members of the national broadcaster's organising team - including Executive Producers Victoria Romanova and Oleksandr Kharebin - had resigned from their roles. 

With less than three months remaining until the Song Contest begins, there was immediate speculation about whether hosting the contest in Kyiv was still tenable under the circumstances. The EBU quickly stepped in with an official statement to reassure fans that the contest would go ahead on the proposed dates, with further information to be revealed "in due course". 

The EBU statement was almost immediately followed by an announcement that tickets for the contest would be available the next day (Tuesday 14th February) from the ticketing website Concert.ua

Fans barely had a few hours to wrap their heads around this rapid chain of events before yet another plot twist sent shockwaves through the community. For the first time in years, it was announced that members of the official OGAE fan club would not have access to preferred ticket packages, and would have to brave the open sale like everybody else.

The reaction appears to have led to a reversal, and OGAE members will have access to a block of tickets held back from the public sale with space in the standing Fan Zone and a block of seats.

Fans feel they are facing the prospect of planning a trip to Kyiv with major questions still hanging over the organisation, no guarantee of seeing the show live and a Euroclub that could well turn out to be a small seated venue in which they would be forced to listen to Ukrainian trad-jazz in respectful silence. 

Former event supervisor turned CEO of SCRN, Eurovision's online agency, Sietse Bakker posted these words of comfort on his Facebook wall. "During my six years as Event Supervisor, I often reminded myself of one simple fact: Despite all challenges, the contest took place every year for over 60 years. Consecutively. Sometimes it's easy, sometimes it's hard." No prizes for guessing which category this year is falling into so far...

A big week for the Big Five...

It's been a busy week for Eurovision's auto-qualifiers, with France, Italy, Germany and Spain all selected their entries over the past seven days, to predictably mixed results.

After Amir brought them success both on the Eurovision scoreboard and the national charts last year, France have gone internal again for 2017, selecting Warner Music artist Alma and her song Requiem to fly the flag in Kyiv.

A bewitching midtempo with shades of current Francophone chart star Indila, Requiem feels squarely aimed at commerical radio playlists, and stands a great chance of building on Amir's momentum. The French Eurovision renaissance continues to impress. 

Sadly, while France are thriving, it seems their neighbours in Germany may be stuck in a holding pattern. In a reformatted edition of their Unser Song national final, five singers delivered their own renditions of two potential songs, with Levina ultimately being selected to perform Perfect Life in Kyiv.  

There's nothing inherently wrong with the song, or Levina's delivery of it. But despite the high calibre songwriting team, Germany are once again left with a blandly professional entry that's mainly notable for how closely the verses resemble David Guetta's Titanium

Over in Italy, there was a refreshingly straightforward result (albeit the 21-hour marathon of the 67th Festival della Canzone Italiana) when San Remo winner Francesco Gabbani immediately confirmed his intention to take his song Occidentali's Karma to Eurovision. 

The online response to Occidentali's Karma has been overwhelmingly positive, with speculation that Italy could be among the frontrunners this year. ESC Insight's Ewan Spence has been in Italy covering San Remo in depth throughout the past week, so make sure you check out all his blogs and podcasts from the event at our website. 

Last, and sadly probably least, Spain's Objetivo Eurovisión 2017 selection ended in controversy on Saturday night when fan favourite Mirella and the jury-favoured Manel ended up tied on 58 points apiece.

In most cases - including previous Spanish finals - the priority would go to the televote in these instances. However, this year the power instead reverted back to the three-person judging panel, who confirmed their preference for Manel despite his third-place finish on the televote. Such was the dissatisfaction of the audience that many had already left the studio as Manel performed a reprise of his rather listless entry Do It For Your Lover.

National Final Roundup...

Outside the big five, it was another busy week for national selection activity, with Estonia, Hungary, Latvia, Lithuania, Sweden and Ukraine all moving one step closer to choosing their entries. Here's a brief rundown of events...

Estonia
The first semi final of Eesti Laul saw Goodbye to Yesterday singer Elina Born progressing to the finals with In or Out, co-written by her 2015 duet partner Stig Rästa. Also qualifying were former Vanilla Ninja singer and frequent Eesti Laul competitor Lenna, Ariadne, Ivo Linna and Karl-Kristjan & Whogaux feat. Maian

Hungary
The lineup for Hungary's grand final next Saturday was completed with back-to-back semi finals on Friday and Saturday night. Expected frontrunners include Gabi TothJoci Pápai and Gina Kanizsa, who all scored top marks in their respective semi finals. Kállay Saunders Band also qualified to the finals, but had to rely on a televote lifeline after failing to reach the top 3 with the juries. 

Israel
Israel's catchily titled "The Next Star for Eurovision 2017" ended on Monday night with Imri Ziv securing a ticket to Kyiv in May. The photogenic singer has form with the Contest, having provided backing vocals for both Nadav Guedj and Hovi Star in 2015 and 2016. Ziv's song for Eurovision will be released at a later date. 

Latvia
With Aminata flogging her wares in neighbouring Lithuania this year (see below), Latvia continued to search for a final-worthy entry without her as the second heat of Supernova took place on Sunday night. Four more qualifiers advanced to the semi final, with My Radiant You and Triana Park winning the public televote, while The Ludvig and Santa Danelevica were selected by the jury. 

Lithuania
Lithuania's seemingly endless national selection continues to rumble on with Aistė Pilvelytė's Aminata-penned I'm Like a Wolf winning the seventh heat convincingly. Fan favourites Greta Zazza, Mia and Sasha Song also progressed, as did the Queens of Roses and their disco-tinged ode to fishing. 

Sweden
After a slightly listless opening show last week, the second semi final of Melodifestivalen was a significant improvement, with several memorable performances and a showstopping interval act from co-host David Lindgren, who proved that no Swedish man is too straight to rip off his clothes and straddle a neon mic stand in the name of entertainment. 

After Charlotte Perrelli's early exit last week, it was the turn of two-time Melfest winner Roger Pontare to fall foul of the cruel indifference of the app vote. Performing what looked and sounded like a sort of viking funeral for the Schlager genre, Roger did manage to claw his way into the final five with Himmel och hav, but youth once again prevailed when the final votes came in. Mariette and Benjamin Ingrosso went straight to the finals, while Lisa Ajax and Dismissed were sent to the second chance round. 

Ukraine
In the host country's refreshingly straightforward national selection, two more songs qualified for the grand final, due to take place on 25th February. Mixing classic Eurovision ballad with strong folk elements, Illaria's Thank You For My Way was the public favourite, while the juries selected Rozhden and his more danceable effort Saturn

TV Guide

Another crowded viewing week ahead, with Malta and Poland set to choose their entries, Portugal and Slovenia kicking off their national selections and yet more action from Estonia, Hungary, Latvia, Lithuania, Sweden and Ukraine. 

Think you're brave enough to keep track of it all? Here's all the information you need...
 

Friday 17th February

Slovenia: Evrovizijska Melodija (Semi Final One)
8pm CET/7PM GMT - Streaming from rtvslo.si
 

Saturday 18th February

Estonia: Eesti Laul 2017 (Semi Final Two)
18.35pm CET/5.35pm GMT - Streaming from otse.err.ee

Hungary: A Dal 2017 (National Final)
7.30pm CET/6.30PM GMT - Streaming from mediaklikk.hu

Lithuania: National Selection Heat Seven
8pm CET/7pm GMT - Streaming from lrt.lt

Malta: Malta Eurovision Song Contest 2017 (National Final)
Time TBC - Streaming from tvm.com.mt

Poland: Krajowe Eliminacje 2017 (National Final)
8.30pm CET/7.30pm GMT - Streaming from tvp.pl

Slovenia: Evrovizijska Melodija (Semi Final Two)
8pm CET/7PM GMT - Streaming from rtvslo.si

Sweden: Melodifestivalen 2017 Heat Three
8pm CET/7pm GMT - Streaming from svt.se

Ukraine: Ukrainian National Selection 2017 Semi Three
6pm CET/5pm GMT - Streaming from 1tv.com/ua


Sunday 12th February

Latvia: Supernova 2017 Semi Final
8.25pm CET/7.25pm GMT - Streaming from tv.lsm.lv

Portugal: Festival da Canção 2017 Semi Final
10.30pm CET/9.30pm GMT - Streaming from rtp.pt

Ask Team Insight

In which our writers are given the opportunity to sound off on a topic close to our hearts. 
 

This week's question:

If you could make one change to the official Eurovision rulebook, what would it be? 

Ben Robertson
Drop the jury voting for all songs from first place to last place, and have them only pick a top 10 or 15. Eurovision is a place for positive voting, not negative as jury members now have the power to do.

Ewan Spence
Running order for shows to be decided by a random draw. I know the arguments on increasing excitement and giving each song a chance to stand out, but I've always favoured Eurovision to lean towards being a fair Contest, rather than a manufactured spectacle. The running order impacts on the result, therefore it should be random.

John Egan
Let all the prequalified finalists perform live during their voting semi-final as the voting/interval act. 3 x 4 minutes so these acts get as many live opportunities as the semi-finalists.

Lisa-Jayne Lewis
Change the start time to 7pm (U.K.) 8pm Central Europe. It's on too late (not really a rule, but it doesn't make any sense to remain in its time slot.)

Sharleen Wright
A controversial one... but... looking to JESC as a trial, I think we should change it so that winner simply has first refusal to host. Lets go into the contest with less pressure felt by smaller countries, nor any fear from some others to host. - Note: Sharleen made this recommendation prior to the recent developments in Kyiv...

Remember, you can stay up to date with all of the latest Eurovision news and analysis on ESC Insight. You can also follow us on Facebook and Twitter.

Images: Eurovision.tv, svt.se, medik
 
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